Connie Tseng
Sexual Image in Dali's Paintings
and His Wife, Gala

Introduction: Dali, his Women and Surrealism

     Salvador Dali is very famous for his sexual imagination and images in his paintings, especially those around 1930. One crucial woman, Gala, appeared in his life in 1929, since then her image had continually appeared in many of Dali's paintings.In the process of practicing Surrealism and painting female figures, he inevitably thinks of Gala. With her influence, sexual images in Dali's paintings become more flourishing and symbolic. He shows the contradictory of the fear of sex and the desire for Gala's love thorough the incarnated sexual image, which as the matter of fact is the transformation of Gala, whom Dali spent his whole life to love and appreciate.
 

 "The Enigma of Desire: My mother, My Mother, My Mother" (1929)

Dali is sensitive to women around him. His feelings and affections towards women he loves always show vividly in his paintings. Woman inspires Dali's imagination and motivates him to draw. Three women play very important roles in Dali's life. They are his mother, sister and wife. The painting he paints about his mother is "The Enigma of Desire: My Mother, My Mother, My Mother." In this painting, Dali's face looks like sleeping and having a dream. This dream is the main image of the painting, which has eighty-one boxes on it and less than half of them are printed with the word "ma me're." The image creates delusion in which reality mixes with illusion. The painting shows how Dali can be preoccupied by woman he loves. The back figure of his sister was Dali's favorite material in his early works. The buttock of woman of which Dali dreams was also the important material for Dali's early works. His fine touch and delicate skill even impressed Picasso a lot. Women show their power over Dali by occupying his mind and enlightening his potential. To be one of the few women in Dali's life, Gala proves to be the most dominant powering that influents Dali's mind in various ways.
     Dali concentrated on practicing Surrealism from 1930's to 1940's. He tried his best to search the deepest emotions in sub-consciousness in order to paint out his most truthful and direct feelings. Most critics believe that Dali's greatest works were those done during his surrealistic period, (before the 1940's). Although he later on was expelled because of one controversial painting, "The Enigma of William Tell", he once devoted to Surrealism, which helps him to release the most inner self.

"The Enigma of William Tell¡¨

     Inheriting the typical features of Surrealism, Dali's paintings are mostly the reflections of his desires, dreams, fears and psychological state. Dali's paintings flourish with imagination; he searches materials in his sub-consciousness where desires and all kinds of emotions flourish without disguise. "The surrealists believed that the mind's imaginative powers were fueled directly by desire" (Docent). Sexual images in Dali's paintings are shown frequently and vividly in many forms. The twisted bodies of women and sexual organs are the entire aphrodisiac symbols, which Dali grabs from his sub-consciousness and daubs truthfully on the canvas. In 1930, Dali created another painting called "Invisible Sleeping Woman, Horse, Lion."  The female body is twisted into the shape of the combination of horse, lion and woman. Dali's ability of associating materials was proved to be one of his most apparent characteristics. "The Surrealists understood eroticism to be the dynamic behind the most primordial expressions of human subjectivity, revolt, chaos, crime" (Docent). For example, if a woman appears to be transformed or distorted, it might be that the artist conveys the kind of agitation the he felt from his overwhelming desires.