The ecclesiastical
corruption
-- how did the pardoner view his work
Canterbury Pilgrims. As a matter of fact, the
Pardoner is a victim of the sin of despair,
wanhope, the occasion for which is ultimately
his physical affliction, which is setting him
apart from other man. Afflictions borne in
patience lead to acceptance and to the love of
God and neighbor; afflictions borne in impatience
lead to resentment and to the hatred of God and
neighbor. The opposite of charity is cupidity,
and that is the primary reason that the Pardoner
preaches on the theme of cupidity. He is full of
hate, both for the God who afflicted him and for
mankind from which he is separated by his
difference. Thus he turns the gift of great intelligence
which God has given him into a weapon with
which to attack the fellow man whom he hates
and despised. The Pardoner is perfectly aware of
what he is doing; he recognizes the might of God,
but will not serve Him. He is afflicted by his sin,
realizes that he is so afflicted, and yet continues
in it. Perhaps we can know that the Pardoner's
spiritual state is abnormal.
His bitter antagonism toward his fellow pilgrims
is intensified by their attempt at censorship.
Although his tone is ironic, and he insists upon his
drink, pretending he needs time to think of
"some honest thyng," he gives no indication of
his bitterness:
I graunte, ywis, quod he, but I moot thynke
Upon som honest thyng whil that I drynke. (39-40)
Then he deliberately uses the Pauline theme,
Radix malorum est cupiditas, which means
Love of money is the root of all evil, in order to
further his own avarice. His tone is contrived,
"I peyne me to han an hauteyn speche," and he
knows everything "by rote that I telle"; (44)
obviously he had no need for time to think on
"some honest thyng."
Generally speaking, in the Pardoner's prologue,
he reveals clearly his sin against the Holy Ghost.
He expresses the idea that being the kind of sinner
he is, he is fully aware of the enormity of his sin
and glories in his pride of affliction.
The Pardoner is the central figure in ecclesiastical
corruption in Medieval Period. Not only is he evil,
but he recognizes his evil and rejoices in it. The
Pardoner calls attention to his own sinfulness cheerfully,
with pride. Chaucer used Pardoner's prologue and
tale to represent the ecclesiastical corruption in
the middle ages. He used high comedy to have the
reader himself, through laughter, wake to the fearful
truth embodied in the satanic figure of the Pardoner
selling the grace of God for the damnation of human souls.