Graduate of English Language and Literature
Fu Jen Catholic University

Curriculum: Spring 2003

 

Monday

Tuesday

Wednesday

Thursday

Friday

08:10
09:00
     

The Roaring 'Twenties
3E
Dr. Ronald Tranquilla

(75 minutes)

 
09:10
10:00

中國文學專題
3E
謝錦桂毓老師

 

Modern Drama
3E
Prof. Cecilia Liu

 Translation
3E
Fr. Daniel Bauer
LC302
10:10
11:00

The Roaring 'Twenties
3E
Dr. Ronald Tranquilla
(75 minutes)

 
11:10
12:00
 
1:40
2:30
 Shakespeare: Constructions of Self and Family
3E
Dr. Raphael Schulte
(13:40-15:00)
 
English Writing II
3R
Bro. Nicholas Koss
LC 302

 

     
2:40
3:30
    Shakespeare: Constructions of Self and Family
3E
Dr. Raphael Schulte
(3:10-4:30)
3:40
4:30
     
4:30
5:30
         

 

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Senior Thesis/4 credits

Third- and fourth-year students must take this course. Be sure to record this course on the registration form.

English Writing II/2 credits/Br. Nicholas Koss

There is no description for this course.   Please feel free to contact the teacher if you have any questions.

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Translation /3 credits/Fr. Daniel Bauer

This course offers students an opportunity to sharpen skills in the translation of literature from Chinese into English and, to a lesser extent, from English into Chinese. The seminar will study recently published samples of literary translation and compare them with the original language, discussing techniques and strengths and weaknesses in the processes of translation. The seminar will move on examine student samples of translation, with students offering frequent oral reports on their choices of vocabulary, sentence structure, and development of atmosphere, mood, narratorial persona and other characteristics of works in their original versions. About 2/3 of the translation homework will be Chinese-English. Summations of translation theory will also be offered. Student can expect written or discussion homework every week. Strong class participation is a necessity. Average weekly written assignments are 2-3 pages in length, and a 15 page translation/analysis project at the end of the course is expected.

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Shakespeare: Constructions of Self and Family/3 credits/Dr. Raphael Schulte

This course will explore the constructions of self and family present in various comedies and tragedies, as well as one history play and one late romance, by Shakespeare. The plays under discussion may include Two Gentlemen of Verona, Taming of the Shrew, Richard III, Macbeth, A Midsummer Night's Dream, Hamlet, King Lear, and The Winter's Tale. The class will be internet-assisted in that webpages may be constructed weekly. Clips from filmic versions of the plays will also be brought into class discussions of identity formation and familial structures. The internet materials may also include online responses by students, online lectures, Powerpoint files to accompany the lectures, and sound clips. Students enrolled in the class will be asked to construct one website relating to a play discussed during the semester. (Students enrolled in the class will be provided with training in webpage construction.) 

The discussion of A Midsummer Night's Dream may be available as an asynchronous long distance unit. Besides exploring issues related to constructions of self and family in the play, the unit will offer analyses of operatic versions of the play as well as incidental music from performances of the play. The unit may also offer a forum where students enrolled in the class come into contact with professors from within the English Department and from other universities in Taiwan and possibly abroad. The various contributing professors will offer, via the internet, commentary on music, staging, and films related to the play. As a result of this asynchronous unit, students will be able to explore the relationship between Shakespeare's verbal text and related musical adaptations. Students will also encounter visual, aural, and verbal points of entry into the play's dramatic, literary, and historical contexts. Finally, by examining the play from an interart perspective students will be able to see multiple and conflicting interpretations of the play, as well as experience discrepancies between the performances and the verbal text(s).

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Modern Drama/3 credits/Prof. Cecilia Liu

In this class we will study from the vantage point of the end of the twentieth century, mindful of the role of current knowledge and opinion in shaping our view of the major achievements in contemporary drama. From Realism, Naturalism, Expressionism, Epic Theatre, Theatre of the Absurd to the present, the plays we are going to read have been selected primarily for their artistic greatness. I make no arbitrary distinction between historical importance and intrinsic excellence. The most vital and significant plays of the modern repertoire must necessarily have a special historical importance. These plays are landmarks in the contemporary theatre, not only because they broke new ground at the time they were performed, but because reader and theatre-goers of a later time can return to them again and again with new understanding and enjoyment.

TEXTS (Selected reading list):
Ibsen: Peer Gynt (1867); The Wild Duck (1884); Hedda Gabler (1890)
Strindberg: Miss Julie (1888); A Dream Play (1906);The Ghost Sonata (1907)
Chekhov: Uncle Vanya (1899); Three Sisters (1901); The Cherry Orchard (1904)
Shaw: Major Barbara (1905)
Brecht: Mother Courage (1939-41); The Caucasian Chalk Circle (1945) 
Pirandello: Six Characters in Search of An Author (1921)
Beckett: Waiting for Godot (1953); Endgame (1957); "All That Fall" (1957)
Ionesco: The Chairs (1952); Rhinoceros (1960)
Muller: Hamletmachine (1979)
Pinter: The Birthday Party (1959); The Caretaker (1960); The Homecoming (1964)
Shaffer: Amadeus (1980); Equus (1973); The Gift of the Gorgon (1992)
Stoppard Rosencrantz and Guildenstern Are Dead (1967); Travesties (1975);Arcadia (1993)
Churchill: Cloud Nine (1980)

Requirements: 
1) Regular attendance with preparation and class participation 
2) Most of our class time will be spent in discussion, so each of you will be responsible for two in-class oral presentations. You may use questions/discussion style, or whatever effective method(s) you like to use. You have to provide handouts, including bibliography references. 
3) A review/critique of a journal article for each playwright you read for class and the option of doing two papers (8-10 pages each)--the first due around midterm--or one longer paper (15 pages) due at the end of the semester.

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The Roaring 'Twenties/3 credits/Dr. Ronald Tranquilla

The 1920s was a decade that saw revolutionary changes in values, morals, philosophic thought, aesthetics, and ordinary life in the United States. These changes are reflected in and partly were shaped by the literature and art of the time. These revolutionary changes were not confined to the United States, but were evident in many nations, including the literature produced in Taiwan during the 'twenties and beyond. This course will study the intellectual and social background of the American 1920s and of the literature (and some of the art) of the time, including such writers as Hemingway, cummings, Fitzgerald, and Faulkner, and will provide opportunities for interdisciplinary and intercultural studies. Course requirements will include a series of class presentations, participation in critical discussion as in a graduate level seminar, an annotated bibliography on an assigned topic with no less than twenty-five entries, a major research essay fifteen to twenty pages in length, and a final exam.

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中國文學專題/3 credits/謝錦桂毓老師

課程目標:

1.知識:閱讀文獻,鑑賞作品;並概括掌握中國韻文與散文敘事體的發展,積累心靈成長的資料。
2.方法:鍛鍊鑑賞文學作品的觀念和能力;並從過程、方法的鍛鍊中培養眼力、胸襟、處事態度和自主學習的能力。
3.心靈:從作品、作家與主題中體會民族文化心理,學習如何反省自己、社會、傳統、潮流,並對應世界文明發展的主潮,為自己找個安身立命之處。
4.延伸:可為中外比較之參考。

課程內容:

1. 課程說明 1(指上課次數,下同)
2.
文學之門 2
3. 如何做到詩的完全鑑賞 1
4. 選擇點、背景設計、模式塑造與主題呈現 1
5. 被追求者的悲劇-戀愛悲劇模式B型 1
6. 中國女性的文化宿命-負心婚變與怨棄悲劇模式 2
7. 中國人精神家園的追尋與失落-鄉愁悲劇模式 1
8. 散文敘事體敘論 1
9. 筆記體小說專題 1
10. 傳奇體小說專題:命與意的拉鋸-士妓之戀母題 1
11. 話本體小說專題:中國女性在沈淪中的自救意識 1
12. 章回體小說專題:永遠的飄泊-“儒林外史對中國文化的深沈反思 3
13. 期末報告

說明:

1. 上列專題含詩、詞、散曲、戲曲 、神話、寓言、史傳、志人小說、傳奇小說、話本小說、章回小說等。
2. 期末報告一篇,至少6000字,分繳題目、資料目及期末發表兩階段。
3. 文學發展須看規定之中國文學史,並寫成精要提要,按期繳作業。
4. 上課方式:(1)預習(必須做好)(2)討論(必須參與)
5. 評量:包括預習、討論、作業、期末報告(繳題、資料、口頭、文章)、出缺席等項目;必須很嚴謹,詳細會列在課程進度表,並在第一次上課說明。
6. 講義自印;書須自備。
7. 建議假期先讀一些比較大的作品,以減低學期中壓力。書目可到助教室看進度表。
8. 本所中國文學課程已改成兩年開一次,內容大幅壓縮,情非得已;同學只有一次機會,歡迎來看看不同的世界,體會不同的生命境界。
9. 如有疑義,可來面談。
10. 進度表已做好,各項說明都有,願者請到助教室參閱或自行影印。

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