What does Atwood want
to satirize through the imaginary nation, Gilead?
Gilead's hierarchy,
color & names:
Commander, Eye (24, 29; 38),
Angel, Guardian of the Faith (27-28),
Guards, 30
Wife, 16, 18-19; 20-21-22, Serena Joy, and the previous wife
Aunt, pp. 4, 25; 33
Handmaids: their names, Janine p. 35, 36; Martha, p. 13-; 28; Econowives
p. 32, widow, p. 32, Unwoman
Gilead's color: black, blue, etc. pp. 12, 29
Gilead's location:
clues --
Offred escape
north of Maine; the Historical notes: Maine p. 381
News broadcast: p. 107
The underground organization has sent resources
to Canada.
Five Quakers were arrested in a place which used
to be Detroit.
Montreal Satellite station is blocked.
105
-- Atwood's own interpretation: Boston.
"The Wall is the wall around Harvard yard.
All those little shops and stores mentioned are probably there at this
very minute. I lived in Boston for four years. It's also
the land of my ancestors. . . . They were Puritans of the 1630 - 1635 immigration.
. . ."“ (87).
Gilead's geography:Commander's
Compound (Kitchen, lawn with flowers, handmaid's room); gate 18; p. 23;
Red Center, --punishments p. 118
the streets and the stores (Lilies, Milk and Honey, All Flesh)
pp. 31
the Wall, pp. 42-
Jezebel * pp. 105, 107
Gilead's Control:
Spatial control: Offred's
room: p. 9-10 Archaic, Reduced to the basic facilities
Thought Control:
Aunt pp. 25; 33;
No talking, no thinking
p. 10; total control of news broadcast 105-107
salutes and sayings:
e.g. p. 26
"Blessed be the
fruit"; "May the God open"--p. 25; "Praise be." p. 26; farewell =
"Under His Eye" p. 59. "Waste not, want not." p. 9; "Think of yourself
as seeds." p. 25; "The Republic of Gilead knows no bounds. Gilead
is within you." p. 31; two kinds of freedom p. 33; "Modesty is invisibility"
p. 38; "All Flesh is weak" p. 60. "Men are sex machines" 186
Control of women: fewer
widows p. 32
control of sexuality:
Not about romance, passion or desire; only a matter of duty.
p. 122
The man can still enjoy it with two women.
Women turned into ailing mothers” p. 123.
Sexual intercourse ritualized; endorsed by the
Bible.
Offred: like a furniture, arms being held by
Serena p. 121
Who gets killed at the wall? Why?
Why Gilead? background of 1980: authoritarian
moves in the 70's and 80's.
1) Feminist controversies over porn, abortion;
2) conversatism: Reagan era in the United States and Margaret Thatcher's
era in Britain. The 1980s brought a backlash against the feminist movement.
The tide had turned in favor of conservative values,
3) religious fundamentalism: --conservative movement in American
Protestantism; emphasizing as fundamental to Christianity the literal interpretation
and absolute inerrancy of the Scriptures, the imminent and physical Second
Coming of Jesus Christ, the Virgin Birth, Resurrection, and Atonement.
In opposition to modernist tendencies in American religious and secular
life. (source)
How does the narrator,
Offred, re-construct her identity after she is reduced to just the role
of being a handmaid? What does she remember?
resistant thoughts of Marthas: Rita p. 28
survival: apparent obedience, remembering
all the lessons given by the Aunts
self-preservation: Her name p. 108.
"keep the knowledge of [my] name like something hidden, some treasure I'll
come back to dig up, . . ." (108);
subtle self-assertion:
-- Self 1. senses: her smell 1, being alive p. 10,
-- desire Body: exchanges looks with Nick & the guardians 24, 29;
enjoys the power of a dog bone 30; for cigarette and traces of black market
(signs of hope) 19, 24; for neil polish 39
-- her idea of freedom 38;
Relate to the others: yearning 4-5;
talk 13-14; Nick 24; 28-29-30; 45 Ofglen; the previous girl,
Feeling her contact with Nick 104;
Praying "Nolite te bastardes carborundorum": "Don't let the bastard
grind you down." p. 117
Watching him (returning the gaze p. 113)
Language redefined: --
no reading, no store names. p. 33; Habits
33; food (date rape 50 );
Re-definition of household p. 103-104; tense,
tensed 127; Offred, Off-red.
Spaces of freedom: the gym as a palimpsest;
Night p. 49 & memory: Memory – p. 16; 32- Moira, Mother; about Luke
15, 44; daughter pp. 51-52 Remembering as a way of escape: pp. 108-109
(escape); p. 115 (Moira),
Self-assertion after the ceremony p.
124
Criticism p. 25; and correcting Aunt's lessons
in her head 25; 60 "All flesh is weak. All flesh is grass.”
Revision of the Bible: P. 251- "My
God. Who Art in the Kingdom of Heaven, which is within.
I wish you would tell me Your Name, the real one I mean. But
You will do as well as anything. . . .
I have enough daily bread, so I won't waste time on that.
It isn't the main problem. The problem is getting down without choking
on it. Deliver us from evil.
Then there's Kingdom, power, and glory. It takes a lot to believe
in those right now. But I'll try it anyway. In Hope, as they
say on the gravestones. . . . "
The Handmaid's Tale: General Criticism:
How does the handmaid resist? Is she passive? e.g. Not actively
involved in May Day underground group, loves hand cream, Vogue, Sleeps
with both the Commander and Nick, the ending. -- from Margaret
Atwood Revisited by Karen F. Stein
HT as a national allegory using conservative feminism? -- "[The Handmaid's
Tale]'s understanding of female independence is determined by Atwood's
sexually coded understanding of Canada and America. In this, Atwood's full-scale
parody of American society, what concerns her is not a feminist politics
of emancipation, but the nationalist politics of self-protective autonomy,
an autonomy which, as I will argue, eventually translates into an advocacy
of traditional femininity." (Sandra Tomc 74 )
"[Atwood] seems to privilege the female existential will, the realm of
private consciousness, as an adequate recompense for. . . enslavement."
(Glenn Deer 85).
“. . . when [Offred] is finally contacted by the resistance, she is curiously
uninterested. She has sunk too far into the incestuous little household
she serves. . .(Barbara Ehrenriech.)
Angela M. Gulick's master's thesis on the Atwood novel, entitled
"The Handmaid's Tale: More than 1984 with Chicks." The thesis examines
the utopian, dystopian, feminist, and postmodernist traditions associated
with the novel.
Taliban:
"A number of internet resources detail
the possible parallels between the Taliban regime in Afghanistan and Atwood's
fictional "Republic of Gilead" in The Handmaid's Tale." (source)
-- Amnesty
International Report on Afghanistan
Robber Bride
The "Real Story" Making History in Margaret
Atwood's The Robber
Bride