Undergraduate Courses: Fall 1997
English Department, FJCU

Fall 1997


Fall 1997 List of Elective Courses

001. British Literature I  014.  Shakespeare
  (Dr. Marguerite Connor)    (Sr. Heliena Krenn) 
002.  Chinese Poetry(1) 015. American Fiction
  (Mr. Hsieh)   (James G. Liebner)
003. Computer-Aided Research and Bibliography 016. Survey of American Literature
  (Dr. Shiou-Wen Rebecca Yeh)   (Dr. Joseph Murphy)
004. Performing Arts 017. Techniques of English--ChineseTranslation
  (Dr. Lynda Scott)   (Ms. Doris Chang)
005. Introduction to Western Arts 018. Techniques of Chinese-English Translation
  (Mr. Jason Wang)    (Fr. Daniel Bauer)
006. Computer Assisted Instruction  019. Journalistic Writing
  (Dr. Shiou-Wen Rebecca Yeh)   (Ms. Tzi-yu Lin)
007. Child Language 020. Business English Writing
  (Dr. Gabriel Hong)   (Ms. Sara Woan-Ru Shyu)
008. Teaching Reading 021. Review of English Writing Fundamentals
  (Dr. Yuan, Yun-Pi)   (James G. Liebner)
009. Teaching English to Speakers of Other 
Languages (TESOL)
022. Advanced Oral Training
  (Ms. Sara Woan-Ru Shru)   (Ms. Ying-Ping (Tina) Kuo)
010. Cross-cultural Communication 023. Chinese-English Oral Translation
  (Mr. Douglas Shaw)    (Bro. Nicholas Koss)
011. Medieval British Literature & Culture 024. Advanced Overseas Chinese
  (Sr. Heliena Krenn)    (Ms. Yuan, Yun-Pi)
012. 20th Century British Drama  025. Professional Ethics
  (Ms. Cecilia H.C. Liu)   (Fr. Daniel Bauer)
013. Images of Women in Comparative Literature XXX Senior Play Production and Performance
  (Fr. Daniel Bauer)   (Ms. Cecilia H.C. Liu)

Course Description

001. British Literature I
        3 credits
        Dr. Marguerite Connor
        For Sophomores, Juniors

A survey of the major works of English literature from the Anglo-Saxon period (i.e. Beowulf) through the 18th century. Because of the nature of the course no one author will be treated in depth, but I am aiming more at a sense of development, change and continuity in the literature of England over eight centuries.

Authors sampled will include Chaucer, Wyatt, Sidney, Shakespeare, Donne, Johnson, Marvell, Milton, Dryden, Swift, and Pope. Requirements will include group work, midterm and a final. Required test is The Norton Anthology of English Literature, Vol. 1.

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002. 中國詩詞:先秦兩漢 (Chinese Poetry I)
         2 credits
         Mr. Hsieh
         For Sophomores Only

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003. Computer-Aided Research Methods and Bibliography
        2 credits
        Dr. Shiou-Wen Rebecca Yeh
        For Sophomores, Juniors, and Seniors

The purpose of this course is to help participants (1) become familiar with a variety of research methods and (2) help them to write up the results of their research in an appropriate format. The course will start with a library tour to review the uses of traditional libraries and information sources. The uses of new computer technology will also be stressed. Throughout the course of the semester, students will have many opportunities to practice their research writing skills. Further details for the research projects will be provided at the time of their assignments.

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004. Performing Arts I: Acting
        2 credits
        Dr. Lynda Scott
        For Sophomores, Juniors, and Seniors

Practicum: Theatre Conference Event: Religion and Theatre October 17-19,1997

Beginning with warm-up activities designed to enhance each student's sensory awareness, the class progresses into the six fundamentals of acting developed by Stanislavski: action, imagination, Concentration, relaxation, psychological analysis and emotion memory. Class work includes weekly improvisations of dramatic situations, theatre games, mime and period dances including the waltz, schottische and promenade. Beginning actors learn stage blocking, life-mask making, make-up and costuming for the performer. Students will be required to purchase a make-up kit for their personal use. Evaluation will be based on completion of Actor's Observation Notebook, two Audition Pieces and two Scene Studios. A Practicum in conferencing provides students with an opportunity to attend special seminars in dance, theatre and opera conducted by international scholars and artists. Course will be given to students who volunteer for the Practicum.

Textbook: An Actor Prepares, Constantin  Stanislavski

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005. Introduction to Western Arts
        2 credits
        Mr. Jason Wang
        For Sophomores, Juniors, and Seniors

Art appreciation is an act that involves a very complex feeling and thinking process. A lot of times, to appreciate the arts also means to understand them. One learns to like a work of art better after s/he accomplishes basic, if not complete, understanding of the art form.

 To many of us, art is an ideal. But what is art? How do we reach better understanding, in order to appreciate them? Basically the instructor believes that human beings are historically conditioned. Where we are or what we are trained to be determines part of our values and world views, including the way we look at the arts. Let us ask ourselves as Chinese on the island of Taiwan in the late 20th century, what is the framework of our being? As a teenager or young adult in the city of Taipei, Taiwan, why do we feel more attracted to rock'n' roll music than to traditional type of music performed by quqin (zither)? As a college student of humanities in Taiwan, why do we fell ancient Greek statues, Leonardo da Vinci, Michelangelo, Vincent Van Gogh, and Picasso far more familiar than the great landscape painters in Chinese art history. Art, to us, may be an ideal, which leads us to a better state of being. Meantime, appreciation of an art work is never just a simple act of taking a bus to the target gallery or museum, standing in front of the work, and then pretending that you are "appreciating" it. In other words, arts also have their different characteristics, rules and traditions. To be able to appreciate a work of art and say you like or dislike it, one needs to acquire the basic knowledge first, in which art history is but a part. Thus, this course is designed to help the students become "trained " viewers or audience, if not knowledgeable yet.

The main objective of this course is to enable those who participate in this class to become "critical viewers or audience". The appreciation of the arts is not only an act of passively accepting whatever an artist presents but also a very active process involving the participation and critique of the viewers or audience.

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006. Computer Assisted Instruction 
        2 credits
        Dr. Shiou-Wen Rebecca Yeh
        Prerequisite: Word Processing
        For Juniors and Seniors

Computer Assisted Instruction is often termed CAI. In the past three decades, CAI has gained tremendous attention in the field of foreign language instruction. The purpose of this course is to give participants a principled basis for and practical experience in designing and evaluating CAI programs for their instructional purposes. Further details for the projects will be provided at the time of their assignments. In addition, short chapters, journal articles, and other various readings will be assigned to expand students' knowledge about CAI. Toolbook Multimedia for WIN 95 will be used as the major software.

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007. Child Language
        2 credits
        Dr. Gabriel Hong
        Prerequisite: Introduction to 
        Linguistics
        For Juniors and Seniors

This course will examine how children learn their mother tongue (or tongues) , as a means of understanding more about human development, psychology, and language. We will look at how children learn language sounds, word knowledge and use, word forms, sentence structure, semantics, and the communicative use of language, and then consider theories for explaining this learning. We will use a textbook, data from a bilingual child, observations of children, and discussion. This course is essential for anyone interested in language teaching, and in understanding the creative use of language. It will also be helpful for future parents.

Requirements (1) Reading, (2) discussion, (3) two take-home exams, (4) observations of children, and (5) an observation report. During the summer try to arrange for a child (from nine months to three-and a-half years old) whom a small group of students could observe three times during the Fall semester. I will also arrange for some, but my supply of children is limited, so I need your help.

Strongly recommended summer reading 

  1. Written for a general audience: de Villiers, Peter A. and Jill G. de Villiers. Early Language.
  2. Cambridge, MA: Harvard. University Press, 1979.  (CAVES)

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008. Teaching Reading
        2 credits
        Ms. Yuan, Yun-Pi
        For Juniors and Seniors

This one-semester course is designed for those students who wish to learn more about reading and how to teaching reading. In this class, we will have a chance to reflect on our reading experience: how we learned to read and our reading strategies. By learning more about reading, hopefully, we can also improve our reading ability. 

We will cover different reading theories as well as basic methods for teaching reading. Various reading subskills (e.g., skimming, scanning, inference making) will also be introduced. 

In addition to listening to lectures, students will do some background reading, participate in class/group discussions, and have in-class practice teaching. There will be no midterm or final exams. Instead, students will turn in three written assignments: an article review, a teaching project (including lesson plans, teaching material, and after-teaching report), and a paper on reading theories or method comparison.

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009. Teaching English to Speakers of Other Languages (TESOL)
        2 credits
        Ms. Sara Woan-Ru Shyu
        For Juniors and Seniors
        Student Limit: 25

This course is designed to familiarize those who are interested in becoming future English teachers with the theories and approaches of TESOL. These five aspects will be covered in class: (1) lesson planning; (2) innovative approaches:(3) teaching of language skills; (4) textbook selection and evaluation; and (5) second language testing. From the weekly readings and class discussions, students will be able to understand what English teaching is like and apply what they learn from this course into their future teaching.

Requirements:

  1. Since this is a teaching course, the micro-teaching project is the primary means of assessment. Each student will be evaluated against two criteria: the written lesson plan and the teaching presentation.
  2. Class discussion is the major mode of instruction in this course. Therefore, every student has to do the weekly readings and get ready for the discussions.
  3. In addition to the assigned readings, every week each micro-teaching group needs to bring to class one paper relevant to the topic at hand. Besides, each group should be able to lead the discussion.

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010. Cross-cultural Communication
        2 credits
        Mr. Douglas Shaw
        For Juniors and Seniors

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011. Medieval British Literature & Culture
        2 credits
        Sr. Heliena Krenn
        For Juniors and Seniors

COURSE OBJECTIVE: This course acquaints students with the major literary works of medieval England (Old English and Middle English period). By examining these works we come to some understanding of life and thought in this period and of the development of English literature from its beginnings to the Renaissance.

CLASSROOM FORMAT: Emphasis will be on close reading and critical analysis of the assigned texts. Students will work on group projects and contribute to class and group discussions. In the group projects students will be responsible for presenting (orally) information on assigned topics. These may concern the background to our readings or portions of the readings on our syllabus. Your presentations should not exceed 15 minutes. We will have occasional quizzes, a mid-term, and a final exam.

TEXTS: The Norton Anthology of English Literature sixth edition

PREPARATORY READINGS: To prepare for this course during summer vacation you may want to read the introductions to the period (pp 1-18) and to some of the texts we shall study, for instance to "Beowulf" (pp. 21-25), "Chaucer" (pp. 76-81), "Sir Gawain and the Green Knight" (pp.200-201), "The Second Shepherd's Play" (pp. 318-319) and "Everyman" (p. 363). If you are very eager you may try to read " Sir Gawain and the Green Knight" (202-254).

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012. 20th Century British Drama
        2 credits
        Ms. Cecilia H.C. Liu
        For Juniors and Seniors

Welcome to the wonderful world of 20th CENTURY BRITISH DRAMA. We will experience and enjoy the variety and richness of the art of drama in our time. Modern British drama begins with the witty drawing-room comedies of Oscar Wilde, while Bernard Shaw brings another kind of wit into drama--the provocative paradox that was meant to tease and disturb, to challenge the complacency of the audience. With Beckett and Pinter, the theatre of the absurd manifests a theatrical revolution, challenging the traditional verbal and scenic design, exploring the significance of human existence. And of course, we will read some plays by the well-know contemporary playwrights, such as Stoppard, Shaffer, Ayckbourn, and Churchill (finally, a female playwright).

In order to establish a clear picture of British drama in the 20th century, in the first part of the semester, we will study the plays of 1900--1950 by Wilde, Shaw, Eliot, Yeats, Singe, O'Casey, and Osborne; we will read the plays of 1950-1990 by Beckett, Pinter, Stoppard, Shaffer, Ayckbourn, and Churchill in the second half of the semester. Some films of the plays are available for viewing.

Requirements: Regular attendance with preparation and class participation. Reading journals; Quizzes; group presentation; midterm/final.

Grading System:

  • Reading journals                             20%
  • Quizzes & group presentation         20%
  • Midterm and Final Exams (papers) 30%

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013. Images of Women in Comparative Literature
        2 credits
        Fr. Daniel Bauer
        For Juniors and Seniors

This is a one semester course designed to deepen understanding of how authors use women characters to advance a variety of images in our contemporary world. Roles of women as single individuals struggling to define themselves in professional careers, women as caretakers, women as wives and mothers are prominent themes in the literature (primarily short stories) we will read. The literary sources we will use include stories by American and English writers like Joyce Carol Oates, John Updike, Katherine Anne Porter, and Doris Lessing, and Chinese writers of the May 4th era like MaoTun, Chang Ai-ling, and Ping Lu. Authors published in English language will be read in English, and Chinese authors in Chinese. Class lectures and discussions will be in English. Regular student journals and a mid-term exam are required, and students will have the option of choosing either a written or oral final exam.

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014. Shakespeare
        2 credits
        Sr. Heliena Krenn
        For Seniors Only

COURSE OBJECTIVE: the aim of this course is to acquaint students with the genius of Shakespeare as the greatest playwright of all time. For this purpose we shall study a variety of plays :" Comedy of Errors (1592-94), Richard II (1595), Hamlet (1600-1), Twelfth Night (1601-2), King Lear (1605), Macbeth (1606), and The Tempest (1611). The selection will introduce you to Shakespeare as the writer of different kinds of drama-- comedies, tragedies, history plays, and romances-- and to his handling of dramatic art at the different stages of his development as a playwright.

COURSE REQUIREMENTS: Students are expected to read the plays closely and to contribute to group and class discussions. There will be an oral mid-term and a take-home final exam.

ADDITIONAL READINGS: All students are advised to read a general introduction to Shakespeare and the introductions to the individual plays we study. It is also very advisable that students watch videotapes of the assigned plays. This can be done individually, in groups or as a class at a time of the students' own choice.

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015. American Fiction
        2 credits
        Fr. James G. Liebner
        For Juniors and Seniors

This course will examine nineteenth and twentieth century American novels and short stories. This is a lecture/discussion course and ample time will be reserved for a class discussion of each text. Students who register for this class should be prepared to keep a journal and participate in class discussions on a regular basis. There will be short quizzes, a mid-term and a final exam. Authors under consideration will include: Hawthorne, Stowe, Melville, Twain, James, Chopin, O'Connor, Updike and Oates. Texts are The Norton Anthology of American Literature, Vol. 2, Fourth Edition, and a Xeroxed packet of readings.

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016. Survey of American Literature
        2 credits
        Mr. Joseph Murphy
        For Juniors and Seniors

In this course we will study works of American literature from the seventeenth century to the present. We will examine the structure of these texts (fiction, poetry, essays, autobiography, sermons, speeches) through close reading. We will also discuss them as reflections of literary an intellectual movements (like Puritanism, transcendentalism, realism, modernism, and postmodernism) and political and economic conditions (the American Revolution, Western expansion, slavery, immigration, industrialization, consumer culture). 

Finally, we will locate in these works some enduring and evolving aspects of American identity. Among the authors we will cover are Taylor, Bradstreet, Franklin, Paine, Emerson, Thoreau, Hawthorne, Melville, Douglass, Whitman, Dickinson, James, Twain, Crane, Hemingway, Cather, Faulkner, Flannery O'Connor, Williams, Stevens, Bishop, and Moore. 

Course requirements include class participation, weekly quizzes, group presentations, written assignments, and a final exam.

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017. Techniques of English--Chinese Translation
        2 credits
        Ms. Doris Chang
        For Juniors and Seniors
        Student Limit: 25 (Maximum)

課程目標:

介紹英漢語法對比觀念以及相關翻譯轉換技巧透過文學翻譯練習,介紹翻譯相關技巧,課題及對應方針,嚐試各類文章翻譯,增加翻譯廣度,強化翻譯應變能力,透過不同翻譯方式(如摘譯,換說,視譯,聽譯),以提高譯事效率。

課程要求:

  • 基本技巧練習(SE)及課堂練習討論(IE)   25%
  • 文學翻譯(ATI)                                           25%
  • 專題口頭報告附講綱及參考資料(OR)    25%
  • 自選專業翻譯、報告及評估(AT2)           25% *(藝文,娛樂,財經,科技,新知理論等,視同學興趣而定,歡迎欲選此課程同學事先告知,本課程設計時將視同學需要調整)

建議: 選修此課程同學可於暑假期間加強中英文字彙及表達能力有關翻譯事務,請參考 商務書局出版劉靖之著《翻譯工作者手冊》、有關翻譯技巧請參陳定安著《翻譯 理論與實踐》

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018. Techniques of Chinese-English Translation (advanced writing)
        2 credits
        Fr. Daniel Bauer
        For Seniors Only

This two semester course gives students an opportunity to develop a working knowledge of Chinese-English translation techniques and problems. The course will offer a workbook of Chinese language materials from which students choose projects to work on individually and in cooperation with classmates in groups of 4--5. In the beginning we will translate counseling columns, and then move to general current events news reports and feature articles in Chinese newspaper. (In the second semester we will continue to focus on newspaper projects, but will also offer samples from magazines and contemporary fiction and essays.) Students will be expected to turn in 5--6 written translation pieces 2 typed pages in length, and revisions. Class presentations and participation in group work are required.

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019. Journalistic Writing (advanced writing)
        2 credits
        Ms. Tzi-yu Lin
        For Seniors Only

This course will aim to familiarize students with English Newswriting through the reading and discussion of selected newspaper articles and the in-class writing of short news stories. On a tentative basis, the second hour of class will be given to reading a couple of stories of a selected type of news, e.g. accidents, entertainment and business. Attention will be given to the style of writing and choice of words. This will serve as preparation of the next class meeting, the first hour of which will be devoted to in-class writing of a short news story.  The ability to type is a must while the ability to wordprocess will be helpful. Stories will be handwritten in the earlier half of the semester and wordprocessed in the later half.

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020. Business English Writing (advanced writing)
        2 credits
        Ms. Sara Woan-Ru Shyu
        For Seniors Only
        Student Limit: 25

"Business English Writing" is designed for those students who intend to work in business world after graduation. The major objectives of this course are to help students acquire the basic principles of business communications and become familiar with three types of business writing. Business writing is an indispensable tool in conducting transactions. If a business transaction is to be completed to the satisfaction of both the writer and the reader of the message, both of them must understand the message. The words and the writing style used in business communications, therefore, must be simple and exact. To meet these objectives, certain rules or principles have been developed to help the writer of business communications make his meaning clear to his reader. In addition to acquiring the principles of business writing, students will learn three types of business writing-- personal business letters, professional business letters, and business reports. Personal business letters are written by persons in private life to ask for information, to make appointments, to order goods, to make complaints, and to secure a position. Professional business letters are written by members of business organizations. They are used to conduct the affairs of business firms domestically and internationally. Business reports can be divided into two kinds--formal reports and informal reports. Formal reports may be long, detailed studies made to supply needed information; whereas, informal reports refer to short and simple interoffice memorandums.
  Topics to Be Covered in Fall 1997 A. Basic principles of business writing B. The parts, arrangement, and punctuation of business letters C. Various kinds of business letters      --order goods and replies      --inquiry letters and replies      --appointments letters      --complaint letters and replies      --credit status letters      --collection letters

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021. Review of English Writing Fundamentals (advanced writing)
        2 credits 
        Fr. James Liebner 
        For Seniors Only

Are you close to graduating and you still have difficulties writing English? Do you receive papers back from your professors with errors circled and you are not sure how to correct the mistakes you make over and over? Do you ever say to yourself that English is an impossible language to learn? This course is for YOU! Students will write weekly compositions and complete workbook exercises.

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022. Advanced Oral Training
        2 credits
        Ms. Ying-Ping (Tina) Kuo
        For Seniors Only

This course is designed to assist you in expanding your speech repertoire in a variety of conversation situations, practicing conversational strategies for successful communication, knowing rules of speaking in different cultures, and acquiring knowledge of communication theories. Jargon/terminology used in different disciplines and cross-cultural comparison of rules of speaking will be introduced as essential components for each conversational encounter. A combination of topics or task will be covered to reinforce students' oral communication skills.

Required Topics/tasks 1. Myth of Communication 2. Communication Model 3. Successful Speakers' Secrets 4. Actions Speak Louder Than Words 5. Presenting Figures and Charts 6. English for Business Super(wo)men 7. Call in for Your Opinion 8. A Critic is Born 9. The Best Diplomat 10.Guest Speaker's Insight

Optional Topics/tasks 1. News Broadcast 2. Advertising Campaign 3. Overcoming Stage Fright 4. Facts Analysis 5. Win-win Negotiation 6. Expatriate's Views on Taiwan 7. Movie Review Panel 8. Follies Presentation 9. Job Interview 10. Students' Suggestions

Students are advised to read relevant articles in advance and prepare conversation diaries for in-class discussion. Evaluation will base on active participation, preparation and successful completion of assigned tasks in class.

Required Textbooks:

  1. Effective Presentations, Jeremy Comfort, Oxford University Press.
  2. Public Speaking for a Specific Purpose. Don Gilleland How to Win Friends and Influence People,  Dale Carnegie.

References:

  1. Influence: the New Psychology of Modern Persuasion, R. B. Cialdini.
  2. How to be an Even Better Manager, Michael Armstrong.
  3. You're in Business! Building Better English Skills, J.T. French.
  4. 《你是說話高手嗎?--教你如何展現說話魅力》, 戴晨志著

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023. Chinese-English Oral Translation
        2 credits
        Bro. Nicholas Koss
        For Seniors Only
        Student Limit: 14 (Maximum)

This course will consist of various exercises in Chinese-English sight translation and consecutive interpretation. Approximately half of the classes for this course will be devoted to sight translation, which is taking a text in one language and reading it aloud in another. The types of material to be read will be decided the first class. A wide variety of topics can be considered: cultural, political, diplomatic, economic, and so on. Research in the topics selected and study of specialized vocabulary will be a necessary part of the preparation for sight translation. Each student will be required to prepare two half-hour videos of a sight translation. The first is to be handed in at the time of the mid-term examination and the second at the end of the semester. The other half of the classes for this course will focus on consecutive interpretation, which is translating what some one has said immediately after it has been said. The main exercise here will be inviting guests to come to our class, interview them, and then translate what they say. A video will be made of each interview and then watched later to evaluate the success of the consecutive interpretation.

Enrollment for this course will be limited to 14  If more than 14 sign up for the course, a test in spoken English will be given to determine the students to be admitted to the course (consideration will also be made of Conversation/Composition grade for Sophomore & Junior years).

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024. Advanced Overseas Chinese
        Ms. Yuan, Yun-Pi
        For Sophomore, Junior, and Senior Overseas Students
        Prerequisite: Freshman Overseas Chinese

This course is offered for overseas Chinese students who need to take 4-credit advanced Chinese courses to fulfill the department requirement. The main goal of the course is to help these students to improve their reading and basic writing ability in Chinese. Students will have a chance to read various types of prose (or perhaps poems) in modern Chinese at their level. The course content will be geared to each individual student's needs and abilities. In addition to listening to lectures, students will do the reading assignments, participate in class/group discussions, and write reports/responses for their readings. Students who want to take this course, please see instructor after May 20 or before the end of this semester.

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025. Professional Ethics
        2 credits (required)
        Fr. Daniel Bauer
        For Juniors

This course will offer a general overview of contemporary ethical and moral issues which influence both our personal lives and several professional careers that play key roles in our society. Students will be assigned readings on a topics related to ethical decision-making in various contexts, as for example, ethics and business, ethics and medicine, ethics in relationship and professional centered areas, such as education, law, and guidance counseling. Typical methods for weekly classes will include student class presentations, regular monthly journals, and a mid-term and final exam.

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XXX. Senior Play Production and Performance
          1 credit
          Ms. Cecilia H.C. Liu
          For Seniors

This course is a Language and Literature Lab designed to bring the English language alive for English majors. Benefits of Senior Play Production and Performance include development of communication skill, appreciation of the arts, and personal maturation. The process of rehearsal and performance of an American or British drama provides students practical experience in acting directing, stage design and theatre management.

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