"The National Longing for Form" |
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Kate Liu 10/11, '96 | |
purpose: ©Ó±µAnderson, Lukács, Bakhtin, Benjaminªº²z½×¡A½Í¤p»¡¦p¦ó·Q¹³¡B«Øºc°ê®a¡C½Í½×¤p»¡«ÂI¦b¢°¡^¼g¹ê¤p»¡ªº½Æ¦X©Ê(composite nature)¢±¡^¤p»¡»P¥v¸Ö©M¬G¨Æªº¤£¦P¢²¡^²{¥N¤p»¡¤Î²Ä¤T¥@¬É¤p»¡³B²z¡u°ê®avs.¬y©ñ¡vªº¤£¦P¡C | |
I. nation: |
¡¹ two 'anti-death processes'p. 51 (R. Debray) Cf. Balibar & Bhabha ¡@Herder's 'primordial and inalienable roots ¡@populist trends in Romantic poetry (Wordsworth) |
II. Nation and novel | ¡Ðsociological plurals + heteroglossia
--¡¹objectifying the nation's composite nature (language, calendrical coincidences, readership, social classes) p. 49-51 |
Novel and epic | ¡Ðpolitical view vs. ritual view p. 50
--novel directs itself to 'open-ended present'
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key event in the development of the novel:
Lukács¡Ðthe French Revolution Bakhtins¡Ðthat period when 'the world becomes polyglot once and for all ..' Brennan¡ÐB cannot explain on-going heteroglossia [modernist] Novelist vs. Storyteller(Benjamin)¡Ðcommunal/oral vs. Isolated/written; memory or not; with moral vs. meaning of life; the miraculous or not) ¡¹¡ö¡÷Brennan¡Ðone trend in Third World novels is close to storytelling as defined by B p. 55 ¡¹Third World novel¡Ða cosmopolitan form, to play a national role only in an international arena p. 56, examples?
modern political¡Ð¡@deportation--immigrant--refugee--flight 3 kinds 3rd World novels about nation--
ijÃD¡G¨£¡¹¡F¤p»¡ªº½Æ¦XÅé¤@©w¥Nªí°ê®a¶Ü¡H
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