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Fall 2002 List of Required Courses
Course |
Code |
Course |
|
100 |
Time for Class Advisor |
101 |
Physical Education |
102 |
Military Training (F) |
103 |
Military Training (M) |
104 |
Chinese |
105 |
Foreign Language |
106 |
Introduction to Western Literature (A) |
107 |
Introduction to Western Literature (B) |
108 |
English Lab. (A) |
109 |
English Lab. (B) |
110 |
Readings in Modern English (A) |
111 |
Readings in Modern English (B) |
112 |
Applied Computer Technology (A) |
113 |
Applied Computer Technology (B) |
114 |
Applied Computer Technology (C) |
115 |
Mythology & Bible |
116 |
English Composition & Conversation I (A) |
117 |
English Composition & Conversation I (B) |
118 |
English Composition & Conversation I (C) |
119 |
English Composition & Conversation I (D) |
120 |
English Composition & Conversation I (E) |
121 |
Introduction to University Studies |
200 |
Time for Class Advisor | 201 |
Philosophy of Life |
202 |
English Composition & Conversation II (A) | 203 |
English Composition & Conversation II (B) |
204 |
English Composition & Conversation II (C) |
205 |
English Composition & Conversation II (D) |
206 |
English Composition & Conversation II (E) | 207 |
Public Speaking (A) |
208 |
Public Speaking (B) | 209 |
Public Speaking (C) |
210 |
History of Western Civilization I (A) | 211 |
History of Western Civilization I (B) |
212 |
Introduction to Linguistics (A) | 213 |
Introduction to Linguistics (B) |
300 |
Time for Class Advisor | ||
301 |
English Composition & Conversation III (A) | 302 |
English Composition & Conversation III (B) |
303 |
English Composition & Conversation III (C) | 304
|
English Composition & Conversation III (D) |
305 |
English Composition & Conversation III (E) |
|
|
400 | Time for Class Advisor |
[Top]
Fall
2002 List of Elective Courses:
Literature
Code |
Course |
Literature | |
001 |
|
002 |
|
003 |
|
004 |
|
005 |
|
006 |
|
007 |
|
008 |
|
009 |
|
010 |
|
Language | |
011 |
|
012 |
|
013 |
|
014 |
|
015 |
|
016 |
|
017 |
|
018 |
|
Elective | |
019 |
|
020 |
|
021 |
|
Advanced Writing | |
022 |
|
023 |
|
024 |
001. British Literature
I [英國文學史(一)] This course is a survey of the major works of English literature from the Anglo-Saxon period (i.e. Beowulf) through the 18th century. Genres covered are epic and romance, allegory, satire, ballad, lyrics, drama, and prose. Themes include war, journeys, Christ, love, marriage, nature, death, and women issues. Because of the nature of the course not every author will be treated in depth, but I am aiming more at a sense of development, change and continuity in the literature of England over eight centuries. Authors studied include Chaucer, Sidney, Shakespeare, Donne, Jonson, Marvell, Milton, Dryden, Swift, Pope. Textbook: The Norton Anthology of English Literature, 7th ed. Vol. I. London: W.W. Norton, 2000. Tentative Grading System (subject to change) Preparatory readings: To prepare for this course during summer vacation you may start reading the introductions to the different periods (pp. 1-22, 469-498, 1209-1232, 2045-2070) and to some of the texts we shall study, for instance, to Beowulf (pp. 29-99), "Chaucer" (pp. 210-215), Sir Gawain and the Green Knight (pp. 156-210). [Top] 002.
Romantic/Victorian British Literature [浪漫/維多利亞時期英國文化](停開) This course aims to acquaint students with the major literary genres and figures of the Romantic and Victorian periods, and to provide students with an understanding of some major issues (evolution, industrialism, the woman question, etc.) and intellectual movements (the Romantics and their circles, the pre-Raphaelite movement) of these periods, both as reflected and as constructed by the literature of the time. Requirements: Heavy reading (50-100 pages a week, depending on genre) is required. Regular, consistent participation in in-class activities (including assigned group or individual presentations and responses as well as general discussion) will be expected from every student. There will be occasional quizzes, a midterm and a final exam. Texts: 003.
Shakespeare [莎士比亞] [Syllabus] This course will focus on six of Shakespeare's plays written and performed in the Elizabethan/Jacobean world of Renaissance England. This world differs from our contemporary situation here in Taiwan, so we will at times need to address Shakespeare's social, political, and cultural contexts. Our reading list for this course is a set of scripts-texts not meant to be primarily read (though that is what we will do), but rather performed for an audience. Accordingly, this course will go beyond an emphasis on texts alone, so you can expect to be called upon to read aloud, offer opinions, and move around at a moment's notice. This class, then, will give you a set of techniques for reading and considering Shakespeare's plays in their literary and theatrical contexts. Because you need to know the basic facts of Shakespeare's life and times, each of you will be asked to read a general introduction to Shakespeare and write a brief summary/response to it. We will read the plays in chronological order, including examples of his comedies, tragedies, a history play, and a late romance. Each play must be read carefully because the mid-term and final exams will test your memory of the plays' texts. Our textbook will be The Riverside Shakespeare (second edition). Your final grade for the semester will be based on the quizzes, assigned writings, participation, attendance, the mid-term exam, and the final exam. [Top] 004. 20th Century British/Irish Drama [廿世紀英國/愛爾蘭戲劇] Come, come to enjoy the wonderful world of 20th CENTURY BRITISH/IRISH DRAMA. We will experience and savor the variety and richness of the art of drama in our time. Modern British drama begins with the witty drawing-room comedies of Oscar Wilde, while Bernard Shaw brings another kind of wit into drama--the provocative paradox that was meant to tease and disturb, to challenge the complacency of the audience. With Beckett and Pinter, the theatre of the absurd manifests a theatrical revolution, challenging the traditional verbal and scenic design, exploring the significance of human existence. And of course, we will read some plays by the well-known contemporary playwrights, such as Stoppard, Shaffer, Ayckbourn, and Churchill (finally, a female playwright). In order to establish a clear picture of British/Irish drama in the 20th century, in the first part of the semester, we will study the plays of 1900-1950 by Wilde, Shaw, Coward, Synge, and O'Casey, and the plays of 1950-1990 by Beckett, Pinter, Stoppard, Shaffer, Ayckbourn, and Churchill in the second half of the semester. Some videotapes of the plays are available for viewing. Requirements: Grading system: 005. 20th Century British Women Writer [ 廿世紀英國女性作家]3 credits Fr. Daniel Bauer (engl1013@mails.fju.edu.tw) For Juniors above Class Limit: 45 Prerequisite: Introduction to Western Literature This course introduces students to short works of fiction by several important women writers of England in the 20th century. In addition to examining themes of love, children and family, these authors offer penetrating insights into human nature and contemporary experience. Joy, sadness, and self-understanding in ordinary moments of life are the typical focal points of their work. Some of the writers we will read include Doris Lessing, Muriel Spark, Elizabeth Bowen and Virginia Woolf. Students are expected to read 1 - 1 1/2 stories each week, and write monthly reflective journals. There will be a mid-term and final exam. The instructor will not use any material used in his Images of Women course. 006. American Literature
I [美國文學史(一)] Survey of American Literature, Part One, covers the development of American literature from the seventeenth century through the Civil War, through readings in various genres including fiction, poetry, the essay, autobiography, and oratory. Throughout we will keep returning to the question of how American writers participated in and responded to the definition of "America" itself. For immigrants who settled there, America has been a vast new enterprise and experiment. Whether it is primarily a spiritual, an economic, or a political experiment, and whether it has succeeded or failed, is an open question addressed differently by various writers. Major works on the syllabus include works poets such as by Anne Bradstreet, Edward Taylor, Walt Whitman; autobiographical writings by William Bradford, Mary Rowlandson, Henry David Thoreau; and short fiction by authors such as Washington Irving and Edgar Allan Poe. Our discussions will focus on close analysis of texts while lectures will introduce individual authors and survey related historical issues (for example, the American Revolution, slavery, the Civil War) and cultural movements (like Puritanism and Transcendentalism). Sometimes we will look at American paintings as a point of comparison to American literature. Requirements include participation in class activities, one report, a midterm and a final exam. Survey of American Literature, Part Two, is offered in the Spring Semester. Parts One and Two may be taken either independently of one another, or in succession as a year-long survey. [Top] 007.
Major American Fiction [美國主要小說] This course is an introduction to some of the most accomplished American writers of short fiction and the novel. The course will begin with a brief historical survey of American fiction through short works including but not limited to stories by Nathaniel Hawthorne, Edgar Allan Poe, Henry James, Stephen Crane, Edith Wharton, Ernest Hemingway, Flannery O'Connor, John Updike, Raymond Carver, and Joyce Carol Oates. Included will be novels by F. Scott Fitzgerald (The Great Gatsby) and Nathaniel West (Miss Lonelyhearts). Throughout we will pay close attention to elements of fiction such as plot structure, characterization, setting, and symbolism, and observe how the techniques and subjects of American fiction have evolved with changes in American history and culture. Readings for this course do not overlap with Survey of American Literature. Requirements include participation in class activities, creation of a Study Guide on one short story, a comparison/contrast essay on two short stories, a midterm and a final exam. [Top] European Literature: Heroes and Tragedies [歐洲文學:英雄與悲劇]3 credits Ms. Patrice Yang (flcg1044@mails.fju.edu.tw) For Juniors above Class limit: 30 Prerequisite: Introduction to Western Literature The names of Homer, Aeschylus, Sophocles, Euripides, and Virgil are familiar, and their works are the inspiration for writers from Dante to Shakespeare. To show the heritage, this course will focus on the idea of a "tragic hero" and trace the changes of this image in different works of different times. First, we will start with an analysis of its presentation in Homeric epics and Greek tragedies. Then, we will read the definition of a "tragic hero" in Aristotle's "Poetics" and try to apply this definition to the heroes in the plays to see if it is justifiable. Finally, the heroic figure will be re-examined or even re-defined by reading works of important writers of later periods (possibly Dante and Cervantes). All of the reading assignments are the English translations of the original works and some of them are excerpts instead of full-text readings. Though the materials are from the classical literature, it is still possible to relate the ideas to the present situation of our time. Therefore, students are very much encouraged to find contemporary examples of tragic heroes from the media to present in the oral reports. Tentative reading list: 009. World Literatures in English: Race and Gender Relations in Contemporary South African, Indian Subcontinent and Caribbean Literatures [世界英語文學概論] As English majors, we need to know that "English" is not always British, and "American"--not necessarily the U.S. How about English Literature? British and U.S. literature? In the past, maybe, but now in the age of postcolonialism -- definitely no. English literatures are all the literatures written in English in 1.) the U.S. and U.K., and in 2.) the English-speaking countries in areas ranging from Africa, South Asia, South-East Asia, East Asia (e.g. Hong Kong), South Pacific area (e.g. Australia & New Zealand), the Caribbean area, to North America (e.g. Canada). (See Map below.) To distinguish the latters from the formers, we call the latters -- world literatures written in English, or postcolonial (Third World) literature in English, or New English literatures. adapted from Post_Imperial Web Since world literatures written in English cover so many nations with their distinct national/racial cultures, it is hardly possible to generalize about them, not to mention teaching them all in one course. These literatures, however, do have common concerns, their nations having all experienced imperialism and colonization, and their peoples, immigration and frequently more than once. Among the common concerns there are: influences of colonization, possibilities of decolonization and defining national identity, power relations (between the colonizer and the colonized, dominant group and minorities, different genders of different races). These national literatures, moreover, are linked to each other by the large flows of immigrants of Chinese, African and/or Indian descent--what is called Chinese, African and Indian diasporas (離散族群). To do a focused survey of world literatures in English, this course chooses literatures (short stories, novel excerpts and poems) in South Africa, the Indian subcontinent (including Pakistan and India), and the Caribbean area (including Trinidad, Barbados and Jamaica), as well as those by diasporic/immigrant writers from these areas such as Salman Rushdie, Jean Rhys, Michael Ondaatje, V.S. Naipaul., etc. (See the black areas on the Map.) Our central questions are:
Of these central concerns, two themes especially help to connect the three areas, and relate them to us: colonization and diaspora. As we move from South Africa, to Indian subcontinent and then to the Caribbean, we will not only introduce the history of colonization in these areas and their cultures, but also examine how postcolonial writers critique the prejudices implied in colonial literature and literary education. Also, with colonization comes large-wave migration of colonizers and laborers, which intensifies the unequal gender and racial relationships the diasporic writers (e.g. Indian-Caribbean, African-Caribbean, Indian-Caribbean-Canadian) help us understand. Finally, with the work of some writers or filmmakers of Chinese diaspora, we hope to bring "home" to ourselves the issues we Taiwanese are always already deeply engaged in: that is, race and gender relations in (de-)colonization and migration. Heavy reading (each week about 50 pages' prose writing or fewer for poems) will be required to avoid the superficial understanding of these literatures. On the other hand, history, films (e.g. Salaam Bombay, Wide Sargasso Sea), and popular songs (e.g. Bob Marley, rap music) will be used to help us visualize, enter and understand their cultures. You are also encouraged to bring in other relevant texts from popular culture of these areas. Textbook: A Reader
[Top] 010. Chinese Literature in English Translation [英譯中國文學賞析] The purpose of this course is to train the student to speak and write in English about Chinese literature. In the first part of this course we will read selections from traditional works of Chinese fiction, such as T'ang
ch'uan-chi, San-kuo yen-i, Shui-hu chuan, and Hung-lou meng, and then fiction by twentieth-century Mainland and Taiwanese writers. The second section of this course will be devoted to Chinese and Taiwanese poetry in English translation. In the final part of the semester, we will read Yuan and modern Chinese dramas as well as essays. [Top] 言談分析]3 credits Sterling Plata (smplata2000@yahoo.com) For Juniors above Class limit: 45 Prerequisite: Introduction to English Linguistics There's no course description now. 012. Language Assessment [語言評量] To understand the principles of assessment and how they can be applied in practice To develop a critical awareness of language tests by evaluating the public tests To practice constructing valid, practical and reliable tests for use in the classroom This course, offered every other year, will cover the following topics: relationship between teaching and assessment, types and uses of language tests, approaches to language testing, test construction/evaluation and related issues (such as validity, reliability, item analysis, and practicality), alternative assessment, test methods/format (in testing different language skills), and interpretation of test scores. We will examine samples of test items (such as the JCEE) by applying principles discussed in class. Students will also have a chance to design language tests or develop ways to assess language performance in the classroom. Requirements: weekly reading assignments, active participation (discussion, questions) and attendance, test review and critique, test design team project, exercises, review quizzes. Tentative Textbook: Reference Books:
[Top] 013. Computer-Aided Bibliography and Research [電腦輔助書目及研究] Here is the last year's. For your reference: The purpose of this course is to help English majors write research papers more efficiently and effectively with the assistance of computer technology. Emphasis of this course will be placed on research-writing methods and skills. Electronic information sources (e.g. on-line search, CD-ROM search, electronic mail), computer-generated papers (e.g. database management of notes, word processing), MLA and APA formats, and the traditional use of libraries and information sources will be introduced to or reviewed for students. Recommended Reading:
[Top] 014. Computer-Assisted Instruction (CAI) [電腦輔助教學] The number of computers used in educational and industrial training settings is increasing consistently. Computer-Assisted Instruction, with an acronym as "CAI", is any instance in which instructional content or activities are delivered via computer. This course is designed for those interested in the design, development and evaluation of computer-assisted instruction (CAI). It introduces a systematic design and evaluation process that produces successful CAI courseware. It also emphasizes knowledge from educational research that is fundamental to CAI design and evaluation. Since this course is designed for English majors, issues about CALL (Computer-Assisted Language Learning) will be emphasized. Needs: Required textbooks: Merrill, P. F., et al. Computers in Education. Boston: Allyn & Bacon, 1996. Recommended textbook:
Grading:
015. Teaching
English as A Second Language (TESOL)[英語教學法] * This tentative course description is proposed for your reference and is subject to change. TEFL Methodology is a survey course to provide prospective English teachers an overview of both traditional and innovative language teaching methods for learners of diverse learning background. In this course, we will not only learn principles guiding language learning and teaching, but also incorporate techniques to be applied in the real classroom setting. As long as you believe that you enjoy teaching English, capable of using "good" English, patient and enthusiastic enough to find solutions for difficulties encountered in class, you may join the world of ET (English teachers). These are topics we might explore and have in-depth discussions for:
Course Requirements and Evaluation Readings, Pop-up Quizzes & Discussions-At times you will be divided into groups discussing topics such as innovative ideas for designing teaching aids, or materials evaluation. Since each group will have a chance to present, please familiarize yourselves with assigned readings for each theme beforehand. Expect to have some pop-up quizzes to "estimate" how much you learn. (20 %) Practicum- Students in groups are required to prepare a 10 - 15 minute presentation on teaching a specific topic which demonstrate your understanding of the principles of a teaching method and explain the designs and rationale of your lesson plan. A written lesson plan should be submitted in accordance with your teaching. (20 %) Observation Report - students are required to make at least two observations at a language schools where English is taught and write a five-page report. It's a team project and should be completely collaboratively with 4 to 5 students in a group, with an emphasis on evaluating curriculum design, teaching methods and the teaching process. (20 %) "What's New" & Attendance (10 %) Mid-term and final Exams (15 % each) Recommended Texts
016. Performing Arts: Acting [ 舞台藝術:表演技巧]3 credits Dr. Llyn Scott (engl1014@mails.fju.edu.tw) Class Limit: 40 Performing Arts: Acting creates an awareness in each student of his/or her creative expressiveness through a variety of theatre games and improvisations. One aim of the course is to develop a student's ability to choose imaginative solutions, and respond spontaneously with engaged emotions, intellect and personality. Furthermore, acting as a craft will be presented, that is, steps to analyzing a character in a play, building an actor's interpretation, and performing a role in front of an audience. Thus, another aim of the course is to help each student become familiar with basic stage movement, voice for the stage and the elements of costuming and properties for the actor. Acting studios will be assigned as monologues, duets and short scenes. [Top] 2 credit Mr. Paul Yeh (spyeh@seed.net.tw) For Seniors Only Class Limit: 15 This course will introduce you to the three modes of interpretation, namely sight interpretation, simultaneous interpretation and consecutive interpretation. Together we will explore a basic model of communication, and establish a link between this model and the process of interpretation. We will also briefly cover the possible roles played by the interpreter in an interpreter-mediated event, and discuss issues concerning the quality of interpretation. The best, or the most terrifying part, of this course is that you really get to interpret!! We will start with short consecutive interpretation, so you can not only experience what it is like, physically and mentally, to be an interpreter, but also apply what you have learnt to the actual process of interpretation. Sight interpretation will then be introduced to enhance your ability to interpret while following the word order of the source text. Requirements: Evaluation:
May the Force be with you. [Top] 018. Oral Translation [口譯技巧](學年課) There will be no textbooks. Teaching materials include articles, speeches and news reports on a variety of topics ranging from defense, economics, international trade, ecology, politics to
sports. Students will be required to study the aforesaid topics at home. They will be formed into pairs in class. One student in a pair will speak in Chinese, while the other has to do an oral interpretation in English. They will reverse the roles subsequently. The instructor will make corrections of mistakes the students may make in class and teach them how to overcome stage fright and other inhibitions. Progress of the course--
[Top] 中國詩詞曲(一)(上學期);中國詩詞曲(二)(下學期)]2 credits Mr. Hsieh (謝錦桂毓老師) For Sophomores above Class limit: 50 課程目標: 1.知識:概括掌握先秦到清中國詩詞曲的發展。 2.方法:鍛鍊鑑賞文學作品的觀念和能力。 3.心靈:從作品與主題中體會民族文化心理,並對應古今。 4.延伸:可為中外比較之參考。 課程內容:
教材:1.講義:提供原件供影印(含全套目錄)。 2. 中國文學史(配讀用)及必要之成冊作品--自備。上課方式:教師主導討論與學生講論並用;講論以分組分題為原則,一學期大約2-3次。 作業:1.為補課堂之不足,每一階段配讀中國文學史,寫成綱目式提要。 2. 沒輪到講論者,各單元作品按標記寫預習筆記。成績評量:設有評量項目(講論、作業)及比例,按進度分配在各階段中;除非計劃無法推動,否則不考試。 其他:
[Top] 020. Senior Play [大四劇場實務實習](停開) This course is offered for all seniors interested in participating in the Senior Play to be produced and performed in December. Play selection, auditions and recruitment of the production staff will begin in October. [Top] 021.Translation Practicum [翻譯實務](學年課) The progress of the course is as follows:
[Top] 022. Journalistic Writing in English I [ 新聞英文寫作(一)](Advanced writing) 2 credits Mr. Fok Tat-men (sherfok@hotmail.com) For Seniors Only Class limit: 25 Prerequisite: English Composition III Teaching Plan (Provisional) [Top] 023. Chinese-English Translation I [ 中英翻譯(一)] (Advanced writing)2 credits Mr. Daniel Wang For Seniors Only Class limit: 25 Prerequisite: English Composition III This course offers practical techniques and experience in Chinese-English translation in a variety of styles and subjects. The emphases will be on (1) the structural differences between Chinese and English, (2) word choice, (3) grammatical correctness, (4) stylistic propriety. TEXT REQUIREMENTS ATTENDANCE EVALUATION [Top] 024.
Business English Writing I [商務英文(一)] (Advanced writing) This course is designed for students who would like to work in the business world after graduation and is also useful for those who intend to apply for a business-related graduate school. The emphasis will be on the practical skills that you will need on a day-to-day basis, if you are lucky enough to land a job that requires a good working knowledge of English. During this semester, we shall deal with various forms of paper correspondence (i.e. not electronic). Writing letters in a correct style of English is a skill that even native speakers have to learn. Nobody expects non-native speakers to be word perfect, but it is essential to understand how business English differs from other written forms, especially how subtle changes in the choice of vocabulary and the use of grammar can alter the style and tone of business correspondence. Therefore, we shall be dealing with different language registers and levels of formality. You will also learn about the structure and presentation of business letters as well as how to vary content and style. Specifically, in the first semester we will look at requests for information, and complaints and how to reply both negatively and positively to the same. The principal method we shall be using to help you to acquire these skills will be the use of "real life" situations. You will be presented with a variety of scenarios that you would be likely to come across in the Taiwanese business world. You will then write the appropriate documents. You will be expected to work effectively in a group as well as doing individual work, in particular on the project you will be doing. In the latter half of this semester shall be dealing at considerable length with skills that you will be needing very shortly, namely job interview techniques, graduate school applications and how to write resumes. A good resume makes the difference between being called for interview or not. A good interview makes the difference between getting the job or not! Theses are skills that you cannot afford to ignore. By the end of the course your chances should be better than average! You will be expected write resumes based on real job advertisements and real graduate schools. Each student will also be expected to present for a "real" interview. No one book could cover all the areas we shall be dealing with, so we shall be relying to some extent on handouts. However, it is strongly recommended that you acquire a copy of: Taylor, S. Gartside, L. Model Business Letters and Other Business Documents. London: Financial Times, 1992. |