Faith Wilding, Flesh Petal, 1970. Graphite on paper, 30 x 24" One of the many "cunt" images generated by the Fresno Feminist Art Program Credit: Norma Broude and Mary D. Garrard. The Power of Feminist Art: The American Movement of the 1970s, History and Impact. New York: Harry N. Abrams, Inc., 1994. |
Judy Chicago, Cunt as Temple, Tomb, Cave or Flower, 1974 Credit: Judy Chicago. Through The Flower. 《穿越花朵》。陳宓娟譯。台北：遠流，1997。 |
Georgia O'Keeffe, Red Canna, c. 1923 Credit: Jan Garden Castro. The Art & Life of Georgia O'Keeffe. New York: Crown Trade Paperbacks, 1995. |
Georgia O'Keeffe, Black Iris III, 1926 Credit: Jeffrey Hogrefe. O'Keeffe: The Life of An American Legend. 《美國女畫家歐姬芙》。毛羽譯。台北：方智，1997。 |
Judy Chicago, "Sappo" place setting from The Dinner Party, 1979 Credit: Norma Broude and Mary D. Garrard. The Power of Feminist Art: The American Movement of the 1970s, History and Impact. New York: Harry N. Abrams, Inc., 1994. |
Judy Chicago, The Dinner Party, 1974-79 "White tile floor inscribed in gold with 999 women's names; triagular
table with painted porcelain, sculpted porcelain plates, and needlework;
each side 48' set with thirty-nine place settings, each representing a
historic or legendary woman. Coolaborative work involoving over four
hundred poeple."
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Leonardo da Vinci's The Last Supper, 1495-1498 Credit: CGFA maintained by Carol L. Gerten |
Mary Beth Edelson, Some Living American Women Artists/Last Supper, 1971. Credit: Norma Broude and Mary D. Garrard. The Power of Feminist Art: The American Movement of the 1970s, History and Impact. New York: Harry N. Abrams, Inc., 1994. |
Jean-Aguste-Dominique Ingres' The Turkish Bath, 1862 Credit: The Artchive |
Sylvia Sleigh, The Turkish Bath, 1973 Credit: Norma Broude and Mary D. Garrard. The Power of Feminist Art: The American Movement of the 1970s, History and Impact. New York: Harry N. Abrams, Inc., 1994. |
Buy My Apples, from a late-19th century popular French magazine. Credit: Norma Broude and Mary D. Garrard. The Power of Feminist Art: The American Movement of the 1970s, History and Impact. New York: Harry N. Abrams, Inc., 1994. |
Linda Nochlin, Buy My Bananas, 1972 Credit: Norma Broude and Mary D. Garrard. The Power of Feminist Art: The American Movement of the 1970s, History and Impact. New York: Harry N. Abrams, Inc., 1994. |
Remedios Varo, Born Again, 1960 Credit: Whitney Chadwick. Women Artists and the Surrealist Movement. Thames and Hudson, 1985. |
Kay Sage, My Room Has Two Doors, 1939 Credit: Whitney Chadwick. Women Artists and the Surrealist Movement. Thames and Hudson, 1985. |
Frida Kahlo, My Birth or Birth, 1932 "Encouraged by Diego Rivera, Frida Kahlo decided to document the major
events fo her life in a series of paintings. This first picture shows
the artist's view of her own birth. It also points, however, to the
miscarriage which she has suffered shortly before. the head of the
mother is covered by a sheet--a reference to the death of her own mother
while she was working on the picture."
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Frida Kahlo, The Love Embrace of the Universe, the Earth(Mexico), Myself, Deigo and Senor Xolotl, 1949 "Frida Kahlo frequently adopted a maternal role towards her husband
and emphasized that women in general, and "amongst them-I-always want most
of all to hold him in their arms like a new-born baby." The picture
contains many elements derived from ancient Mexican mythology: day and
night, sun and moon, the earth goddess Cihuacoatl. the Itzcuintli
dog Senor Xolotl, a being in the form of a dog who guards the underworld."
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| 台灣女藝術家： | |
賴美華，《女顏》，1995 Credit: 台北市立美術館展覽組。《意象與美學：台灣女性藝術展》 (Mind and Spirit--Women's Art in Taiwan)。1998。 |
洪美玲，《尋道#8》 Credit: 林珮淳主編。《女/藝/論：台灣女性藝術文化現象》。台北：女書文化，1998。 |
郭娟秋，《生命之樹》，1993 Credit: 林珮淳主編。《女/藝/論：台灣女性藝術文化現象》。台北：女書文化，1998。 |
鄭淑文，《悠哉！悠哉！》，1992 Credit: 《鄭淑文》。台北：雅集藝術中心，1992。 |
邱紫媛，《暗夜》，1992 Credit: 《邱紫媛》。台北：台灣畫廊，1992。 |
蔡海如，《湯匙系列2》，1996 Credit: 林珮淳主編。《女/藝/論：台灣女性藝術文化現象》。台北：女書文化，1998。 |
鄭淑文，《嫁衣》，1991~1992 Credit: 《鄭淑文》。台北：雅集藝術中心，1992。 |
嚴明惠，《男與女》，1991 Credit: 台北市立美術館展覽組。《意象與美學：台灣女性藝術展》 (Mind and Spirit--Women's Art in Taiwan)。1998。 |
邱紫媛，《山谷裡》，1992 Credit: 《邱紫媛》。台北：台灣畫廊，1992。 |
胡碩珍，《胚舞系列---乳汁的聲音I》，1995 Credit: 《胡碩珍1995》。台北：愛力根藝術有限公司，1995。 |