flaneur 可以是個歷史產物,也可以是一種敘述和認知法。
一般定義共通點是,她/他步伐緩慢悠閒,好似沒有目標,而不向其他都市人群那樣匆忙。
有幾個討論重點:
和所看到的現代化都市、商品、所漫遊的網路之間的關係,
和群眾的關係,
是否被商品化,
flaneur 的性別。
I. Baudelaire --
-
strolling, anonymously, on the
street, in the crowd and observing fast-changing scene around him.
-
painter of modern life, distilling
the eternal from the transitory; the center of an order of things of his
own making;
-
an idler and passionate observer;
experiences shock and intoxication;
-
a man of the crowd; one flesh
with the crowd
-
the modern heroes: the
poet, the flaneur, the dandy, the collector, the gambler, the worker, the
dandy, the collector, the gambler, the worker, the rag-picker and
the prostitute; give voice to the paradoxes and illusions of modernity.
-
a dialectic of control and incompletion
(Tester 5)
II. Benjamin --
-
For the modern hero is no hero;
he
acts heroes; flaneur as a walking commodity;
-
Not part of the crowd.
(Rob Shields: flaneur as Mohicans,
flaneurie as time-space psychosis.)--
III. Chris Jenks --
-
an analytic form, a narrative
device;
V. Challenges to flaneur:
(Keith
Tester pp. 13-)
For Robert Musil The Man Without Qualities (1954)
-
traffic;
-
the city's mystery lost;
-
increasing domination of rationality
For Benjamin
-
numbering the houses and places;
establishment of time discipline (e.g. punch clock);
-
the development of the department
store (shift from the street as interieu to the department store as its
commodified embodiment). (Frisby in Tester
87)
Wolfgang Schivelbusch
-
the increasing speed of circulation
(of traffic, commodities, thoughts) in the 19th century.
-
Flaneurie is a harking back
and a nostalgia for a slower and more definite world.
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