文化與文化研究一般介紹:
Turner Graeme 唐維敏譯《英國文化研究導讀》,台北︰亞太圖書,1998。(〈英國文化研究的系譜學〉)
陳光興、楊明敏編《內爆麥當奴•Cultural Studies》
台北:島嶼邊緣,1992。
陳光興等譯,《文化,社會與媒體》(臺北:遠流,1992)
Jenks, Chris著、俞智敏、陳光達、王淑燕譯(1993/1998):《文化(Culture)》。台北:巨流。
Hall, Stuart. 1981. "Cultural Studies: Two Paradigms,"
in Tony Bennett et al. (ed.) Culture, Ideology and Social Process.
pp.19-37.
---. 1990. "The Emergence of Cultural Studies and
the Crisis of the Humanities," October, no.53 (1990) : 11-23.
Storey, John, ed. . What is Cultural
Studies: A Reader. London: Arnold, 1996.
Bennett, Tony. 1986. "Popular Culture and the 'Turn
to Gramsci'." Cultural Theory and Popular Culture: A Reader.
Storey, John, ed. NY: Harvester Wheatsheaf, 1994: 222-229.
Mass/Popular Culture
MacDonald, Dwight. (1994). "A theory of
mass culture." In John Storey (Ed.) Cultural Theory and Popular
Culture (pp. 29-43). New York: Harvester Wheatsheaf. (原始著作年代 1957)
Strinati, Dominic. "Mass culture and
popular culture." An Introduction to Theories of Popular Culture.
London & New York: Routledge, 1995: 1-49.
TV
Fiske, John. 〈英國文化研究與電視(British
cultural studies and television)〉. 李天鐸譯. 《電視與當代批評理論(Channels
of Discourse: Television and Contemporary Criticism)》Robert C. Allen編、李天鐸譯.頁。台北:遠流,1987/1993:263-301。
POPULAR MUSIC INDUSTRY:
張釗維 (1994):《誰在那邊唱自己的歌:1970年代台灣民歌發展史
-- 建制、正當性論述與表現形式的形構》。台北:時報文化。
鄭淑儀 (1992):《台灣流行音樂與大眾文化:1982-1991年》。輔仁大學大眾傳播研究所碩士論文。
李天鐸、簡文欣 (1996):〈跨國傳播集團擴張下的華語流行音樂市場〉,「90年代台灣媒介發展與批判」國際學術研討會。台北:世界新聞傳播學院新聞學系主辦。
Frith, Simon著、彭倩文譯 (1978/1994):《搖滾社會學(The
sociology of rock)》。台北:萬象圖書。
Shuker, Roy. (1994). Understanding Popular Music.
London & New York: Routledge.
Hesmondahalgh, David. (1996). Rethinking the popular
music after rock and soul. In James Currna, David Morley, and
Valerie Walkerdine (Eds.), Cultural Studies and Communications (pp.
195-212). London: Arnold.
Burnett, Robert. (1996). The Global Jukebox:
The International Music Industry. London: Routledge.
Peterson, Richard A., & Berger, David.
(1975/1981). Cycles in symbol production: The case of popular music.
American Sociological Review, 40, 158-173. Reprinted in Simon
Frith & Andrew Goodwin (Eds.), On Record: Rock, Pop, & the Written
Word (pp. 140-159). New York: Pantheon.
Lopes, Paul. (1992). Innovation and diversity in
the popular music industry, 1969-1990. American Sociological Review,
57(1), 56-71.
Longhurst, Brian. (1995). Popular Music and Society.
Oxford, UK: Polity.
Negus, Keith. (1996). Popular Music in Theory:
A Critical Introduction. Oxford, UK: Polity.
Peterson, Richard A.(1978). The production of cultural
change: The case of contemporary country music. Social
Research, 45(2), 292-314.
Buxton, David. (1990). Rock music, the star system,
and the rise of consumerism. In Simon Frith & Andrew Goodwin
(Eds.), On Record: Rock, Pop, & the Written Word (pp. 427-440). New
York: Pantheon.
Regev, Motti. (1994). Producing artistic value:
The case of rock music. The Sociological Quarterly, 35, 85-102.
Ryan, John, & Peterson, Richard A. (1993).
Occupational and organizational consequences of the digital revolution
in
music making... Current Research on Occupations and Professions, 8, 173-201.
(JAI press)
理論家:
Hall, Stuart.
Morley, David and Kuan-Hsing Chen. Stuart
Hall: Critical Dialogues in Cultural Studies. NY: Routledge,
1996.
陳光興 唐維敏編譯《文化研究霍爾訪談錄》,台北︰元尊文化,1998。
Bordieu, Pierre.
Hometh, Axel著、劉維公譯 (1992):〈片段化的象徵世界:波迪爾文化社會學的省思〉,《當代》,77:14-31。
Garnham, Nicholas, & Williams, Raymond著、鄭明椿編譯(1992):〈波迪爾的文化社會學〉,《當代》,77:32-41。
羅世宏 (1992):〈民意與文化的生態〉,《當代》,77:42-51。
Garnham, Nicholas, & Williams, Raymond. (1986).
Pierre Bourdieu and the sociology of culture: An
introduction. In Richard Collins et al. Media,
Culture and Society: A Critical Reader (pp. 116-130).
London & Beverly Hills, CA: Sage.
Kocyba, A., Honneth, H., & Schwibs, B. (1986).
The struggle for symbolic order: An interview with
Pierre Bourdieu. Theory, Culture & Society,
3, 35-51.
Berger, Bennett. (1986). Review essay: Taste and
domination. American Journal of Sociology, 91(6),
1445-1453.
Gartman, David. (1991). Bourdieu's Distinction.
American Journal of Sociology, 97(2), 421-447.
Bribaker, Nicholas. (1985). Rethinking classical
theory: The sociological vision of Pierre Bourdieu.
Theory and Society, 14(6), 745-775.
Jenkins, Richard. (1992). Pierre Bourdieu. London
& New York: Routledge.
Calhoun, Craig; Lipuma, Edward; & Postone,
Moishe. (Eds.) (1993). Bourdieu: Critical Perspectives.
Chicago: University of Chicago Press.
Bourdieu, Pierre. (1990). Artistic taste and cultural
capital. In Jeffrey C. Alexander & Steven Seidman
(Eds.), Culture and Society: Contemporary Debates
(pp. 205-215). Cambridge, UK & New York: Cambridge University Press.
Bourdieu, Pierre. (1991). Sport and social class.
In Chandra Mukerji & Michael Schudson (Eds.),
Rethinking Popular Culture: Contemporary Perspectives
in Cultural Studies (pp. 357-373). Berkeley, CA: University of California
Press.
Bourdieu, Pierre. (1984). Distinction: A Social
Critique of the Judgment of Taste (trans. Richard Nice). Cambridge, MA:
Harvard University Press. Postscript: Towards a "vulgar" critique of "pure"
critique, pp. 485-500. reading & taste: pp. 11-47, 56-65, & 85-92.
Bourdieu, Pierre, & Passeron, Jean-Claude.
(1990). Reproduction in Education, Society and Culture (2nd Edition). Newbury
Park, CA: Sage.
Bourdieu, Pierre. (1977). Outline of a Theory of
Practice (trans. Richard Nice). Cambridge, UK & New York: Cambridge
University Press.
Bourdieu, Pierre. (1990). The Logic of Practice.
Stanford, CA: Stanford University Press.
Bourdieu, Pierre. (1991). On symbolic power. In
Language and Symbolic Power (pp. 163-170).
Cambridge, MA: Harvard University Press.
Also, appendix: Did you say "popular?" pp. 90-102.
Bourdieu, Pierre. (1990). Social space and symbolic
power. In In Other words: Essays toward a Reflexive Sociology (pp. 123-140).
Stanford, CA: Stanford University Press.
Bourdieu, Pierre, & Wacquant, Loic J. D. (1984).
An Invitation to Reflexive Sociology. Chicago: University of Chicago Press.
|