 
The approaches we take will be: Marxism, structuralism/semiotics,
poststructuralism/postmodernism, and, depending on your interest, cultural
studies
or postcolonialism. Like Literary Criticism (I), we will learn
to
-
analyze literary work as well as other cultural products
from different critical perspectives.
One major difference from Literary Criticism (I) is that
-
we will focus more on placing the text in its (broader) context.
To put it simply,
-
for Marxism, it is society as a class structure;
-
for structuralism/semiotics, the context is linguistic (narrative or semiotic)
system;
-
for poststructuralism, it is society as a textual field;
-
for postmodernism, it is contemporary high-tech society and all kinds of
de-centering tendencies;
-
for postcolonialism, it is the histories of colonialism and anti-colonialism,
and
-
for cultural studies, "culture" as a whole way of life which includes both
high art and popular culture, top-down control and bottom-up resistance.
Wow, so much and so -- abstract. To make the theories more
concrete and closer to us, we will read literary texts, as well as other
cultural products as examples. To have a sense of focus, we will
have as our central themes Capitalism and Society and examine literary
texts about them. Examining the
texts from different perspectives, we will ask:
-- How do the texts present different cultures and societies?
How do different
cultures and societies influence the production of a certain text?
Can literary work transcend its time and society?
-- How do the texts as cultural products embody different ideas
or use different
codes?
-- How do we read cities, their signs and their spatial arrangements?
More and more interesting questions will be asked as we start our discussion
in
class.
Textbook: A Reader
Reference books:
* Beginning Theory: An Introduction
to Literary and Cultural Theory. Peter Barry. NY: Manchester
UP, 1995.
* Critical Theory & Practice: A Coursebook (Keith Green &
Jill Lebihan. Routledge, 96)
* Reader's Guide to Contemporary Theory (Raman Seldon. Harvester,
93)
Practicing Theory and Reading Literature (Raman Seldon. Kentucky,
89)
A Handbook of Critical Approaches to Literature (W. Guerin, et
al. 3rd ed. Oxford, 92)
Literary Theory : A Practical Introduction. Michael Ryan.
MA: Blackwell, 1999.
Theory into Practice: A Reader in Modern Literary Criticism.
K. M. Newton. London: Macmillan P, 1992.
¡m¤k©Ê¥D¸q²z½×»P¬y¬£¡n(¤k®Ñ©±)
¡m¤å¾Ç²z½×¾ÉŪ¡n¡DEagleton,
Terry. §d·sµoĶ¡D¥x¥_¡G®ÑªL¡A1993
¡m¤å¾Ç§åµû³N»y¡n¡OLentricia,
Frank, et al eds. ¡D±i¨Ê´Dµ¥Ä¶¡D
»´ä¡G¤û¬z¤j¾Ç¡A1994¡D
Requirements
& Grading Policy -- tentative: to be modified according to your
performances.
-
Attendance and Participation -- essentail.
3
absences means failing the course.
-
Class participation 10%
-
2 online discussions 10%
-
3 journals 30 %
-
1 group report 20%
-
a final exam (format to be decided)
30%
|