| |
Year |
Title |
Author |
Advisor |
| 1 |
1979.2. |
Guido
in Browning's The Ring and the Book: Truth and Artifice
「戒指與書」中的吉多：真理與虛飾 |
Peter
Lin
林啟藩 |
Fr.
Pierre Demers
談德義 老師 |
| 2 |
1979.5. |
Oder
in Disorder: the Narrative Technique in Faulkner's The Sound and
the Fury
紊亂中的秩序：福克納「聲音與憤怒」之敘事技巧 |
Jennifer
Chi
紀培莉 |
Fr.
Edward Vargo
歐陽瑋 老師 |
| 3 |
1979.6. |
The
Moral Values of Primitivism in D. H. Lawrence's The Rainbow
and Women in Love
「彩虹」及「戀愛中的女人」：勞倫斯原始主義之道德價值 |
Connie
K'ang
康家麗 |
Fr.
Edward Vargo
歐陽瑋 老師 |
| 4 |
1979.6. |
Secular
and Divine Love in Doone's Poetry
鄧約翰詩中的世俗愛與宗教愛 |
Linda
Li
李敏惠 |
Fr.
Pierre Demers
談德義 老師 |
| 5 |
1979.8. |
A
Study of Chekov's Dramatic Form
契可夫戲劇結構研究 |
Anne
Chou
周先俐 |
Fr.
Pierre Demers
談德義 老師 |
| 6 |
1980.6.1 |
Human
Relationships in Virginia Woolf's To the Lighthouse
吳爾芙「燈塔行」中的人際關係 |
Susan
Chang
張千鈴 |
Sr.
Heliena Krenn
賀永光 老師 |
| 7 |
1980.5. |
The
Dramatic Delineation and Revelation of Heroic and Tragic Character in
the Poetry of Robert Browning
勃朗寧詩中之藝術與悲劇人物的戲劇性描述與呈露 |
Kelly
Tseng
曾秀美 |
Rev.
Patrick Sheridan
薛里旦 老師 |
| 8 |
1980.5.
|
Pride
and Humility in John Milton's character Satan, Jesus, and Samson
密爾頓人物，撒旦，耶穌與參孫之驕傲與謙遜 |
John
Yeh
葉約翰 |
Rev. Peter Venne
文訥 老師 |
| 9 |
1980.5. |
The Good Earth in the Novels of Pearl Buck and Willa Cather
賽珍珠與維拉凱塞小說中的大地之愛 |
Marshal Hsu
徐培資 |
Rev. Peter Venne
文訥 老師 |
| 10 |
1980.6. |
Where Do We Go from Here? Trends in Modern Chinese and Western Theater
何去何從？論中西現代戲劇之潮流 |
Casey Chi
紀蔚然 |
Fr. Edward Vargo
歐陽瑋 老師 |
| 11 |
1980.7. |
Images
and Levels of Meaning: T. S. Eliot's Four Quartets
艾略特四重唱詩中之意象與意義 |
Alice
Wang
王寄瀛 |
Fr.
Pierre Demers
談德義 老師 |
| 12 |
1982.7.
|
The
Triumph of Love in Shelley's Prometheus Unbound
「愛」之凱旋：論雪萊「被鬆綁的普洛米修斯」 |
Clytie
Chu
祝寶梅 |
Fr.
Pierre Demers
談德義 老師 |
| 13 |
1983.5.
|
A
Study of Multiple Point of View in William Faukner's Absalom, Absalom!
福克納《阿貝沙隆》中敘述觀點之研究 |
Sherry
Tai
戴心慧 |
Fr.
Pierre Demers
談德義 老師 |
| 14 |
1983.6. |
A Comparative Study of the Religious Figures in Joseph Andrew and
Hung-lou Meng
菲爾汀小說與紅樓夢神職人員之比較研究 |
Douglas Ho
賀一平 |
Fr. Edward Vargo
Bro. Nicholas Koss
歐陽瑋 老師
康士林 老師 |
| 15 |
1983.6.1
|
The Dynamic of Isolation and the Quest for Belonging in Four Plays by
Eugene O'Nell
孤寂及歸屬感的尋求：尤金•歐尼爾四劇研究 |
Cecilia Hseuh-chen Liu
劉雪珍 |
Fr. Edward P. Vargo
歐陽瑋 老師 |
| 16 |
1984.1. |
Struggling with the Impossible: an Evaluation of the English Translations
of The Shih-Ching
試析英譯詩經與原著神髓之異同 |
Janet Sun
孫小玉 |
Bro. Nicholas Koss
康士林 老師 |
| 17 |
1984.6.1 |
The Concept of Reincarnation in Yeats' Poetry and A Vision
葉慈詩作與靈視錄中的輪迴觀 |
Eva Ching-hsuan Huang
黃靜萱 |
Fr. Pierre Demers
談德義 老師 |
| 18 |
1984.6.2 |
Form Stage to Screen: Film Adaptations of Three Plays by Tennessee Williams:
A Streetcar Named Desire, Cat on a Hot Tin Roof, and
Suddenly Last Summer
從劇場到螢幕：田納西•威廉斯三劇的電影改編 |
Christine Jen-gan Chen
陳振淦 |
Fr. Edward P. Vargo
歐陽瑋 老師 |
| 19 |
1984.7.3 |
The Role of Religion in George Eliot's Adam Bede and Middlemarch
喬治•艾略特二本小說中的宗教角色 |
Summer Chang
張夏美 |
Sr. Heliena Krenn
賀永光 老師 |
| 20 |
1984.7. |
The Concepts of Illusion and Reality in Three Novels of F. Scott Fitzgerald:
The Beautiful and Damned, The Great Gatsby, and
Tender is the Night
費玆爵羅三本小說中的現實與幻夢 |
Cynthia Wu
吳信鳳 |
Bro. Nicholas Koss
康士林 老師 |
| 21 |
1984.7. |
Machiavellianism in Four Plays of Christopher Marlowe
馬羅四劇中的馬基維利主義 |
Anne Chih-mei Chao
趙志美 |
Fr. Edward Vargo
歐陽瑋 老師 |
| 22 |
1985.6.1 |
Fate and Fortune in the Plays of Christopher Marlowe
馬婁劇作中的命與運 |
Wallace Sher-Shiueh Li
李奭學 |
Fr. Edward P. Vargo
歐陽瑋 老師 |
| 23 |
1985.7.2 |
Extremes and Fulcrum: Life, Death, and Art in Yeats's Poetry
極端與終點：葉慈詩中的生命、死亡與藝術 |
Jane Su-chung Chien
簡素埩 |
Fr. Pierre Demers
談德義 老師 |
| 24 |
1985.7.3 |
The Weaving of Themes in T. S. Eliot's Four Quartets
艾略特『四首四重奏』之主題交織 |
Sun Wei-min
孫維民 |
Fr. Pierre Demers
談德義 老師 |
| 25 |
1985.8.
|
Quest
for Affirmation: The Hero in Three Novels by Saul Bellow
貝婁三書中的生命之愛 |
Jane Wu
吳愛珍 |
Bro. Nicholas Koss
康士林 老師 |
| 26 |
1986.6.1 |
The Rhetoric of Quest in Moll Flanders
『莫兒•法蘭德絲』：狄福的追尋神話與修辭技巧 |
J. J. Lyu
呂健忠 |
Fr. Edward P. Vargo
歐陽瑋 老師 |
| 27 |
1986.6.2. |
The Quest for the Realization of Abstract Potentiality: A Study of the
Tragic Process in Eugene O'Nell's Beyond the Horizon and
The Iceman Cometh
幻夢的執著：尤金•歐尼爾『天邊外』和『送冰人來了』二劇中的悲劇過程研究 |
David Sheng-yen Yu
余盛延 |
Fr. Edward P. Vargo
歐陽瑋 老師 |
| 28 |
1986.7.3 |
The Function of Questions in Ten Malamud Stories
瑪拉末十個故事中『問題』的功用 |
Kao Han-mei
高寒梅 |
Ms. Donna Schaefer
謝德樂 老師 |
| 29 |
1986.7.4 |
Melopeia: A Study of G. M. Hopkins Poetic Canons and The Wreck of
the Deutschland
霍普金斯詩中音樂性及“德意志號沈沒記” |
Chien Yu-lung
監玉龍 |
Fr. Pierre Demers
談德義 老師 |
| 30 |
1987.5.1 |
The Theme of Escape in Dois Lessing's Fiction
陶麗絲拉辛作品之逃避主題 |
Agnes Ying-fun Cheung
張瑩棻 |
Dr. Agathe C. Bramkamp
裴德 老師 |
| 31 |
1987.6.2 |
"Integrity of Life": Love and Death in the Major Plays of John Webster
圓融之生命：約翰•韋伯斯特主要劇作中的愛與死 |
Kay Chi-mei Chang
張季玫 |
Dr. Steven Bennet Berkowitz
白行健 老師 |
| 32 |
1987.7.3 |
Character Development in The Waves
『浪花』敘事詩中人物心路歷程之研究 |
Daphne Shuo-yin Lin
林芍音 |
Fr. Pierre Demers
談德義 老師 |
| 33 |
1987.9.4 |
Symbolic Meaning of the Four Elements in Robert Frost's Poetry
佛洛斯特詩中四元素的象徵意義 |
William Cheng-kun Lee
李正焜 |
Fr. Pierre Demers
談德義 老師 |
| 34 |
1987.9.5 |
Dream and Reality: the Quest for Ideal Beauty and Love in John Keats's
Odes
濟慈六大歌中美與愛、夢想與現實的主題研究 |
Victor Tien-cheng Shen
沈添鉦 |
Fr. Pierre Demers
談德義 老師 |
| 35 |
1987.6.6 |
Metaphor as the Vehicle of Metaphysic: A Study on The Rainbow
and Women in Love
勞倫斯「彩虹」與「戀愛中的女人」之主題研究 |
Shirley Wu
吳淑華 |
Fr. Pierre Demers
談德義 老師 |
| 36 |
1987.9 |
Responsibility vs. Freedom: The Problems of Marriage in the Portrait
of a Lady and The Awakening
責任對自由：「仕女圖」和「覺醒」中的婚姻問題 |
Denise Hsieh
謝琦梅 |
Fr. Edward Vargo
歐陽瑋 老師 |
| 37 |
1988.5 |
Subjective Consciousness versus Objective Unconsciousness: Window Motif
and Deception in Thomas Hardy's Major Fiction
內在世界ＶＳ﹒外在世界：湯姆斯•哈代主要小說中「窗」意象之運用 |
May Hsu
薛梅 |
Dr. Joyce Liu
劉紀蕙 老師 |
| 38 |
1988.6.1 |
Water Imagery in Thomas Hardy's The Return of the Native and
Tess of the D'Urbervilles
水意象在哈代小說歸鄉、黛絲姑娘中之表現 |
Yinny Hsiu-yin Chen
陳琇瑩 |
Dr. Joyce Liu
劉紀蕙 老師 |
| 39 |
1988.6.2 |
The Use of Time and Place in Malamud's The Assistant and
The Fixer
瑪拉末小說『夥計』與『修補匠』中時間與空間的運用 |
Artemis Mei-ling Huang
黃美齡 |
Fr. Pierre Demers
談德義 神父 |
| 40 |
1988.6.3 |
Society and Individuals in John Ford's Love Tragedies
約翰傅德愛情悲劇中的社會與個人 |
Marie Mei-wen Wu
吳美雯 |
Dr. Steven Bennet Berkowitz
白行健 老師 |
| 41 |
1988.6 |
Between Anima Hominis and Anima Mundi: Yeats' Poetic Mask
在人魂與世界魂之間：葉慈詩作中的面具 |
Marian Wu
吳美真 |
Fr. Pierre Demers
談德義 老師 |
| 42 |
1988.9 |
Mother-Daughter Relationships: A Sampler from Katherine Anne Porter
and Doris Lessing
凱塞琳安波特與桃樂絲蕾辛作品中的母女關係 |
Sophie Hsu
許慧 |
Sr. Bramkamt Agathe
裴德 老師 |
| 43 |
1989.3.1 |
Edmund Spenser: the Public Poet and the Private Man
愛德蒙•史班賽：外在的詩人與內在的自我 |
Huang Han-hwa
黃漢華 |
Dr. Steven Bennet Berkowitz
白行健 老師 |
| 44 |
1989.6 |
The Dual Funcitons of the Narrator and the Reader in Thackeray's
Vanity Fair
薩克萊的浮華世界中，讀者和作者的雙重性作用 |
Sherry Lin
林惠芬 |
Fr. Pierre Demers
談德義 老師 |
| 45 |
1989.6
|
The Occult as Figurative Speech: The Semantic Dimension of the Mysterious
in The Winter's Tale
「冬天的故事」中神秘事件的語意層面 |
Sharon Ou
歐馨雲 |
Mr. Steven Berkowitz
白行健 老師 |
| 46 |
1989.6.2 |
Four Lovers in Chaucer's Troilus and Criseyde
喬叟『卓勞士與克麗絲黛』中的四種愛 |
David Kuo-hua Chong
張國華 |
Dr. Steven Bennet Berkowitz
白行健 老師 |
| 47 |
1989.6.3 |
Politics and Art in Shakespeare's and Jonson's Roman Tragdies: Coriolanus,
Julius Caesar, Sejanus, and Catiline
莎士比亞與班強生羅馬悲劇中的政治及藝術 |
Jennifer Wen-yuan Chiu
邱文媛 |
Dr. Steven Bennet Berkowitz
白行健 老師 |
|
48 |
1990.6.1 |
Light Imagery and Moral Maturation in George Eliot's Felix Holt
and Middlemarch
喬治•艾略特小說《菲利•霍特》和《密德馬區》中光之意象與道德成長 |
Lisa Yan-ping Luu
魯燕萍 |
Dr. Joyce Liu
劉紀蕙 老師 |
| 49 |
1990.7.2 |
Through the Glass and into the Hole: "Word Golf" as a Game of Deconstruction
in Vladimir Nabokov's Pale Fire
穿鏡象而入玄洞：納博可夫《黯幽之火》中解構遊戲 |
Fred Chang
張志維 |
Fr. Pierre Demers
談德義 老師 |
| 50 |
1990.8 |
Opposition and Coexistence: Class Consciousness in John Fowles's
The Collector and The French Lieutenant's Woman
敵對與共存：約翰•傅敖斯的《蝴蝶春夢》與《法國中尉的女人中》的階級意識 |
Josephine Chen
陳茗芬 |
Bro. Nicholas Koss
康士林 老師 |
| 51 |
1990.9 |
Men and Women in Games: Sexual Relationships in William Congreve's
Love for Love and The Way of the World
遊戲人生話男女：康格瑞弗《愛之真諦》、《人世百態》劇中兩性探索 |
Miranda Chen
陳麗秀 |
Mr. Steven Berkowitz
白行健 老師 |
| 52 |
1990.9
|
Hester's
Psychological Dialectics in The Scarlet Letter
《紅字》中黑絲特心理辯證的歷程 |
Alice Kuo
郭鳳姬 |
Fr. Pierre Demers
談德義 老師 |
| 53 |
1990.9 |
The Art of D. H. Lawrence: A Study of teh Imagery in Four Short Stories
勞倫斯的藝術－－四篇短篇小說之意象研究 |
Hartmut Erdmann
郝靈君 |
Fr. Pierre Demers
談德義 老師 |
| 54 |
1991.1 |
"Once I Believed in Friendship": Friendship in the Novels of F. Scott
Fitzgerald
「我曾經相信友誼」：論費玆傑羅小說中的友誼 |
Miriam Chen
陳美靜 |
Bro. Nicholas Koss
康士林 老師 |
| 55 |
1991.7.1 |
The Revelation of Pompilia: a Feminist Reading of The Ring and the
Book
龐比莉亞的啟示：《戒指與書》的女性主義解讀 |
Jenny Hsiu-ying Jen
任秀英 |
Fr. Pierre Demers
談德義 老師 |
| 56 |
1991.8.2 |
Marriage as a Symbol in Three Froster Novels
婚姻的象徵意義：佛斯特三本小說之研究 |
June Yu-fong Liu
劉玉鳳 |
Ms. Donna Schaefer
謝德樂 老師 |
| 57 |
1991.8 |
Roaming Through the Schizophrenic Playground: Chaucerian Wonders in
The House of Fame
漫遊精神分裂的遊戲場：《名譽之屋》中之喬叟式驚奇 |
Christy Tseng
曾秀雲 |
Mr. Steven Berkowitz
白行健 老師 |
| 58 |
1991.8
|
Under the Moral Lens: Language and Communication in George Eliot's
Middlemarch and Daniel Deronda
道德鏡頭下的世界：喬治•艾略特小說《密德馬區》及《丹尼爾•狄諾達》中的語言與溝通 |
Alice Li
李靜芝 |
Dr. Joyce Liu
劉紀蕙 老師 |
| 59 |
1992.1.1
|
"It Is the Same Picture": Conrad's Meditation on Race in the Malay Trilogy
馬來三部曲中康拉德對種族問題的省思 |
Anne Pi-hui Chao
趙丕慧 |
Sr. Heliena Krenn
賀永光 老師 |
| 60 |
1992.5.1 |
Torn between Two Loves? Self-Division in Wallace Stevens
魚與熊掌的抉擇？華勒士•史蒂文斯的自我分裂性格 |
Chen Mei-rong
陳美容 |
Fr. Pierre Demers
談德義 神父 |
| 61 |
1992.6.3 |
Eloquence and Silence in Conrad's Nostromo
康拉德《諾斯卓模》中的雄辯與沈默主題 |
Brian Hsu
許貴運 |
Sr. Heliena Krenn
賀永光 老師 |
| 62 |
1992.6.4 |
Carnivalesque Laughter and Transmuted Time in Virginia Woolf's Orlando
維琴妮亞•吳爾芙小說《奧蘭多》之嘻笑嘉年華與時間質變 |
Florence Li
李小清 |
Fr. Pierre Demers
談德義 神父 |
| 63 |
1992.6.5 |
A Study of Dichotomy in Shakespeare's Measure for Measure
莎士比亞《以牙還牙》中二分法的研究 |
Wong Lai-mai
黃麗眉 |
Dr. Steven Bennet Berkowitz
白行健 老師 |
| 64 |
1992.7.6 |
Netting the "Fin" in "This Globe" of Language: Dialectic Tension between
Word and Image in Virginia Woolf's
The Waves
文學中的畫境：維吉妮亞•吳爾芙《浪花》中文字與圖像的辯證 |
Judith I-yn Chen
陳藝雲 |
Dr. Joyce Liu
劉紀蕙 老師 |
| 65 |
1992.7.7 |
The Subversive Drives: Women in Tom Stoppard's Creative World
顛覆的勢力：湯姆•史達帕筆下的女性眾生相 |
Doris Chang
張黎文 |
Ms. Donna Schaefer
謝德樂老師 |
| 66 |
1993.1.1
|
The
Maze of Morality: Time and Narrative in John Fowels's The Magus
道德迷宮：論約翰•福敖斯《大法師》一書中之時間與敘述 |
Corina
Feng-yu Hsieh
謝鳳玉 |
Bro.
Nicholas Koss
康士林 老師 |
| 67 |
1993.4.2 |
The
Idea of History in Shakespeare's Roman Tragedies: Julius Caesar,
Antony and Cleopatra, and Coriolanus
莎士比亞羅馬悲劇中之歷史理念 |
Elyssa
Yueh-ting Cheng
鄭月婷 |
Dr.
Steven Bennet Berkowitz
白行健 老師 |
| 68 |
1993.7.3 |
Dialectic
of Art and Society in Thomas Hardy's Tess of the D' Urbervilles
從藝術與社會的辯證觀點談哈代之《戴絲姑娘》 |
John
Chih-yuan Liu
劉志源 |
Fr.
Pierre Demers
談德義 神父 |
| 69 |
1993.7.4 |
Her
Body Speaks: Patriarchal Construct vs. Feminine Discourse in Charlotte
Bronte's Jane Eyre
女性身體的語言：夏綠蒂•勃朗特《簡愛》中男性架構與女性言談的對立 |
Nancy
Tsyr-hey Yen
顏慈慧 |
Dr.
Joyce Liu
劉紀蕙 老師 |
| 70 |
1993.7.5 |
A
Rhetoric of Dialogic Imagination in Charles Dickens's Great Expectations
迴向辯證與繁複思維：狄更斯《錦繡前程》之為華美文體
|
Mythena
Tsai
蔡美玉 |
Fr.
Daniel Bauer
鮑端磊 老師 |
| 71 |
1994.1.1 |
Romance,
Narrative and Identity in Joseph Conrad's Chance
康拉德的『機會』：羅曼史，敘事技巧與自我追尋的立體世界 |
Emily
Ching-yu Ku
古清瑜 |
Sr.
Heliena Krenn
賀永光 老師 |
| 72 |
1994.6.2 |
Daughter
and Domestic Relationships in George Eliot's The Mill on the Floss
試論喬治•艾略特《弗洛斯河上的磨坊》一書中女兒瑪姬與其家庭之關係 |
Joyce
Li-hua Jen
任立華 |
Fr.
Daniel J. Bauer
鮑端磊 老師 |
| 73 |
1995.1.1 |
"Violence"
in Katherine Anne Porter's Short Fiction
凱薩琳•安•波特小說中“暴力“主題 |
Joyce
Yun-hua Yang
楊韻華 |
Fr.
Daniel J. Bauer
鮑端磊 老師 |
| 74 |
1995.5.2 |
Bigoted
Waiting, Watching, and Believing in William Faulkner's Light in August
威廉•福克納《八月之光》中偏執己見之等待、觀看與相信 |
John
Hsiung-ming Huang
黃雄銘 |
Bro.
Nicholas Koss
康士林 老師 |
| 75 |
1995.5.3 |
To
Be "Universally Acknowledged" -- The Father in Jane Austen's Novels
讓他們『舉世皆知』－珍•奧斯汀小說中父親角色的研究 |
Winifred
Fei-ling Huang
黃妃伶 |
Bro.
Nicholas Koss
康士林 老師 |
| 76 |
1995.7.4 |
Paradise
Reconsidered: Emily Bronte's Androgynous Ideal in Wuthering Heights
新天堂樂園：『咆哮山莊』中的雌雄同體觀 |
Maria
Shu-hui Feng
馮淑慧 |
Fr.
Daniel Bauer
鮑端磊 老師 |
| 77 |
1995.7.5 |
"Of
Meere Necessity": Form, Digression, and Self-Definition in John Milton's
Antiprelatical Tracts
「情非得已」：約翰•米爾頓反主教制散文中形式、題外話及自我定義之關係 |
Jessie
Yu-chuan Chang
張郁娟 |
Dr.
Raphael J. Schulte
蕭笛雷 老師 |
| 78 |
1995.7.6 |
Father-Son
Relationship in John Updike's Rabbit Tetralogy
約翰•阿普戴克兔子四部曲中的父子關係 |
Clara
Shu-chuan Hung
洪淑娟 |
Fr.
Daniel Bauer
鮑端磊 老師 |
| 79 |
1996.1.1 |
Drinking
and Alcoholism in the Novels of F. Scott Ftizgerald
論費滋傑羅小說中的縱飲與酗酒問題 |
Ellen
Yin-xiao Chen
陳盈秀 |
Bro.
Nicholas Koss
康士林 老師 |
| 80 |
1996.6.1 |
Framing/De-framing
the Pre-Raphaelite Woman: John Fowles's Ekphrastic Revision in The
French Lieutenant's Woman
前拉斐爾女性形象的設框與去框：約翰•傅敖斯《法國中尉的女人》中之讀畫式改寫 |
Yvonne
Dwan-dwan Ou-yang
歐陽端端 |
Dr.
Joyce Liu
劉紀蕙 老師 |
| 81 |
1996.6.2 |
Providentialism
And Cultural Oppositions: Historical Representations In Milton's Early
Poetry
天佑論與文化衝突：彌爾敦早期詩中的歷史想像與再現 |
Alex
Chi-ping Ma
馬治平 |
Dr.
Raphael Schulte
蕭笛雷 老師 |
| 82 |
1996.7.3 |
Criseyde
True, Criseyde False: The Reconstructionof Criseyde in Chaucer's Troilus
and Criseyde
克麗賽緹的是與非：論喬叟的《卓勞士與克麗賽緹》中克麗賽緹的角色重塑 |
Eleanor
Hei-wen Shih
施惠文 |
Dr.
Carolyn Scott
石苓 老師 |
| 83 |
1996.7.4 |
Women,
Thy Name is Reality: Fitzgerald's Women in The Great Gatsby and
Tender Is the Night
女人，妳的名字是現實：費滋傑羅《大亨小傳》和《夜未央》中女性角色的探究 |
Grace
Li-ling Yang
楊麗玲 |
Bro.
Nicholas Koss
康士林 老師 |
| 84 |
1996.7.5 |
The
Phenomenon of Tolerance in the Narrating Huck of The Adventures of
Huckleberry Finn
《哈克歷險記》中敘述者哈克的寬容意識現象 |
Ivy
Neu-ling Huang
黃女玲 |
Bro.
Nicholas Koss
康士林 老師 |
| 85 |
1997.1.1 |
From
Dialectic to Redemption: Art and Life in Isak Dinesen's Ficiton
從辯證到救贖：艾沙克•丹尼蓀小說中的藝術與人生 |
Cynthia
Ling-his Chang
張令熹 |
Bro.
Nicholas Koss
康士林 老師 |
| 86 |
1997.4.2 |
Huck's
Choices of Right and Wrong: A Study of Value Influence in Twain's Adventures
of Huckleberry Finn
哈克的「對與錯」抉擇：《哈克歷險記》中價值影響力的探討 |
May
Hsiu-mei Tsai
蔡秀妹 |
Fr.
Daniel Bauer
鮑端磊 老師 |
| 87 |
1997.6.3 |
"Fear"
in Robinson Crusoe
《魯賓遜漂流記》中「恐懼」之主題 |
Vicky
Pau-lien Chen
陳寶蓮 |
Fr.
Daniel Bauer
鮑端磊 老師 |
| 88 |
1997.6.4 |
Living
in and Leaving the House, 124: Identity Reconstruction Through Community
and "Rememory" in Morrison's Beloved
居家與離家：佟妮•摩理森《摯愛》中的主體、族群與記憶 |
Michelle
Su-ming Huang
黃淑明 |
Dr.
Kate Chi-wen Liu
劉紀雯 老師 |
| 89 |
1997.6.5 |
E.M.
Forster's Cultural Critique on Cultural Identity, Gender Issue, and
Social Class Through Sisterly Relationship in Howards End
福斯特之文化批評：由姊妹關係論《豪華園》中的文化認同、性別與社會階級 |
Belinda
Yih-lin Jiang
江逸琳 |
Dr.
Joyce Chi-hui Liu
劉紀蕙 老師 |
| 90 |
1997.6.6 |
The
Symbolic Meanings of Light in Emily Dickinson's Poetry: Light as Aesthetic
Mood and Perception
艾茉莉•狄金生詩中光之象徵意義：光做為美學氣氛與觀視 |
Dorothea
Heng-hsiu Tung
董恆秀 |
Dr.
Raphael J. Schulte
蕭笛雷 老師 |
| 91 |
1997.7.7 |
A
Lesson of Survival in Daniel Defo's Moll Flanders
論狄福之《摩兒•佛蘭德思》中生存的教訓 |
Louise
Lih-lan Yiin
尹麗蘭 |
Bro.
Nicholas Koss
康士林 老師 |
| 92 |
1997.7.8 |
The
Taming of Shrews: Language and Subersive Women in the Corpus Christi
Cycles
馴悍記：始末劇組中的語言與女性顛覆 |
Janet
Su-bih Lin
林素碧 |
Dr.
Carolyn F. Scott
石苓 老師 |
| 93 |
1998.1.9 |
"Your
Mother Is in Your Bones!": The Mother-Daughter Relations in Amy Tan's
The Joy Luck Club
「母女連心」：譚恩美《喜福會》一書中母女關係的探討 |
Joanna
Ya-chen Hsu
許雅貞
|
Dr.
Kate Chi-wen Liu
劉紀雯 老師 |
| 94 |
1998.6.8 |
"Sign
Language of a Lost Otherworld": Sylvia Plath's Ekphrastic Creation in
Ten Poems on Visual Art
「超越俗世的祕密語言」：席薇亞•普拉絲十首視覺藝術詩的讀畫式重現 |
Julia
Chin-chu Chang
張金株 |
Dr.
Raphael J. Schulte
蕭笛雷 老師 |
| 95 |
1998.6.9 |
Female
"Intimacy": Sororal Relationships and Feminine Friendship in Jane Austen's
Major Fiction
女性之「親」：珍•奧斯汀小說中之姊妹關係與女性友誼 |
Erin
Hsiao-Fen Hung
洪小棻 |
Bro.
Nicholas Koss
康士林 老師 |
| 96 |
1998.7.1 |
The
Way to Freedom: Individuation and Wholeness in H.D.'s Helen in Egypt
解放之路：H.D. 《海倫在埃及》詩作中的個體化與人神合一 |
Alex
Kuo-liang Yuo
游國良 |
Dr.
Raphael J. Schulte
蕭笛雷 老師 |
| 97 |
1998.7.9 |
The
Problem of Evil in Some of Joseph Conrad's Fiction
康拉德小說中善惡問題之探討 |
Bruce
Chien-cheng Yang
楊建成 |
Sr.
Heliena Krenn
賀永光 老師 |
| 98 |
1998.7.31 |
Feminine
Accomplishment in Jane Austen's Major Fiction
珍•奧斯汀小說中之女性才華之探討 |
Samantha
Chih-shan Wang
王之珊 |
Bro.
Nicholas Koss
康士林 老師 |
| 100 |
1998.12.21 |
Seclusion
and Reunion: Experiences of Death in Emily Dickinson's Poetry
隔絕與團聚：艾蜜莉狄金生詩作中的死亡經驗 |
Susan
Su-hsien Cheng
鄭素賢 |
Dr.
Raphael J. Schulte
蕭笛雷 老師 |
| 101 |
1999.1.11 |
The
Precarious Position of Women in Daniel Defoe's Moll Flanders
and Roxana
丹尼爾•狄福《茉兒•佛蘭德思》與《蘿克珊娜》中女性角色所面臨的危機 |
Daisy
Tsai-Ching Yeh
葉采青 |
Fr.
Daniel Bauer
鮑端磊 老師 |
| 102 |
1999.4.27 |
Frustration
Comes Full Circle: The Structure of Unattainable Love and Excessive
Drinking in The Sun Also Rises
挫折周而復始：《旭日又升》中真愛難尋與縱飲之結構分析 |
Katie
Hsiu-mei Lin
林秀美 |
Bro.
Nicholas Koss
康士林 老師 |
| 103 |
1999.6.17 |
Power
and Powerlessness of the Author in Kurt Vonnegut's Slaughterhouse-Five
and Breakfast of Champions
「五號屠宰場」與「冠軍早餐」中作者之權力與無力 |
Sarah
Hu Chen Chi
胡禎琪 |
Dr.
Kate Chi-wen Liu
劉紀雯 老師 |
| 104 |
1999.6.24 |
Veritas
Vitae, Vita Veritatis: Presentations of Life and Truth in J.H. Newman's
Apologia pro vita sua
生命的真理與真理的生命：紐曼自傳中生命與真理之探討 |
Christophe
Lung-lin Wu
吳龍麟 |
Fr.
Daniel Bauer
鮑端磊 老師 |
| 105 |
1999.07.05 |
The
Dynamics of Lao-tzu's Yin and Yang: Mapping Caryl Churchill's Sexual
Politics in Light Shining in Buckinghamshire, Top Girls,
and Cloud Nine
管窺老子陰陽變化：試論邱琪兒《白金漢之光》、《頂尖女孩》、《九霄雲外》三劇性別政治之建構 |
Isabella
Hui-yu Liu
劉蕙瑜 |
Ms.
Cecilia Liu
劉雪珍 老師 |
| 106 |
1999.7.21 |
"The
Art Of Loing Isn't Hard to Master ": Elizabeth Bishop' Poetic Mastery
of Loss
「失落的藝術不難精通」:依麗莎白·畢夏詩中失落的創作 |
Tammy
Li-Yui Huang
黃麗玉 |
Dr.
Raphael J. Schulte
蕭笛雷 老師 |
| 107 |
1999.7.22 |
A
Bakhtinean Reading On The Issue Of Identity: The Time-Space Continuum,
Voices And Folk Songs In Toni Morrison's Song Of Solomon
從巴赫汀理論省思認同問題:《所羅門之歌》中時空性、對話性及民歌之研究 |
Sandy
Hsin-Yi Kao
高心怡 |
Ms.
Cecilia Liu
劉雪珍 老師 |
| 108 |
2000.1.22 |
Ideology
and Class Conflicts in Sons and Lovers
《兒子與情人》中的意識型態和階級衝突 |
Annie
Fang-chuan Hsieh
謝芳涓 |
Dr.
Kate Chi-wen Liu
劉紀雯 老師 |
| 109 |
2000.6.14 |
Musical
Expression as an Ethnical Identity in Three Plays by August Wilson
奧古斯特•威爾森三劇中以藍調詮釋族裔認同之省思 |
Philip
Chia-Yi Chang
張嘉怡 |
Ms.
Cecilia Liu
劉雪珍 老師 |
| 110 |
2000.6.15 |
The
Reading of Intertextuality in Anne Bronte's Writing and Drawing
閱讀安•勃朗特書寫與繪畫中之互文性 |
Brian
Guan-rong Chen
陳冠榮 |
Dr.
Joyce Chi-hui Liu
劉紀蕙 老師 |
| 111 |
2000.7.20 |
Self-Justification
and Self-Obliteration in Seamus Heaney's Poems
謝默斯•黑倪詩中自我定位、否定和藝術之衝突 |
Ophelia
Chu Feng Lin
朱鳳蓮 |
Dr.
Raphael J. Schulte
蕭笛雷 老師 |
| 112 |
2000.7.25 |
Self-identity
in The Comedy of Errors : The Power of Law, Marketplace and Christianity
莎劇《錯中錯》中自我定位之探討：法律、市場及宗教力量 |
Angela
Chun-Ling Wei
魏君玲 |
Dr.
Raphael J. Schulte
蕭笛雷 老師 |
| 113 |
2001.1.15 |
Confrontations
with Otherness: Boundaries Between the Self and others in Elizabeth
Bishop's Poetry and Prose
遭遇他者：伊莉莎白．畢夏詩文中自我與他者間之疆界 |
Jessie
Yi-Ru Chen
陳怡如 |
Dr.
Raphael J. Schulte
蕭笛雷 老師 |
| 114 |
2001.5. |
Two-Staged
Reduction In George Orwell's Nineteen Eighty-Four
喬治歐威爾在「一九八四」中對人性的兩階段貶抑 |
Joyce
Tzu-Yu Liu
劉子瑜 |
Fr.
Daniel Bauer
鮑端磊 老師 |
| 115 |
2001.6. |
Seeing
"The Real Thing": The Aesthetics of Impressionism in The Ambassadors
看見"真實": 亨利詹姆斯"奉使記"中的印象主義美學 |
Allison
Tzu-yu Lin
林孜郁 |
Dr.
Joseph Murphy
墨樵 老師 |
| 116 |
2001.7.27 |
Racial
Identity and the Blues in Langston Hughes's The Weary Blues and
Fine Clothes to the Jew
蘭斯登•休斯「疲倦藍調」與「好衣服賣猶太人」中種族定位與藍調之關係 |
Louise
Yi-ning Chen
陳怡寧 |
Dr.
Raphael J. Schulte
蕭笛雷 老師 |
| 117 |
2001.8.20 |
Smart
or not Smart: Seeking Multiple Intelligences in Jane Austen's
Emma and Persuasion
聰明一線間--由多元智能論看珍．奧斯汀之《愛瑪》與《勸導》 |
Jana
Yi-wen Chien
簡怡玟 |
Bro.
Nicholas Koss
康士林 老師 |
| 118 |
2002.6.28 |
Beyond
Fragmentation and Trauma: Reconstruction of Identity in Michael Ondaatje's
The English Patient and Anil's Ghost
越過破碎與創傷：《英倫情人》與《阿尼爾的鬼魂》中身份認同之重建 |
Ann
Yi-ann Yang
楊意安 |
Dr.
Kate Chi-wen Liu
劉紀雯 老師 |
| 119 |
2002.7.25 |
Reburn
from Despair: Multiple Intelligences in the Life of Robinson Crusoe
絕處逢生：魯賓遜多元智慧的運用與發展 |
Julia
Bei-Ying Kuo
郭貝瑛 |
Fr.
Daniel Bauer
鮑端磊 老師 |
| 120 |
2003.6.7 |
As
Time Goes By: The Power of Money in Goerge Eliot's Middlemarch
流金歲月：看喬治•艾略特《米德爾馬契》中金錢勢力的展現 |
Grace
Ya-chi Wen
文雅琪 |
Bro.
Nicholas Koss
康士林 老師 |
| 121 |
2003.6.23 |
Body
and Identity in Sylvia Plath's Work
蘇薇雅•普麗絲作品中的身體與自我認同 |
Claire
Yu-Min Chen
陳玉敏 |
Dr.
Raphael J. Schulte
蕭笛雷 老師 |
| 123 |
2003.7.21 |
History,
Politics, and Poetics in Thomas Kinsella's Poems
湯瑪斯•金瑟勒詩作中的歷史、政治與詩學 |
Buck
Hsieh Fang Lee
李協芳 |
Dr.
Raphael J. Schulte
蕭笛雷 老師 |
| 124 |
2003.7.24 |
Deconstructing
and Re-mapping Irish Cartography: Postcolonialism, Rhetoric, Gender,
and Identity in Eavan Boland's "Colony"
地圖的解構與重組:伊凡•鮑倫的〈殖民地〉中後殖民主義,修辭,性別與身份認同之探討 |
Vivian
Fang-Ying Liao
廖芳瑩 |
Dr.
Raphael J. Schulte
蕭笛雷 老師 |
| 125 |
2004.6.21 |
The
Constructions of Self and Space in Shakespeare's The Merchant of
Venice
莎劇「威尼斯商人」中自我與空間的建構 |
Jessica
Shu-Yuan Huang
黃淑媛 |
Dr.
Raphael J. Schulte
蕭笛雷 老師 |
| 126 |
2004.7.23 |
Nightmare
Comes True - Social Confinement in Female Gothic Works: The Italian
by Ann Radcliffe and The Butcher's Wife by Ang Li
惡夢成真－女性哥德小說中的社會幽禁：以安．瑞克莉芙的《義大利人》和李昂的《殺夫》為例 |
Sophia
Hwei-hsin Hsu
許蕙薪 |
Bro.
Nicholas Koss
康士林 老師 |
| 127 |
2004.7.24 |
The
Variation of Traditional Love Sonnets: Imitation, Mimesis, and Deviation
in Lady Mary Wroth's Pamphilia to Amphilanthus
變奏的傳統商籟：論《潘菲莉雅致安菲藍塞斯》書中的模仿、擬態、與變異 |
Alex
Chien Yi Wu
吳建毅 |
Dr.
Raphael J. Schulte
蕭笛雷 老師 |
| 128 |
2004.7.25 |
The
Omitted Fifth Song: A Reading of Sir Philip Sidney's Astrophil and
Stella
消失的第五首詩歌: 解讀菲力普.悉尼爵士的<<艾斯特菲爾與史黛拉>> |
Lily
Ching Li Huang
黃晶莉 |
Dr.
Raphael J. Schulte
蕭笛雷 老師 |
| 129 |
2004.7.26 |
The
Female Body as a Site of Control, Reaction and Resistance: Margaret
Atwood's The Edible Woman and The Handmaid's Tale
控制、反應及抗拒之場域：論瑪格麗特．艾特伍德的《可食的女人》與《侍女的故事》中之女體 |
Julia
Pei-Hsuan Hsieh
謝佩璇 |
Dr.
Kate Chi-wen Liu
劉紀雯 老師 |
| 130 |
2005.7.14 |
"You
are Free to Reinvent Yourself": Margaret Atwood's The Blind Assassin
as a Feminist Historiographic Metafiction
『隨心所欲、重建自我』：瑪格麗特．愛特伍德之女性歷史後設小說《盲眼刺客》 |
Christine
Yi-Hsiu Hsieh
謝怡秀 |
Dr.
Kate Chi-wen Liu
劉紀雯 老師 |
| 131 |
2005.7.22 |
Powers "Wrestling"
in Chinua Achebe's Anthills of the Savannah－The Roles of Intellectuals
in The Modernization in Post-Colonial Africa
權力的角力：論後殖民非洲現代化過程中知識份子之角色－以其努．阿契比之<<荒原的蟻丘>>為例 |
Joyce, Tzu-Ling
Chen
陳姿伶 |
Dr. David Yu
余盛延 老師 |
| 132 |
2005.7.26 |
Willa Cather's
My Antonia: A Critical Reading and Translation
維拉凱瑟之《我的安東尼亞》：評論與翻譯之探討 |
Martin, Su Bo Tung
蘇柏同 |
Bro. Nicholas Koss
康士林 老師 |
| 133 |
2005.7.31 |
Fragmentation and
Hybridity of Self-Identity in Salman Rushdie's The Ground Beneath Her
Feet
魯西迪《在她腳下地面》中自我認同之分裂與混雜 |
May, Zi-Hui Su
蘇子惠 |
Dr. Kate Chi-wen
Liu
劉紀雯 老師 |
| 134 |
2005.11.30 |
Memory,
Where the Nightmare Begins: The Process of Stephen Dedalus'
Subjectivation
記憶, 惡夢之始: 斯提芬•戴達羅斯主體化的過程 |
George,
Chih-Hsien Hsieh
謝志賢 |
Dr. Li-ling
Tseng
曾麗玲 老師 |
| 135 |
2006.06.26 |
Call and
Response, Passing and Integration: The Musical Structure of Jean
Toomer’s Cane
呼喊與迴響，流動與整合：吉恩．圖瑪之《甘蔗》的音樂性結構 |
Chris,
Cheng-Hsuan Wu
吳塵軒 |
Dr. Joseph
Murphy
墨樵 老師 |
| 136 |
2006.06.28 |
Abjection
and Transgression: A Psychoanalytic Reading of Mina Loy’s
Avant-Garde Poetics
抑斥現象與僭越界線：旻娜•洛伊前衛詩學之精神分析學式閱讀 |
Carol, Yi-Wei
Lin
林依薇 |
Dr. Joseph
Murphy
墨樵 老師 |
| 137 |
2006.7.25 |
On the Way
to Motherhood: Mother-Daughter Relationships in Jane Austen’s
Fiction
母親塑型:珍．奧斯汀小說中的母女關係 |
Viola, Chen-Hsiu
Ou
歐貞秀 |
Bro.
Nicholas Koss康士林 老師 |
| 138 |
2006.7.27 |
Mother-Daughter Relationship and the Daughter's Search for an
Integrated Self: An Object Relations Reading of Margaret Atwood's
Lady Oracle
母女關係與女兒對整合之自我的追尋：以客體關係理論論瑪格麗特．愛特伍之《女神諭》 |
Sarita,
Wan-Chun Chung
莊琬君 |
Dr. Kate
Chi-wen Liu
劉紀雯 老師 |
| 139 |
2006.7.31 |
Searching
for the Mothers in the Dark: A Study of the Mother-Daughter Plots in
Jean Rhys’s Voyage in the Dark and Wide Sargasso
Sea黑暗中尋找母親：談珍．瑞絲的《黑暗中航行》及《夢迴藻海》之母女情節 |
Gretchen,
Kuei Fen Lee李桂芬 |
Dr. Kate
Chi-wen Liu
劉紀雯 老師 |
| 140 |
2007.3.24 |
"Active
Love, Love of Integrity and Chastity": Three Components of the
Shulammite Maiden's Constancy of Love in the Love Story of The
Song of Solomon
積極主動、忠誠與貞潔：《雅歌》中的書拉密女子對愛情持之以恆，始終如一之三要件 |
Andrew, Hua-Mao
Hsieh
謝華貿 |
Bro.
Nicholas Koss
康士林 老師 |
| 141 |
2007.3.28 |
Domains of
Horror: Spatial Identity and Narrative Resolution in Edgar Allan
Poe's Tales
驚悚國度：愛倫坡故事中空間與角色的特質分析 |
Andrea, Yi-
Hsueh, Wu
巫宜學 |
Dr. Joseph
Murphy
墨樵 老師 |
| 142 |
2007.6.8 |
From the
External to the Internal: The Relation between Recurrent Image(rie)s
and Identity Crisis in Willa Cather’s My Ántonia
微拉．凱瑟 《我的安東尼亞》：外在重複意象與內在自我認同危機 |
Lynn,
Yu-Ling Tzeng曾于綾 |
Dr. Joseph
Murphy
墨樵 老師 |
| 143 |
2007.6.9 |
Quest for
the Integrated Identity through Deciphering Myths and Symbols in Sam
Shepard's Family Sagas
追尋身份認同：解讀山姆•雪柏家庭劇中的神話及象徵意涵 |
Amy, Jing-Yi
Yang
楊靜怡 |
Ms. Cecilia
Liu
劉雪珍 老師 |
| 144 |
2007.6.13 |
"READER, I
married him": The Relations between Jane Eyre's Self-determination
and Social Mobility in Light of Being a Governess
「讀者，我嫁給他了」：從女教師的觀點探討簡愛的自我抉擇與社會流動的關係 |
Carol, Ya-Lin
Chi
紀雅齡 |
Bro.
Nicholas Koss
康士林 老師 |
| 145 |
2007.7.4 |
False
Justice and/or True Injustice!? The Contradictions of Binary
Perceptions of The Contemporaneous Dualities in Shakespeare's
Measure for Measure
非關正義！？莎士比亞「一報還一報」二極共生交錯對立共存的認知背離與觀點矛盾 |
Ally, Ya-Li
Chang
張雅麗 |
Dr.
Margarette Connor
康慕婷 老師 |
| 146 |
2007.7.5 |
Art of
Survival in The Sun Also Rises: Dialectics of Morality and
Love in the Face of Disillusionments
幻滅世界的生存之道：海明威《旭日又升》中倫理與愛情的辨證 |
Evelyn, Yi-Chih
Sung
宋怡緻 |
Bro.
Nicholas Koss
康士林 老師 |
| 147 |
2007.7.12 |
From
Confinement, Hybridity to Integration: Body in Limbo of
Intertextuality in Toni Morrison's Beloved
從囿限、混雜到整合：論童妮•摩里森《寵兒》中位於互文中界的身體 |
Anne,
Chia-Hui Chen
陳佳慧 |
Dr. Joseph
Murphy
墨樵 老師 |
| 148 |
2007.7.16 |
Frederic
Henry's Transient Identity in Ernest Hemingway's A Farewell to
Arms
海明威《戰地春夢》中弗萊德里克•亨利的身分漂流 |
Marc, Kuang-Min
Qin
秦光敏 |
Bro.
Nicholas Koss
康士林 老師 |
| 149 |
2007.7.23 |
The
Naturalistic Perspectives in Bernard Malamud's Early Short Stories
伯納•瑪拉末早期短篇故事中的自然主義觀點 |
Julie, Yu-Chu
Cheng
鄭祐竹 |
Bro.
Nicholas Koss
康士林 老師 |
| 150 |
2007.7.24 |
Donald
Barthelme's Black Humor in His Sixty Stories
唐納德•巴塞爾姆「六十個故事」中的黑色幽默 |
Hosanna,
Hsin-Jung Chang
張欣蓉 |
Bro.
Nicholas Koss
康士林 老師 |
| 151 |
2007.7.30 |
The Same,
but not Quite: Female Stereotypes Represented by Princess and Witch
Characters in Household Tales and Disney Films
一體卻非兩面：格林童話與迪士尼動畫中的女性刻板印象－以公主與女巫角色為例 |
Ethan
Yu-Chen Lin
林昱辰 |
Ms. Cecilia
Liu
劉雪珍 老師 |
| 152 |
2007.10.25 |
Sensation,
Imitation, and Selfhood in William Faulkner's Dysfunctional
Sanctuary
威廉•福克納的失常《聖殿》：從感官、模仿到真實自我 |
Josephine,
Chia-Hui Huang
黃嘉慧 |
Dr. Joseph
Murphy
墨樵 老師 |
| 153 |
2008.01.09 |
Esther's Self in The Bell Jar
〈鐘形瓶〉裡的自我 |
Sigrid Chen
陳韋陵 |
Bro.
Nicholas Koss
康士林 老師 |
| 154 |
2008.5.30 |
Paradoxes of Fusion and Fragmentation in
Juxtaposed Dyads: Reconstruction of Gender Identity in Toni
Morrison's Love
並置對體間融合與破碎之弔詭：論童妮．摩里森《愛》中性別認同的重建 |
Charity,
Chun-yin Liu
劉純吟 |
Dr. Joseph
Murphy
墨樵 老師 |
| 155 |
2008.6.19 |
Women and Nature in William Faulkner's
Absalom, Absalom!
威廉福克納《押沙龍，押沙龍！》女性與自然之探討 |
Carita Wang
王宥妍 |
Bro.
Nicholas Koss
康士林 老師 |
| 156 |
2008.6.20 |
Fear and Selfhood in the Gothic Novel:
Mary Shelley's Frankenstein
哥德小說中的恐懼與自我：瑪麗•雪萊的《科學怪人》 |
Slyvia Lo
羅雅穗 |
Bro.
Nicholas Koss
康士林 老師 |
| 157 |
2008.6.23 |
Traumatic Maternal Love and Female Imagery
in Elizabeth Bishop's Poetry
伊莉莎白•碧夏的母愛創傷與其詩中的母親形象 |
Sara Sun
孫一鳳 |
Dr. Kate
Chi-wen Liu
劉紀雯 老師 |
| 158 |
2008.7.30 |
Shakespeare's Foreign Women
莎士比亞的異族女人 |
Kevin Chen
陳奏賢 |
Dr. Raphael
J. Schulte
蕭笛雷 老師 |
| 159 |
2008.7.30 |
Subjectivity and A Poetics of Death in
SHAKE-SPEARES SONNETS and A Louers complaint
《莎士比亞十四行詩》與《戀人的控訴》中的主體性與死亡詩學 |
Kevin Yao
姚凱元 |
Dr. Raphael
J. Schulte
蕭笛雷 老師 |