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Texts/ Requirement/ Grading policy | | Tentative Schedule/ Course Files | | Course Evaluation | | List of Reference |
Modern/Postmodern English Fiction Spring 2004
In this course we read a number of novels by contemporary British writers and a number of essays by theorists of postmodernism and metafiction. We will pay particular attention to the function of the narrator, the problems of subjectivity and agency, the intertextual and reflexive nature of much of the fiction, the use of pastiche and parody, the end of History and the importance of histories, the ex-centric perspective, and the relations between 'narrative' and 'history' (or perhaps, more accurately historiography for history in its written form) and the 'novel'. Authors to be studied include Virginia Woolf, Michael Cunningham, John Fowles, A. Byatt, Julian Barnes and Martin Amis. Texts: Requirement: Grading
Policy:
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Tentative Schedule |
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2/19 | Introduction to the course; texts and criticism Journey; sex/gender; memory; the intertextual and reflexive |
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2/26 | Virginia Woolf 's Mrs. Dalloway |
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3/4 | ||
3/11 | Michael Cunningham's The Hours | |
3/18 | ||
3/25 | Mrs. Dalloway & The Hours | |
4/1 | John Fowles??The French Lieutenant's Woman | |
4/8 | ||
4/15 | A. S. Byatt 's Possession | Course Files |
4/22 | ||
4/29 | ||
5/6 | Julian Barnes' Talking It Over | Course Files |
5/13 | ||
5/20 | Jean Rhys' Wide Sargasso Sea | Course Files |
5/27 | ||
6/3 | Final Presentation | |
6/10 |
Selected Bibliography in Postmodernism:
廖炳惠﹒《後現代與後殖民論文集》, 台北:麥田,1994.
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