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Introduction
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Catharine R. Stimpson's comment on Kate Millett's Sexual Politics
reflects some cultural ferment in which feminist criticism developed.
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The feminist journey has started from Simone de Beauvior to Kate Millett.
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What's "otherness" in Beauvior's The Second Sex?
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In the 1960s, most feminist critics were making their way.
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What's "sexual politics"?
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The relations between men and women are power relations.
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The most fundamental and pervasive concept of power in our society is male
dominance.
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Does feminist criticism lack literary sense and values?
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What's the relationship among women, education, literary studies and
feminism?
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Why and when did the women's movement arise?
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The alliance among feminism, education, and culture reaches to the climax
in the twentieth century.
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What are the oppositions against feminist criticism?
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Does feminist criticism aggrandize women's historically inferior status?
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The fear of the loss of traditional cultural authority overspreads.
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Feminist criticism arises a clash of worldviews and ideologies.
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How does feminist criticism deal with sexual difference?
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Feminist critics believe that sexual difference means sexual discrimination
and repression.
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Feminist critics want to rewrite literary history and to design the curriculum.
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Can men, the class whose powers feminism analyzes severely, help feminism?
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Feminist critics celebrate the women's difference.
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The celebration of women's difference has produced a number of critical
studies, biographies and anthologies.
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How much does gender matter to literature?
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Feminist critics recognize the difference.
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The study of the difference is the subject of women itself.
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Feminist critics question the meaning of a women authors'¦ membership
in a social group or groups.
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In the 1970's, feminist critics divided into several different critical
communities.
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Kate Millett's Sexual Politics has merits and demerits.
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Although Tori Moi praises Millett for challenging cultural authority, she
charges that Millett is a misreader, ignorant of form, messy with facts.
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Stimpson condemns Millett's use of the generic he in her preface,
which masculinizes the reader of her book..
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Conclusion:
Feminist criticism still rejects hierarchies of literary values and also
continues to suspect linear notions of literary history.
from
Redrawing the
Boundaries: The Transformation of English and American Literary Studies.
Ed. Stephen Greenblatt & Gile Gunn. NY: MLA, 1992. |