About the Play
Music Marvin Hamlisch |
Book James Kirkwood Nicholas Dante
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image source: http://www.najp.org/articles/poster.jpg (Original Broadway Windowcard)
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Lyrics Edward Kleban
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Productions 1975 Off-Broadway
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Awards Tony Award for Best Musical
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Synopsis
Initially, there are only
footsteps, and the sounds of “Step, kick, kick, leap, kick touch.” Then, then
lights come up and on the stage, twenty-something dancers are following the
direction of Zach, the director of an upcoming Broadway musical. During the
course of their rehearsal, one thought was embedded into their minds, “I Hope I
Get It.”
After the first elimination, Zach asked all his dancers to “talk about
themselves” as if they were in an interview. The first one to be called on is
Mike, who in his song “I Can Do That,” shared his childhood story and the reason
he started dancing and how dancing became his life. Then, Zach started to
interview Sheila, who, similar to the other two girls: Bebe and Maggie, did not
have a perfect childhood. The three of them presented the song “At the Ballet,”
which helped them finding the comfort at an early age. Next, were Kristine and
Al DeLuca. In “Sing,” Kristine showed her nervousness and tone-deafness while Al
finished every sentence for her in perfect tune. Then it came to Mark, a young
and eager dancer whose stories later introduced in the montage, which includes
“Hello Twelve, Hello Thirteen, Hello Love,” a song revealing the adolescent
experience; “Nothing” showed Diana’s tormenting experience in the High School of
Performing Arts, and Don’s smoking affair with a stripper; “Mother” was a song
in which Judy told her adolescent experience in practicing kissing with a girl,
and Maggie, followed by a company, sang about their mother; in “Gimmie the
Ball,” Greg claimed his discovery of his homosexuality and celebrated the youth
with the whole company. After the montage in “Dance Ten, Looks Three,” Val sang
about how her life was changed “with a dash of silicone.” The formers were
reluctant to talk about the last two dancers, Paul and Cassie. During the course
of the interview, come dancers asked for a break and they were allowed to,
except for Cassie, who then performs her song “The Music and the Mirror.” At the
age of 32, Cassie realized that she wanted to dance out of the passion for it,
and tried to seek a way back to this business. However, Zach claimed that Cassie
was too good for the chorus. Cassie, on the other hand, showcased her
determination and persuaded Zach to let her remain in the audition. As Cassie
existed, Paul came in with his self-revealing monologue, sharing his story from
his early years to manhood.
While the 15 dancers continued to practice new choreography, Paul, all of a
sudden, got injured…