Cosmos: match the positive with positive, negative with negative.
Why is the car so important for both of the friends?  What does the ending (that the car dies again) mean?

-- How he describes his film, and how Cosmos does it.
-- How is the studio presented (Media TV, introducing the band "Cyberdogs" and haircut, with the hostess constantly dancing and camera constantly shifting angles.  Is this a parody of MTV channel, or techno culture?)
-- humor: repetition of the idea of hostage and hair-cutting

-- Jules, is he a hypocrite?   The question of ethics and male voyeurism.
-- What do you think about his concern with "the death of the matter" and his criticism of technology?

Credit:Film Society of Lincoln Center from NY Times Reviews
Sebastien Joannette in ``The Individual,'' which he helped write.

-- How does the film shows a sense of suspense or lurking danger?  Through the setting, camera, and what else?
-- When does this individual start to look suspicious?

-- What makes the two, with such an age difference, charmed by each other?
-- How does Dawn look at her generation (its speed and competitiveness)?  What is she waiting for?
-- How does Dusk look at marriage (as association)?

-- What do you think about the final chase?  Is it a failure as some reviewer thinks?
-- Why is Cosmos so important to the film?   Is he a kind of philosopher?
-- How do you characterize Janvier and Cosmos as two taxi-drivers?