Alexander, Doris. Eugene O’Neill’s Creative Struggle: the Decisive  Decade, 1924-1933. Pennsylvania: Pennsylvania State UP, 1992.
Bagchee, Shyamal,ed. Perspectives on O'Neill: New Essays. Victoria, BC. Canada: U of Victoria, 1988.
Berlin, Normand. Eugene O’Neill New York: Grove, 1987.
Black, Stephen A. Eugene O'Neill: Beyond Mourning and Tragedy. New Haven: Yale UP, 1999.
---, ed.File on O'Neill. London: Methuen Drama,1993.
Bloom, Harold, ed. Eugene O'Neill. New York: Chelsea House, 1987.
Bogard, Travis Contour in Time: The Plays of Eugene O’Neill. New York: Oxford UP, 1988.
Brietzke, Zander. The Aesthetics of Failure: Dynamic Structure in the Plays of Eugene O'Neill. Jefferson: McFarland, 2001.
Clark, Barrett H. Eugene O’Neill: The Man and His Plays. New York: Dover, 1947.
Gelb, Arthur and Barbara Gelb. O’Neill. New York: Harper, 1973.
---. O’Neill: Life with Monte Cristo. New York: Applause, 2000.
Manheim, Michael.The Cambridge Companion to Eugene O’Neill. New York: Cambridge UP, 1998.
Maufort, Marc,ed. Eugene O'Neill and the Emergence of AmericanDrama. Amsterdam: Rodopi, 1989.
Ranald, Margaret Loftus.The Eugene O’Neill Companion. Westport: Greenwood,1984.
Shafer, Yvonne. Performing O'Neill: Conversations with Actors and Directors. New York: St. Martin's, 2000.
Siebold, Thomas, ed. Readings on Eugene O'Neill. San Diego: Greenhaven, 1998.

David Mamet

Caroll, Dennis. David Mamet. London: Macillan, 1987.
Dean, Anne. David Mamet: Language as Dramatic Action. London: Associated UP, 1990.
Kane, Leslie. David Mamet: A Casebook. New York: Garland, 1992.
Mamet, David. Five Television Plays. New York: Grove, 1990.
---. Goldberg Street: Short Plays and Monologues. New York: Grove, 1985.
---. Sexual Perversity in Chicago and The Duck Variations: Two Plays. New York: Grove, 1978.

Adrienne Kennedy

Augsburg, Tanya. "Genet and Kennedy's Horror Shows of Race and Gender." Theatre Insight 4.1-2 (1993): 24-30.
Baraka, Amiri. "Black Theater in the Sixties." Belief vs. Theory in Black American Literary Criticism. Studies in Black American Literature 2. Ed. Joe Weixlmann and
      Chester J. Fontenot. Greenwood: Penkevill, 1986. 225-37.
Benston, Kimberly. "Cities in Bezique: Adrienne Kennedy's Expressionistic Vision." CLA Journal  20.3 (1976): 235-44.
Binder, Wolfgang. "A MELUS Interview: Adrienne Kennedy." MELUS  12.3 (1985): 99-108.
Blau, Herbert. "The American Dream in American Gothic: The Plays of Sam Shepard and Adrienne Kennedy." Modern Drama  27.4 (1984): 520-39.
Booth, Wayne. "Freedom of Interpretation: Bakhtin and the Challenge of Feminist Criticism." Critical Inquiry  9 (1982): 45-76.
Braxton, Joanne M. "Ancestral Presence: The Outraged Mother Figure in Contemporary Afra-American Writing." Wild Women in the Whirlwind: Afra-American Culture
      -and the Contemporary Literary Renaissance. Ed. Braxton and Andree Nicola McLaughlin. New Brunswick: Rutgers UP, 1990. 299-315.
Bryant-Jackson, Paul K. "Kennedy's Travelers in the American and African Continuum." Bryant-Jackson and Overbeck. 45-57.
---, and Lois More Overbeck, eds. Intersecting Boundaries: The Theatre of Adrienne Kennedy. Minneapolis: U of Minnesota P, 1992.
Cohn, Ruby. "Black on Black: Childress, Baraka, Bullins, Kennedy." New American Dramatists, 1960-1990. 2nd ed. New York: St. Martin's P, 1991.
      103-23.
Curb, Rosemary. "Fragmented Selves in Adrienne Kennedy's Funnyhouse of an American Negro and The Owl Answers." Theatre Journal  32.2
       (1980):180-95.
--. "(Hetero)Sexual Terrors in Adrienne Kennedy's Early Plays." Bryant-Jackson and Overbeck. 142-56.
--. "Re/cognition, Re/presentation, Re/creation in Woman-Conscious Drama: The Seer, the Seen, the Scene, the Obscene." Theatre Journal  37.3
     (1985):302-16.
Diamond, Elin. "An Interview with Adrienne Kennedy." Studies in American Drama, 1945-Present  4 (1989):143-57.
--. "Rethinking Identification: Kennedy, Freud, Brecht." Kenyon Review  15.2  (1993): 86-99.
Fabre, Genevieve. Drumbeats, Masks and Metaphor Contemporary Afro-American Theatre. Cambridge: Harvard UP, 1983.
Forte, Jeanie. "Realism, Narrative, and the Feminist Playwright--A Problem of Reception." Modern Drama  32.1 (1989): 115-27.