4.
British literature into film a. British
Novel (in alphabetical order)
A
--- B
--- C --- D --- E ---
F --- G --- H ---
I --- J --- L ---
M --- N --- O ---
P --- R --- S ---
T ---
W
A
--- ¡@
Adventures of Sherlock Holmes, The (Sir Arthur Conan Doyle)
EV/792/675M01 EV/792/674M01 |
Sherlock Holmes and Dr. Watson investigate a scandal in Bohemia
involving Irene Adler, chalk drawings of dancing men, the identity
of a crooked man, a missing naval treaty, a solitary cyclist's
mysterious follower, the dangers of a speckled band, and a blue
carbuncle found in the crop of a goose. -- IMDb |
Alice In the Wonderland
ELD/740/026L11 026L11¡@ |
Imaginatively
rendered but slightly chilly, this 1951 Disney adaptation of the
Lewis Carroll classic is also appropriately surreal. Alice has all
the anticipated experiences: shrinking and growing, meeting the
White Rabbit, having tea with the Mad Hatter, etc. Characterization
is very strong, and the Disney team worked hard to bring screen
personality to Carroll's eccentric creations. For a Disney film,
however, it seems more the self-satisfied sum of its inventiveness
than a truly engaging experience. -- Amazon |
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B
--- ¡@

Beowulf (1999)

¡@
DVD/829/B167b
|
Beowulf translates the ancient epic poem of the same name into a
postapocalyptic Road Warrior-style future, in which a military
outpost is being invaded by a monstrous, blood-thirsty creature.
Drawn hither by the evil emanations comes Beowulf (Christopher
Lambert from Subway and the Highlander series), a powerful warrior
with dark secrets of his own. There he meets the beautiful Kyra (Rhona
Mitra), a woman warrior with a couple of cleavage-revealing outfits.
Her father Hrothgar, meanwhile, is haunted by dreams of a blond,
seminaked succubus with crimped hair, who has some mysterious
connection to the murdering monster. Everyone, even father and
daughter, has a different accent. It's all pretty trashy--the script
is full of bravura lines like, "The only thing that keeps me from
becoming evil is fighting evil"--but the cinematography and special
effects are capable, there are lots of cool-looking swords and
weaponry, and there's some pleasantly cheesy techno-metal music that
plays intermittently for no good reason. Christopher Lambert, with
white hair and a full-length leather duster, looks a little bored,
but he's still his competent brooding action-hero self. If you
enjoyed Mortal Kombat, this is right up your alley. --Bret Fetzer --
From Amazon |

Beowulf & Grendel (2005)

¡@
DVD/829/G976b |
The otherworldly
landscape of Iceland lends an appropriate touch of dark fantasy to
this modern retelling of Beowulf, the oldest epic poem in the
English language. Gerard Butler (The Phantom of the Opera) brings
the right balance of physicality and world-weariness as the Swedish
hero Beowulf, who travels to Denmark to fight the monstrous troll
Grendel (Icelandic superstar Ignvar Sigurdsson), which has been
plaguing the house of King Hrothgar (Stellan Skarsgård, buried under
a mound of prosthetic hair). However, what transpires is not a
battle between good and evil, but a convoluted mystery of sorts,
with Beowulf playing the detective who discovers that his foe is
more human than monster, and Hrothgar less wronged innocent than
catalyst for his own downfall. Director Sturla Gunnarsson succeeds
in pulling this legendary story from the dust of academics by
contemporizing the dialogue (Andrew Rai Berzins has an excellent ear
for hard-bitten palaver), and his visuals are nothing less than
striking, but the film attempts to be both monster movie and
melancholy drama, while never quite satisfying the requirements of
either genre. Regardless, the quality cast (which includes Sarah
Polley from Dawn of the Dead as a sharp-tongued witch with a
connection to Grendel) and some well-handled action sequences should
hold viewers¡¦ attention even when the unnecessarily complex plot
does not. --Paul Gaita -- From Amazon |

Beowulf and the Anglo-Saxons (2003)

DVD/820/A784 |
It
provides good background information on the culture of the Anglo-
Saxons and the context of the Beowulf epic. Its best features are
the recreations, the footage of the Sutton Hoo site and some of its
treasures, and the actual recitation of some of the poem in the Old
English ( very interesting to hear). The lecture that makes up the
bulk of the narrative is of the type you might expect were you to
attend a seminar at the Sutton Hoo site or some similar History for
amateur enthusiast's event, but it is just enough material for a
student starting to study this period or the poem. The only
drawback is that the production company was obviously short on funds
and towards the final third of the hour+ production, the visuals
start to repeat- we see the same spinning helmet, the same burning
lake, the same warriors tipping back the drinking horn once
again-this is where my kids start laughing and go back to reading
another book while I tell them to hang in there the material is
worth it. But then, this isn't New Line Cinema, so you have to
adjust your expectations. One especially good extra is the
re-enactment segment. -- From Amazon |
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C
---
The Collector (John
Fowles)
EV792/157B01 |
¦òµÜ²Ä¬O¤@Ó¤@¥»¥¿¸g,¤p¤ß¶Ô愼ªº»È¦æÂ¾û,°ß¤@ªº¼Ö½ì´N¬O»`¶°½¹½º.¦³¤@¦¸,¥L¤¤¤F±m¨é,¦b¥°Ï¶R¤U¤F¤@¼l©Ð¤l.¥L¦³¤@Ó«ä¹õ¤w¤[ªº¬ü³N¾Ç®Õ,¤@¤Ñ¦³¤F¾÷·|,¥Î»X¦½ÃĹv¦o§Ë©ü,±a¨ì³o©Ò©Ð¤lùØ¨Ó |
"The Canterbury Tales" (Pasolini)
ELD/820/019L01 019L01 EV/820/019B01 V0031753 ELD/820/019L11 019L11 |
Pasolini's startling
candor and ribald humor illuminate these classic tales of romance,
deception , murder and lust. |
The Comedians (Graham Greene)
(Color, 2 hrs. 32 mins; MGM/UA Home
Video)
823 G558 Ve 1993 |
"A thoughtful,
thought-provoking work.. it is Graham Greene writing at the height of his powers."--
Arthur Knight, Saturday Review Echoing the
same all-consuming desire that epitomized their mercurial off-screen relationship,
Richard Burton and Elizabeth Taylor deliver superlative performances in this powerful
drama of politics and passion. Adapting his own best-selling novel for the screen,
distinguished author Graham Greene delivers a devastating indictment of Haitian
director "Papa Doc" Duvalier and his regime of terror that reigned in the late
60's. Entwined in this maelstrom of oppression
are Greene's odd assortment of players, including Burton, the cynical hotelier;
Talor, his sex-starved Berman mistress; Alec Guinnes, a sleazy, breezy arms merchant
and James Earl Jones, a valiant but resigned doctor.
With
an underlying chill amid the tropical scorch, Greene and director Peter Blenville
(Becket) capture the atmosphere of a country ravaged by despair and moral
decay. But it's from these ashes that rise human dignity and compassion, delivering
hope, and with The Comedians, a rewarding film experience. |
A Christmas Carol (Edwin L. Marin)
EV823/010B01 |
Overworked and
underpaid clerk Bob Cratchit and his loving family hope for
a holiday of feasting and
good cheer. Crachit's rich employer Ebenezer Scrooge scoffs at
Victorian London's Yuletide spirit, threatening both his immortal
soul and the Crachits' Christmas.
Terry Kilburn portrays Crachits' endearing, frail, crippled son Tiny
Tim. |
A Christmas
Carol (Brian Desmond Hurst)
EV823/010B01 |
¦Û±qµo°]¥H«á,
Scrooge¦¨¬°¤@VÁ¡§[¶Þ¦ý¤£§Ö¼Öªº¥Í·N¤H,ª½¨ì¸t½Ï¸`¨º¤Ñ,¥ý«á¥X²{¤F¤TÓÆF»î,±a¥L¦^ÅU¹L¥h,³zµø¥¼¨Ó,¤Ï¬Ù²{¦bªº¥Í¬¡,¥L¬Ù®©¤F¤H¥Íªº眞¿Í |

A Christmas
Carol (Clare West)
CD eng/ 407 W516 |
Christmas is humbug- it's a time when you find yourself a year older
and not a penny richer. The thing that matters to Scrooge is
business, and making money. But when three spirits visit him on
Christmas eve, and take him at night to see Christmas past, present,
and future - Scrooge learns a lesson that he will never forget. |
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D
---
Dr. Jekyll & Mr. Hyde (Rouben
Mamoulian)
EV820/012B01 |
Henry "Harry" Jekyll
is a well respected member of London society. In his personal life,
he is pre-engaged to Muriel Carew, the daughter of a brigadier
general. In his professional life, he is a medical doctor, scientist
and academician. He theorizes that in each man is a good side and an
evil side which can be separated into two. In doing so, the evil
side can be controlled and the good side can live without worry, in
combination leading to the betterment of society. In his
experiments, he uses himself as the subject to test his hypothesis.
His evil side, who he coins Mr. Hyde, escapes into London, and
terrorizes party-girl Ivy Pierson. Jekyll, aware of Hyde's
goings-on, decides to stop his experiments because of the suffering
he has caused Ivy. What Jekyll is unaware of is how ingrained Hyde
is in Jekyll's life. -- IMDb |
Dr. Jekyll & Mr. Hyde (Victor Fleming)
EV820/013B01 |
Laurence Olivier once observed that he learned more about acting
from watching Tracy than in any other way." Undertaking the dual
title role in Robert Louis Steven's Victorian science-fiction
thriller, Tracy fulfilled that compliment by abandoning his
characteristic done-to-earth image for the most terrifying. |
David Copperfield
(Charles Dickens) (Time: 2 hours 11 minutes, B & W, 1935; directed
by George Cukor)
EV823/005B03 |
"The most profoundly satisfying novel that the camera has
ever given us."--The New York Times Since 1935, David Copperfield
has been acclaimed for its cast, hand-picked from MGM's acting company of
unparalleled magnificence. W. C. Fields is an inimitable Micawber; Basil Rathbone
a fiendish Murdstone; Roland Young an oily Uriah Heep; Edna May Oliver an infectiously
quirky Aunt Betsey; Jessie Ralph a definitive Nurse Peggotty; and Freddie Bartholomew,
one of the most distinguished child actors of all time, is unforgettable as the
young hero, David. David Copperfield enjoys an idyllic life with his gentle,
widowed mother and his loving nurse, Peggoty. Then tragedy strikes when Mr. Murdstone,
a monster of cruelty, weds David's mother and drives her to an early grave. Despised
by his stepfather, the boy is forced to live in misery and poverty until he runs
away to throw himself upon the mercy of his eccentric aunt. His adventures introduce
us to every stratum of colorful Victorian society, captured for posterity by this
delightful rendition of Charles Dickens' spellbinding novel. (Donated
by Bro. Nicholas Koss) |
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E
---
Emma
(Jane Austen)
(Color, 107 minutes
; directed by Diarmuid Lawrence; Meridian Broadcasting Limited 1996)
823 L419 Ve |
This lavish new film adaptation of Jane Austen's classic novel of
marriage and manners, Emma, stars Kate Beckinsale (Much Ado About Nothing) as one of Austen's
most loveable yet infuriating, heroines. Emma is beautiful, rich and clever and
rules over her elderly father, Mr. Woodhouse (Bernard Hepton). She tries to influence
the love-lives of their circle of friends in the small village of Highbury, with
comic and disastrous results. Emma has no shortage of would-be suitors herself.
The amorous vicar, Mr. Elton (Dominic Rowan, Between The Lines), competes
for her love with the dashing Frank Churchill (Raymond Coulthard, Band of Gold)
and the outspoken and down-to-earth Mr. George Knightley (Mark Strong, Our
Friends in the North). Emma largely ignores their advances, preferring to
concentrate on finding a match for her new friend Harriet Smith (Samantha Morton,
Band of Gold) than to face up to her own desires.
Brought to you by
the team which initiated Pride and Prejudice (Sue Birtwistle and Andrew Davies),
this film with its compelling mix of comedy, mystery and love is guaranteed to
enchant you. (Donated by Bro. Nicholas Koss)
|
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F
---
Far From The
Madding Crowd (1)(2)
(T. Hardy)
823 S342-a Ve
823 S342-b Ve |
Life in rural Victorian England is orderly, almost predetermined.
But headstrong Batsheba Everdene wants more. She longs to be free of
society's constraints. And her rebellious desires reap a whirlwind
of passions, turmoils and ultimately, love. Julie Christie brings
all her beauty and talent to the
role of the passionate
heroine. |

Frankenstein (M. Shelley)

¡@
¡@
¡@
DVD/791/43/M517 |
Starring:
Marty Feldman, Madeline Kahn If you were to argue
that Mel Brooks's
Young Frankenstein ranks among the top-ten funniest movies of all time, nobody
could reasonably dispute the claim. Spoofing classic horror in the way that Brooks's
previous film Blazing Saddles sent up classic Westerns, the movie is both a loving
tribute and a raucous, irreverent parody of Universal's classic horror films Frankenstein
(1931) and Bride of Frankenstein (1935). Filming in glorious black and white,
Brooks re-created the Frankenstein laboratory using the same equipment from the
original Frankenstein (courtesy of designer Kenneth Strickfaden), and this loving
attention to physical and stylistic detail creates a solid foundation for nonstop
comedy. The story, of course, involves Frederick Frankenstein (Gene Wilder) and
his effort to resume experiments in re-animation pioneered by his late father.
(He's got some help, since dad left behind a book titled How I Did It.) Assisting
him is the hapless hunchback Igor (Marty Feldman) and the buxom but none-too-bright
maiden Inga (Teri Garr), and when Frankenstein succeeds in creating his monster
(Peter Boyle), the stage is set for an outrageous revision of the Frankenstein
legend. With comedy highlights too numerous to mention, Brooks guides his brilliant
cast (also including Cloris Leachman, Madeline Kahn, Kenneth Mars, and Gene Hackman
in a classic cameo role) through scene after scene of inspired hilarity. Indeed,
Young Frankenstein is a charmed film, nothing less than a comedy classic, representing
the finest work from everyone involved. Not one joke has lost its payoff, and
none of the countless gags have lost their zany appeal. From a career that includes
some of the best comedies ever made, this is the film for which Mel Brooks will
be most fondly remembered. Befitting a classic, the Special Edition DVD includes
audio commentary by Mel Brooks, a "making of" documentary, interviews
with the cast, hilarious bloopers and outtakes, and the original theatrical trailers.
No video library should be without a copy of Young Frankenstein. And just remember--that's
Fronkensteen. -- Jeff Shannon |
Frankenstein (Patrick Nobes) CD eng/
407 N744 |
Tells about Frankenstein, who thinks he has the secret of life. He
takes parts from dead people to build a new 'man'. But this monster
is so frightening that everyone runs away from him. The monster is
just a big baby who needs love. But nobody gives him love, and soon
he learns to hate. Because he is strong, he next learns how to kill. |
French Lieutenant's Woman,
The 791.43 R378 VRe ¡@ |
Love stories of two saparate pairs of lovers one period, one
contemporary-yields a fascinating insight into
the passion and mystery
that can pull two people together..and just as easily tear them
apart. |
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GOOD SOLDIER
791.43 M183 Ve |
From the opening voiceover line--"This is the saddest story I have
ever heard"--The Good Soldier reveals how deep and wide
heartbreak can run, even within the confines of Edwardian manners.
Based on the understated masterpiece by Ford Madox Ford, the 1981
film unwinds in what feels like real time as it explores the
friendship--and treachery and pathos--of two couples, one English,
the other American, over several summers in Europe before World War
II. The narrator, American John Dowell, looks back at the ruins of
friendship, trust, and marriage, in a daring time-travel fluid
narrative that completely tracks in how someone would try to make
sense, later, of such deep tragedy. The title hero is Capt.
Ashburnham, played by TV's favorite Sherlock Holmes, Jeremy Brett,
and his performance is breathtaking. Ashburnham is an English
Gatsby--blessed, envied, and ultimately cursed--yet even when those
closest to him see his foibles, they can't help but bend to his
will. Meanwhile, as Dowell sifts through the collateral damage left
by his onetime friend, he admires him still. "It never lets you
down," he muses, "the English habit of taking absolutely everything
and everyone for granted." Also giving splendid performances are
Susan Fleetwood as Ashburnham's buffeted wife, and Vickery Turner,
Dowell's compulsively chatty, and untrustworthy, wife.
-- Amazon |
Great Expectations, The (Joseph Hardy)
EV/823/017B01 |
The story of an
orphan, who lives with his sister and her husband, the village
blacksmith. He believes that the fortune which he receives, enabling
him to start a new life, comes from an eccentric old woman. However
he finds out that it was in fact left to him by an escaped convict
he had helped. |
Great Expectations, The (I)(II) (Disney)
EVR/823/017M11 |
Pip, earlier raised by his harsh sister, meets Miss Havisham and is
smitten by the utterly
spoiled Estella. Pip takes on her materialistic values, and when he
comes to wealth, he embarks a frivolouss life. However, ssuffering
and maturity eventually teach him
the difference between being true to one's self and living
according to self-deluding great
expectations. |
Gulliver's Travels (I)(II) (Charles Stirridge)
EV823/008B01 |
Danson portrays
Gulliver, the 18th century physician who takes eight event-packed
years to return home. Steenburgen is the devoted wife who stands by
Gulliver when everyone says his story is tha tale of madman and what
an unforgettable tale it is! Join Gulliver as he becomes a
pocket-sized fortune-teller in a land of giants ruled by a wise
queen. |
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H--- ¡@
Honorary
Consul, The (G. Greene)
EV/792/129B01 |
Dr.
Eduardo Plarr, despite the name is an Anglo working in a Latin
American country. His work is a return home after several years. He
begins to form and re-establish friendships and begins an affair.
All of this comes together to create problems when he is asked to
help revolutionaries kidnap a diplomat. -- IMDb |
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Ivanhoe
(Sir Walter Scott)
(Color, 1hr. 47 mins)
EV/823/041B01 V0032580
|
Return
to the world of noble knights and blushing maidens in this vivid
adaptation of the Sir Walter Scott classic, Ivanhoe. Set against the backdrop of 12th-century
England, the story follows one brave man's attempt to restore Richard The Lion-Hearted
to the throne stolen by his evil brother, Prince John. But with all its rousing
feats of derring--do, it is also a tender tale of love. Robert Taylor stars as
the intrepid knight-errant who is charmed by not one fair lady, but two: the meltingly
dark-eyed Rebecca (Elizabeth Taylor) and the stately Saxon princess, Rowena (Joan
Fontaine). In chilling contrast to this romantic feast, there is George Sanders
as the malevolent DeBois--Guilbert, Ivanhoe'3s deadly enemy and constant threat.
Ivanhoe is "a rich, dramatic picture" raved
the Saturday Review. "The action is full scale and vigorous, presented with obvious
relish," and it boasts some of the most spectacular fighting sequences ever filmed.
|
Ivanhoe (Sir Walter
Scott)
(1982 Columbia Pictures Television; Color, 142 mins; directed by Douglas Camfield)
823 Or73 VRe V.6
V.6 |
Back to the golden
days of chivalry, romance and thrilling swordplay! Anthony Andrews
brings to life IVANHOE, the young Saxon knight devoted to his king
and religious faith. James Mason and Olivia Hussey co-star in Sir
Walter Scott's classic tale of valiant warriors and beautiful
damsels. When Ivanhoe returns to 12th-century England after fighting
with Richard the Lion-Hearted in the Crusades, he learns that his
true love Rowena (Lysette Anthony) has been betrothed to another and Richard's evil
brother is intent on stealing his throne. Ivanhoe faces overwhelming odds in his
fight to save Rowena and defeat the villainous Normans. Spectacular battles and
stirring heroics make IVANHOE an adventure for all times! (Donated
by Bro. Nicholas Koss) |
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Jane Eyre

EV820/016B01 |
Starring:
Orson Welles, Joan Fontaine Director: Robert Stevenson
Small, plain and poor, Jane Eyre comes to Thornfield Hall as governess to the young ward
of Edward Rochester. Denied love all her life, Jane can't help but be attracted
to the intelligent, vibrant, energetic Mr. Rochester, a man twice her age. But
just when Mr. Rochester seems to be returning the attention, he invites the beautiful
and wealthy Blanche Ingram and her party to stay at his estate. Meanwhile, the
secret of Thornfield Hall could ruin all their chances for happiness. |

Jane Eyre
²·R

DVD eng/ 823/F961/ |
After a bleak
childhood, Jane Eyre goes out into the world to become a governess.
As she lives happily in her new position at Thornfield Hall, she
meets the dark, cold, and abrupt master of the house, Mr. Rochester.
Jane and her employer grow close in friendship and she soon finds
herself falling in love with him. Happiness seems to have found Jane
at last, but could Mr. Rochester's terrible secret be about to
destroy it forever? |

Jane Eyre
(Clare West)
CD eng/ 407 W516j |
Jane Eyre is alone in the world. She survives, but she wants more
from life than simply to survive. She wants respect and love. When
she goes to work for Mr Rochester, she feels, she has found both at
once. But the sound of strange laughter, late at night, behind a
locked door, warns her that her troubles are only beginning. |
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L
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Lord of the flies
823 Hh781 LDe 1990 |
When their plane crashes, 25 schoolboys find themselves lost in
paradise. On a tropical island, miles and miles from civilization.
At first, they welcome the
freedom. But soon they discover that trying to survive is anything
but fun and game. Finally, abandoned in
the end, Ralph makes a
terrifying discovery. |
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M
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Moll
Flanders
EV 792 689 B01 |
DeFoe would
have a heart attack if he saw this movie! There was such creative license that
the only similarities I could see between this movie and the classic book are
some character name. I couldn¡¦t even finish it (because the movie
itself is dreadful), but for the first 40 minutes I saw a number of characters
and events that are not in the book, including a framing device using Moll's daughter.
The movie includes a number of Roman Catholic charities¡Xcompletely historically
incorrect¡Xwhich would have driven DeFoe (staunch Presbyterian that he was)
mad. You absolutely cannot use this version in a class. Your students would be
hopelessly lost if they had read the text, and eternally confused about the delightful
Moll (who is made a boring, moral drudge in this version). |
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N
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Northanger
Abbey (Jane Austen)
(1990 BBC version; Color, 90 mins; dramatised by
Maggie Wadey; produced by Louis Marks; directed by Giles Foster)
823 F754 Ve |
Starring:
Peter Firth, Googie Withers, Robert Hardy and Katherine Schlesinger
"A woman especially, if she have the misfortune
of knowing anything, should conceal it as well as she can."
Catherine Morland arrives in Bath bursting with freshness,
integrity and a passion for macabre Gothic novels. When the romantic Henry Tilney
invites her to his ancestral home. Northanger Abbey, a dark mystery starts to
unfold that makes her blood run cold. Are her fantasies coming true? What does
the sinister General Tilney want from her and will the truth destroy her chance
of love? (Donated by Bro. Nicholas Koss) |
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O
---
Oliver
Twist (Part 1&2)
BBC
VE/823/007MO2 |
Dicken's beloved tale
of an orphan boy forced into a ife of crime gets top treatment in this excellent
BBC presentation. After escaping from the dreary workhouse where he has spent
his childhood, Oliver (Ben Rodska) runs away to London, only to fall in with the
Artful Dodger, Fagin (Eric Porter), and their gang of young thieves. Temporarily
rescued by the kindly Mr. Brownlow (Frank Middlemass), the boy is then pursued
by savage Bill Sikes, and it is only with the revelation of his true identity
that Oliver's troubles finally end. With its superb acting and consistent faithfulness
to the book, this first-rate production is excellent entertainment for those already
familiar with this classic tale, and the perfect way to introduce a youngster
to the enthralling world of Charles Dickens. |
Oliver
(Color, 140 mins; book, music
and lyrics by Lionel Bart; screenplay by Vernon Harris; directed by Carol Reed)
823 R323o Ve |
Perhaps the best
loved of all family pictures, Oliver is a joyful and entertaining
musical version of Dickens' Oliver Twist.
Mark Lester plays Oliver,
the foundling who escapes the indignities of the workhouse to find success and
happiness in the London underworld. Oliver's new friends include the Artful Dodger
(Jack Wild) and Fagin (Ron Moody) who teach him to "pick a pocket." Star roles
are played by Harry Secombe, Oliver Reed and Shani Wallis as the loving Nancy
who pledges her friendship for "As long as he needs me."
Winner of 6 Academy
Awards, "Oliver" is a film everyone from 8 to 80 loves to see again and agian.
(Donated by Bro. Nicholas Koss) |
Orlando
791.43 P866 LDe |
Orlando, a young 17th
century English nobleman, is clearly a favorite of Elizabeth I.
Aside from granting favors and property, the Queen also bestows upon
the gift of long life. |
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P
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A Portrait of the Artist as a Young Man
823 S916-b Ve 1989
c.2 |
The film is a beautiful adaptation of Joyce's autobiographical novel
in which the author, through the character of Stephen Dedalus, portrays his youth, his
irish catholic upbringing, and his coming of age at a Dublin university. Stephen,
an intense, serious young man, questions the tyranny of family, state and religion
in their attempt to control his body, mind and soul. The young artist chooses
a lonely exile in his search for freedom and truth. Joyce speaks through his hero,
Stephen, when he proclaims: "The soul, it wakes to itself in sin and loneliness
and secrecy./ It has a slow and dark birth.../ When the soul of man is born in
this country,/ there are nets flung at it to hold it back from flight./ You talk
to me of nationality, language and religion./ I shall try to fly by those nets."
|
A Portrait of the Artist as a Young Man
(James Joyce)
(A film by Joseph Strick; starring Bosco
Hogan, T.P. McKenna and John Gielgud; 1997,color, 93mins)
EV792/460B01 |
The film is a
beautiful adaptation of Joyce's autobiographical novel in which the
author, through the character of Stephen Dedalus, portrays
his youth, his irish catholic upbringing, and his coming of age at a Dublin university.
Stephen, an intense, serious young man, questions the tyranny of family, state
and religion in their attempt to control his body, mind and soul. The young artist
chooses a lonely exile in his search for freedom and truth. Joyce speaks through
his hero, Stephen, when he proclaims: "The soul, it wakes to itself in sin
and loneliness and secrecy. It has a slow and dark birth When the soul
of man is born in this country, there are nets flung at it to hold it back
from flight. You talk to me of nationality, language and religion. I
shall try to fly by those nets." |
Persuasion (Jane Austen)
(1993 BBC version; Color, 225 mins; one set--two
tapes)
823 M623 VRe |
Starring Ann Firbank and Bryan Marshall; dramatised
by Julian Mitchell; produced and directed by Howard Baker
"I could think of you only as one who had
yielded, who had given me up, who had been influenced by one other
than me."
Eight years ago Anne Elliot allowed herself to be persuaded by her snobbish
family to reject the young Captain Wentworth's proposal of marriage. Now he has
returned from a career at sea, both eligible and affluent. But Anne has other
suitors and the Captain's heart seems set upon the youth and beauty of the impetuous
Louisa Musgrove.... Is their love lost forever? (Donated
by Bro. Nicholas Koss) |
Pride and Prejudice
-- 1995
BBC version; 1993 BBC version
¡@
 ¡@ ¡@ VE/823/008M01 |
Jane Austen's superb
romantic comedy, follows a cast of society's elite through the games
of love and negotiations of marriage in the countryside of 19th-century England. At the center
of this intriguing dance is the lovely and rebellious Elizabeth Bennet, whose
spirited wit and good sense keep her away from folly-most of the time. Elizabeth's
frightfully embarrassing mother worries about her five unmarried daughters. With
her husband's estate destined for his fatuous cousin William Collins, she is determined
to marry one of her girls off to a rich new neighbor, Charles Bingley. Everything
goes according to Mrs. Bennet's plan-at least until Bingley's snobbish friend
Fitzwilliam Darcy arrives.
Elizabeth is put off by Mr. Darcy, who seems
rude and arrogant. Her judgment is supported when she meets the
dashing officer George Wickham, who tells her of his unfair
treatment at Darcy's hands. Meanwhile, Mr.Collins arrives
at the Bennet's, hoping to wed one of the daughters. At a fancy ball thrown by
Bingley, Elizabeth must fend off Mr. Collins' clumsy attempts at courtship, while
several members of the Bennet family make a dreadful scene.
The Bingleys depart for London,
leaving Elizabeth's older sister Jane heartbroken and her mother despondent over
the loss of potential suitors. Then, on a visit to her newly married friend Charlotte,
Elizabeth finds herself once again in the company of Darcy, whose haughty aunt
is Charlotte's husband's patron. While Darcy becomes enamored of Elizabeth, she
learns that he "saved" Bingley from his romance with Jane. Choked with anger,
she is completely surprised when Darcy presents a startling proposition.
A shocked and injured Darcy
gives Elizabeth a letter defending himself against her charges. Elizabeth returns
home distraught, realizing that her prejudice against him had blinded her from
seeing events more clearly. But just as pride seems to have driven the two apart,
an unexpected meeting offers a second chance.
The newly discovered love between Elizabeth
and her wealthy suitor Darcy is suddenly doomed. Word has reached Elizabeth that
her sister Lydia has run away with the adventurer Wickham, and her family faces
disgrace. Mr. Bennet chases the couple to London, hoping to find his ruined daughter,
but to no avail. Yet when all seems completely lost, a mysterious savior steps
in to put everything right.
With social demons tamed and Darcy on their side, Elizabeth's
sister Jane and Bingley again become engaged. Rumors also swirl about Elizabeth
promise not to accept any offer of marriage, insulting Elizabeth, her family and
their social position. It is all Elizabeth can do to give a cool and controlled
response-one that will end up dictating her future happiness. |
Pride and Prejudice
(1995 BBC version; Color, 301 mins; directed by Simon Langton; one set--two tapes)
823 L286-1 Ve 1995
823 L286-2 Ve 1995 |
The arrival of the wealthy Mr. Darcy in the neighborhood causes
great excitement within the Bennet Family. One of her
five daughters, Mrs. Bennet feels, is sure to capture the heart of the wealthy
young aristocrat. That fate befalls the spirited Elizabeth. Judging him on first
impressions and the malicious gossip of friends she rejects his advances. However,
as she busies herself with the stormy romances and scandal of her sister, she
once again finds herself in his company. Gradually her opinions of his proud young
man begin to change---. Amid a host of delightful characters, and against
a background of grand stately homes and beautiful countryside, this famous romances
runs its rocky course. |
Pride
and Prejudice (1993 BBC
version; Color, 259 mins)(dramatized by Fay Weldon, Starring Elizabeth
Garvie and David Rintoul, directed by Cyril Coke)
823 C682-1 Ve 1993
823 C682-2 VRe 1993 |
"It
is a truth universally acknowledged that a single man in possession
of a good fortune in in want of a wife."
When the charming
and kindly young Mr. Bingley moves to the neighborhood, there is great excitement
in the Bennet family. Jane, the eldest of five Bennet daughters seems to have
captured the heart of the wealthy young man. But when his friend, the caught Mr.
Darcy finds himself attracted to Elizabeth, the next sister, the tribulations
of the Bennet family have only just begun---. |
Pride and Prejudice
(1 hour 58 minutes, B &W, 1940)
823 L581p |
Starring: Greer Garson and Laurence Olivier; directed by Robert Z.
Leonard Five marriageble daughters! What's a mother to do? What's a father to do?
What are we to do? Laugh, cry, and become totally enchanted by Pride and Prejudice,
a cinematic masterpiece based on Jane Austen's classic novel of manners and starring
Greer Garson and Laurence Olivier. As if five headstrong daughters weren't enough,
mild-mannered Mr. Bennet (Edmund Gwenn) has to deal with an empty-headed wife
(Mary Boland) as well. When the aristocratic Mr. Darcy (Olivier) condescends to
enter the Bennet's lives by proposing marriage to Elizabeth (Garson), his pride
suffers a blow as the equally proud girl turns him down. The determined Darcy
then conspires in the love lives of the other sisters-including Jane (Maureen
O'Sullivan) and Lydia (Ann Rutherford)-to win Elizabeth's hand. Finally, it's
love that conquers all. From "once upon a time" to "happily ever after," Pride
and Prejudice is endearing family viewing. (Donated
by Bro. Nicholas Koss) |

Pride and Prejudice (Clare
West)
CD eng/ 407 W516p |
'The moment I first
met you, I noticed your pride, your sense of superiority, and your
selfish disdain for the feelings of others. You are the last man in
the world whom I could ever be persuaded to marry,' said Elizabeth
Bennet. And so Elizabeth rejects the proud Mr Darcy. Can nothing
overcome her prejudice against him? |
A Passage To India
791.43 L437p LDe
¡@ |
It is an emotional
and deeply personal story of love and class struggle in the
India 1928. Adela Quested
beautifully portrayed by Judy Davis travels
to
India
to visit her fiance, but
a strange incident occurs
there resulting in a
charge of attempted rape against the doctor. What actually happened? |
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R
---
Remains of the day
791.43 Iv96a Ve |
Hopkins stars as Stevens, the
perfect English butler - an ideal carried by him to fanatical
lengths, as he serves his master, beauutifully played by James Fox.
Darlington, like some other members
of the British
Establishment, becomes a dupe of
the Nazis in their plot to
win the alliance
of British government.
Thompson stars as the
estate's housekeeper, a high-spirited, strong-minded woman. |
Room With A
View

DVD/823/J28 |
Starring:
Maggie Smith, Helena Bonham Carter Director: James Ivory
When Lucy Honeychurch and chaperone Charlotte Bartlett find themselves in Florence
with rooms without views, fellow guests Mr Emerson and son George step in to remedy
the situation. Meeting the Emersons could change Lucy's life forever but, once
back in England, how will her experiences in Tuscany affect her marriage plans? |
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S
---
Sense and
Sensibility (Jane Austen) (1996 BBC version; Color, 174 mins; directed by
Rodney Bennett)
823 B471s Ve |
"Where so many hours have been spent in convincing myself
that I am right, is there not some reason to fear I may be wrong."
Devoted
sisters Elinor and Marianne are forced by tragic circumstances to set about the
delicate task of finding suitable husbands. Marianne, with her passionate hunger
for emotional experience, falls for the handsome, dashing but heartless John Willoughby.
The outwardly collected Elinor is in love with Edward Ferrars, who is himself
entangled with the sly and avaricious Lucy Steele. Amidst disappointment and distress,
will they ever find happiness and true love? (Donated
by Bro. Nicholas Koss) |

Sense and Sensibility
(Clare West)
CD eng/ 407 W516e |
Sometimes the
Dashwood girls do not seem like sisters. Elinor is all calmness and
reason, and can be relied upon for practical, common sense opinions.
Marianne, on the other hand, is all sensibility, full of passionate
and romantic feeling. She has no time for dull common sense, or for
middle-aged men of thirty-five. |
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T
---
Tess (I)(II)
EV823/003B01 |
Tess, portrayed by the
entracing Nastassia Kinski, is a daughter of a poor, drunken farmer
who discovers that he is actually of noble descent.
Tess is sent off to live
with their proper and wealthy relatives. There, she is seduced by a
suave but sinister cousin and bears him a bastard son who dies while
still an infant. |
Tom Jones
791.43 R521 LDe |
When
Tom is discovered an
abandoned orphan on the bed of Squire All worthy, his origins are
mystery; but the Squire adopts him as his own and
Tom begins a life bawdy
adventure. |
Treasure Island ( R. L. Stevenson
PUBLIC)
EV/792/692M01 |
It
all begins when young Jim Hawkins inherits a long-lost map to a
pirate's treasure. Jim
hires the great ship Hispaniola where he meets the good Captain
Smollett and the evil yet charming Long John Silver. With adventure
in their hearts and treasure
chests of gold in their eyes, they set sail on the bounding main
only to discover danger at every turn. |
Third Man, The (G. Greene)
EVR/823/006B03 |
An American "dime
novelist" is invited to Vienna to visit a college chum, only to find
that he was hit and killed by a car a forthnight ago. Was it an
accident or murder? |

The Secret
Garden (Clare West)
CD eng/ 407
W516s |
Presents the story of little Mary Lennox - a bad-tempered,
disagreeable child. When her parents die in India, she is sent back
to England to live with her uncle. She has nothing to do except walk
in the gardens, and watch the robin flying over the high walls of
the secret garden... which has been locked for ten years. And no one
has the key. |
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W
---
Women
In Love
EV792/804M01
EV792/803M01 |
Growing up in the
sheltered society of a 1920s English mining town, Gundrun (Jackson)
and Ursula (Jennie Linden) Brangwen know little of the ways of
love. Though they have yet
to experience a sexual awakening, they each harbor a latent,
burning, nearly irrepressible desire. So when they pursue thrilling,
torrid affairs with a notorious playboy (Alan Bates) and a brooding
philanderer (Oliver Reed), they throw themselves into the experience
with fervent intensity. But as their liaisons move from frantic,
heated encounters to mature emotional relationships, what they
discover about their lovers, and themselves, may be more
all-consuming -- and dangerously volatile -- than they ever dared
imagine. |
Wuthering Heights (Emily
Bronte) (104 minutes, B &W, 1939; starring:
Laurence Olivier and Merle Oberon; directed by William Wyler)
EV/820/023B01
EVR/820/023M11 |
Laurence Olivier,
Merle Oberon and David Niven star in this internationally-acclaimed masterpiece
based on Emily Bronte's classic story of passion, hatred and revenge. Olivier
and Oberon are brilliant as Heathcliff and Cathy, whose tortured love affair ends
with Cathy marries the wealthy Edgar (David Niven). Heathcliff's savage retaliation
upon the woman he loves explodes in a stunning climax. (Donated
by Bro. Nicholas Koss) |

Wuthering
Heights (Clare West)
CD eng/ 407
W516w |
The wind is strong on the Yorkshire moors. There is one house called
Wuthering Heights that does not hide from the wind. When Mr Earnshaw
brings a strange, small, dark child back home to Wuthering Heights,
it seems he has opened his doors to trouble. He has invited in
something that, like the wind, is safer kept out of the house. |
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