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Renewed September, 2004


AUTHORS

| A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z |

Ahrens, Rudiger
History and the Dramatic Context: John Osborne's Historical Plays.  16(1983): 49-76.
Ted Hughes' "Gnat-Psalm" The Poet in Search of a New Transcendence.  19(1986): 15-36.
National Myths and Stereotypes in Modern Irish Drama: Sean O'Casey, Brendan Behan, Brian Friel.  19(1986): 15-36.

Arenas, Angel Diaz
El Humor en la Novelistica de Camilo Jose Cela.  24(1991): 79--
Reflexiones Sobre la <Desfabulacion> del Arte.  25(1992): 32-49.

Armendariz, Angelo
Petronius and Apuleius in the Spanish Picaresque Novel.  3(1970): 37-62.

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Banaag, Concepcion B.
Evil and Redemption in Lord of the Flies.  3(1970): 1-13.
Sisphus in Modern Guise.  6(1973): 83--

Barstow, Ann Llewellyn
Joan of Arc and Claudel: Jeanne D'Arc au Bucher.  30(1997): 71-82.

Bauer, Daniel J.
An Existential Look at Solzhenitsyn's Ivan Denisovich.  12(1979): 17-38.
Sorcery and Passion: Elements of a Theology in the Medea.  13(1980): 55-68.
Creative Repetition in Gertrude Stein's Melanctha.  14(1981): 29-44
Narratorial Games in Philip Roth's Letting Go: Testing Grounds for a Career?  22(1989): 53-70.
Sir Walter Scott as Guest Professor of Creative Writing.  23(1990): 136-163.

Bayo, Manual
Camilo Jose Cela: Medio Siglo de Literatura Espanola.  22(1989): 87-98.
Referencias Chinas en las Obra de Camilo Jose Cela.  23(1990): 81-99.
El Heroe Clasico Reflejado en el Espejo Concavo: (Tragedia y Literatura on Luces de Bohemia).  27(1994): 73-85.
Wenceslao Fernandez Florez.  28(1995): 68-77.
Asomarse a la Casa de los Siete Balcones, de Aleijandro Casona.  29(1996): 67-89.
Elementos Escenicos en el Mester de Clerecia.  31(1998): 93-114.
La Otra Realidad en el Teatro de Buero Vallejo.  32(1999): 74-87.

Berkowitz, Steven
Of Signs and Seals: The New Character of John Donne.  18(1985): 1-30.
Transformations of Porteus: The Image of Man in Virgil's Fourth Georgic.  21(1988): 1-16.
Teaching Renaissance English Drama in the Republic of China.  22(1989): 13-20.
"Alis Non Nihi": Comic Devices in Latin Italianate Comedy.  26(1993): 97-107.

Berman, Thilo von
A Glimpse at Modern English Poetry.  14(1981): 17-28.

Bramkamp, Agathe C.
An Austrian Effie Briest?--The Image of Woman in Marie von Ebner-Eschenbach's Novel Unsuhnbar.  18(1985): 41-58.
Deutsche Literatur in Taiwan: Wandel der Rezeption, Reflektiert in M. A. Arbeiten der Letzten Funfzehn Jahre.  28(1995): 37-49.
Lessings Burgerliches Trauerspiel Oder Emilias Aufklarung.  31(1998): 65-75.

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Caterina, Michael
Implanting.  3(1970): 14.

Chan, Hui-chen (詹惠珍)
Taiwanese Kinship Terms.  16(1983): 111--

Chang, Doris Li-wen ()
One the Semiosis of Pi and Hsing in Liu Hsieh's The Literary Mind and The Carving of Dragon.  29(1996): 24-37.
On the Mystical Path: Experience of the Transcendental and Its Representation in Taoist, Buddhist and Christian Traditions.  31(1998): 19-41.

Chang, Francis X.
A Case of Culture Lag: Socio-Economic Problems Confronting Taiwan Today.  2(1969): 87-98.

Chang, Goretti Bau-yan
An Analysis of Affective Factors, Achievement, and Proficiency in EFL.  22(1989): 169-192.
Chinese EFL Leaners' Production of English Vowel Lengthening Variation Before Voiced Obstruents.  27(1994): 86-103.

Chang, Luisa Shu-Ying

El Cartero: Ficcion, Realidad Historica e Intertextualidad Filmica. 36 (2004): 1-27.

Chang, Y. Z.
China's Strange Names.  7(1974): 33-38.

Chen, Chao-fang
Healing the Trauma: Loss and Recovery in Silas Marner. 36 (2004): 42-54.

Chen, Shing-lung
Die Redensart "Das Gesicht Verlieren" in der Chinesischen und Deutschen Sprache.  28(1995): 50-67.

Chen, Yung-yu
Zur Problematik der Textgestaltung.  29(1996): 110-117.

Cheng, Sally Kao (鄭高錦雪)
Chia Pein (家變): A "Revolutionary" Chinese Novel of Today.  11(1978): 1-12.
From Zen to Romance: Where There Are Waters in Hundreds of Rivers, There Are Hundreds of Moons in Them.  20(1987): 69-82.

Cheng, Yung-hsiao (鄭永孝)
Clergymen in Jane Austen's Novels.  11(1978): 25-40.

Chi, Casey Wei-jan (紀蔚然)
Two Significant Modern Playwrights from Taiwan.  13(1980): 1-26.
The Power of Imagination in "The Man Who Became a Woman."  21(1988): 61-72.

Chien, Ying-ying. (簡瑛瑛)
Women Crossing the Wild Zone: Sexual/Textual Politics in the Fiction of Ding Ling and Lin Ang.  28(1995): 1-17.

Chuo, Fred P. L.
A Comparative Study of Interrogatives in Tsou and Yami.  31(1998): 1-18.
Retroflex Suffixation in Mandarin Revisited.  33(2000): 84-95.
Pukuo Morphology. 36 (2004): 85-100.

Colet, Laetifera, Sr.
Woman as Symbol in the Novels of Gertrud von Le Fort.  1(1968): 87-108.

Connor, Margaritte R.
Delarivier Manley: An Anonymous Pamphleteer Examined.  28(1995): 78-87.
Power, Mothers and Lovers: The Women of Shakespeare's Late Tragedies.  29(1996): 38-54.
Susanna Centlivre: Playwright and Whig Apologist.  33 (2000): 46-65.

Constantinides, Doris
Antigone: Various Aspects of Presenting a Biligual Opera.  30(1997): 91-95.

Costanza, Alfonso
Le Fiabe Teatrali di Carlo Gozzi. 34 (2001): 99-131.

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Deeney, John J.
The Love Song of J. Alfred Prufrock: A Study in Diction and Imagery.  2(1969): 53-68.
Advice to Graduate Students in Search of a Thesis Topic.  5(1972): 101-108.

Demers, Pierre E.
Structure and Diction of Wordsworth's Poetry.  1(1968): 109-118.
Yeats' Great Wheel and the Use of Christian Myths and Symbols in His Poems.  2(1969): 33-52.
Marshall McLuhan or The Return of the Nonliterate.  4(1971): 61-78.
The Ring, The Book, and Molinos.  15(1982): 19-36.
Apocalypse Now and Then.  18(1985): 31-40.

Detilg, Joseph
Samuel Richardson and His Modern Critics.  1(1968): 55-70.

Driver, Tom F.
Re-Imaging Women.  30(1997): 1-12.

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Fraser, Barbara Means
Sondheim's FoscaL Distinctly American Romanticism.  30(1997): 83-90.

Fuh, Andrea Yuh-tsuey
Una Expresion Literaria Indigenista.  32(1999): 88-104.

Fu, Yi-chin
Lin Yutang: A Bundle of Contrast.  21(1988): 29-44.

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Gabriel, Paul
A Little Bit More about Cubism in Tender Buttons.  22(1989): 71-86.

Gobbel, Fidelis E.
Deutsche Horspiele: Ein Lehrprojekt und Seine Auswertung.  25(1992): 50-69.

Grimm, Reinhold
One Hundred Years Since The Beaver Coat: Gerhart Hauptmann Reconsidered.  25(1993): 78-96.
Intertextual Biblical Configurations in Drama: The Case of Bertolt Brecht.  29(1996): 55-66.

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Ho, Douglas I-ping (賀一央)
Religious Figures in the Dream of the Red Chamber.  16(1983): 1-32.

Hong, Teng-yueh
Le Dreyfusisme Proustien. 38(2004): 55-92.

Hsia, Adrian
Hermann Hesse and the East.  10(1977): 1-16.
Hermann Hesse in North America.  14(1981): 1-16.

Hsieh, Hsun-liao
Jerzy Grotowsky and Chinese Theatre.  17(1984): 19-38.

Hsin, Fang
Macbeth as a Morality Play: A Comparative Study of the Play with Reference to Everyman and Doctor Faustus.  7(1974): 1-24.

Hsu, Joseph H.
Language and Culture.  7(1974): 65-74.
To Get or Not to Get.  8(1975): 65-76.
---, and Paul C. F Lien. Fu Jen Graduate School of Linguistics: Eight Years (1969-77).  10(1977): 79-91.

Hsu, Pei-tze (徐培資)
The Love of the Land in Pearl Buck's The Good Earth and Willa Cather's O Pioneers!  12(1979): 71-82.

Hu, Kung-tze
Translation of the Definite Article The From English into Chinese.  23(1990): 36-58.

Huang, Jing-shing (黃錦星)
The Marker GUO () in Chinese.  13(1980): 69-76.

Huang, Meng-lan
Étude Contrastive des SystÈmes Temporels Chinois et FranÇais. 38(2004): 93-125.

Hung, Ling-lan (洪鈴蘭)
Das Tyrannische Gesellschaftsethos in Theodor Fontanes Roman Effi Briest.  12(1979): 83-98.

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Iannucci, James E.
Some Observations on Chinese and English Bilingual Lexicography.  5(1972): 49-58.

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Kato, Michio
Henry James and the Art of Contrast.  21(1988): 45-60.

Kaulbach, Barbara M.
The Woman Warrior in Chinese Opera: An Image of Reality or Fiction?  15(1982): 69--
Aspekte der Chinesischen Oper in Taiwan.  14(1981): 77-92.

Klopsch, Volker
Die Versuchung des Orpheus: Der Einfluss Rilkes and das Lyrische Werk von W. H. Auden.  16(1983): 77-110.

Kornelius, Joachim
Authorspecific and Groupspecific Variation of Style-Markers in 'Irish Renaissance' Drama.  8(1975): 33-46.
---, and  Dieter Goeke.  On Measuring Irishisms.  9(1976): 45-60.
Editorials and Front Page News in English Newspapers.  11(1978): 73-86.

Koss, Nicholas
A Report on the Second Hongkong Conference on East-West Comparative Literature. 14(1981): 45-52.
ECCE Translator's Manual: A Review and an Experiment.  15(1982): 55-68.
Poetry and the Transcendent: Fu Jen University Second International Conference on Literature and Religion (A Report).  23(1990): 164-191.
Christianity in Selected Works of Chinese-American Literature.  24(1991): 13-30.
Fiction That Changed China: A Review of Fictional Realism in 20th-century China: Mao Dun, Lao She, Shen Congwen by David Der-wei Wang.  25(1992): 144--
"Will the Real Wittman Ah Sing Please Stand Up": Cultural Identity in Tripmaster Monkey: HisFake Book.  26(1993): 24-50.
Western Images of China From the First Century B. C. to the Seventh Century A. D.  27(1994):
1-16.
China in the Medieval Accounts of John of Plano Caprini and William of Rubruck.  28(1995): 18-36.
China in the Medieval Account of Odric of Pordenone.  32(1999): 58-73.
A Fleeting but Never Disappearing Medieval Image of Chinese Wealth and Women.  33 (2000): 27-45.

Krenn, Heliena, Sr.
Joseph Conrad's Predilection for Isolated Characters.  3(1970): 63-86.
Prometheus in Twentieth Century American Literature.  6(1973): 57-82.
The American Identity in the "Novels of Manners."  10(1977): 41-58.
The Perfidy of Fidelity in Joseph Conrad's Fiction.  13(1980): 27-46.
Joseph Conrad's Polish Heritage of Hopefulness in "YOUTH."  15(1982): 37-54.
The Shadow of a Successful Man: Conrad's Hollow Man in The Outcast of the Islands.  16(1983): 33-48. China in the Description of the World, Usually Attributed to Marco Polo.  29(1996): 1-23.
Conrad's Women and Art: "The Return" and "The Planter of Malata" as Signposts in Conrad's Creative Landscape. 33 (2000): 1-15.
Representation or Presentation? Joseph Conrad's Freya and Felicia.  33 (2000): 16-26.

Kubler, Cornelius C.
Allocation of Gender to English Loans in American German.  19(1986): 89--

Kuschel, Karl-Joseph
China im Wek von Hermann Hesse und Bert Brecht.  22(1989): 99-128.

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Lai, Stanley Sheng-chuan
The Short Stories of Huang Chun-ming.  10(1977): 25-40.

Li, Wallace (李奭學)
History and Fiction: A New Interpretation of "The True Story of Ah Q."  17(1984): 69--

Lien, Chin-fa (連金發)
Yiqian and Yihou (以前與以後).  12(1979): 105--
A Cross-Linguistic Look at Noun-Verb Conversion.  13(1980): 77-96.
Compliment-taking Predicates Revisited--A case Study of Factives.  21(1988): 129-138.

Liang, Ting-chi
Connexion and Separations in A Passage to India.  8(1975): 47-64.

Lin, Freidlinda S. L. (林淑玲)
Lesebucher der Mittelschulstufe in Taiwan und der BR. Deutschland: Ein Vergleich.  14(1981): 93--

Lin, Peter Chi-fan (林啟藩)
An Approach to Wang Chen-ho's Short Stories: No Country for Economic Parasites.  12(1979): 53-70.

Liu, H. C. Cecilia
Who's Being Hailed: Subjectivity in Caryl Churchill's Fen and Softcops. 33(2000): 66-83.

Liu, Linda Hsiao-mei
Le in the Tense and Aspect System of Mandarin.  23(1990): 59-80.
The Co-Occurrence Restriction of Perdicate Quantifiers and the Progressive in Mandarin.  25(1992):
20-31.

Liu, Joyce C. H. (劉紀蕙)
The Theme of Renunciation in The Dream of the Red Chamber, Le Rouge et Le Noir, and Jude the Obscure: An East-West Comparative Study of Literary Themes and Techniques.  17(1984): 1-18.
From Loo Port to Taipei: The World of Women in Lee Ang's Works.  19(1986): 65-88.
Journey and Landmark: The Merged Temporal and Spatial Perspectives in Thomas Hardy's Jude the
Obscure.  20(1987): 1-18.
Pregnant Movement in the Past: History and the Narrative in George Eliot's Daniel Deronda.  23(1990): 116-135.
The Religious Icons and the Culture of Goddess in Contemporary Taiwan Dance Theatre.  30(1997): 30-49.

Liu, Kate Chiwen (劉紀雯)
National History Re-Visioned and Hybridized: Assimilation and the American Dream in Kingston's China Men.  26(1993): 1-23.
Family in the Postmodern "Non-Places" in the Films by Atom Egoyan and Ming-liang Tsai.  34 (2001): 1-27.

Liu, Minhua
English-Chinese Consecutive Interpretation: Student Problems Lead to New System of Teaching.  27(1994): 104-116.

Lo, Jia-Jiunn 
Metacognitive Cues: A technique for Enhancing EFL Reading in Hypermedia.  33(2001): 28-40.

Lo, Tsan-ching (羅燦慶)
Die Aufnahme von Erich Kastners Kinderroman Emil und die Detektive in Taiwan.  11(1978): 61-72.

Lyu, Hsiou-ling
Cuddies and "the Perfecte Paterne of a Poete."  22(1989): 21-32.

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Ma, Aline Siao (馬萬亞)
Die Romane und Erzahlungen von Alfred Andersch.  11(1978): 41-60.

Magliola, Robert
Boatman of the Imagination: Nature, Reason, and Guilt in the Poetry of Bertolt Brecht.  19(1986): 1-14.

Mansour, Wisam.
Angel and Cupid in Spenser's The Faerie Queene.  31(1998): 42-50.

Mayer, David R.
Symbolic Action in Hawthorne's Parable: The Minister's Black Veil.  7(1974): 25-32.
The Interdependence of the General and the Particular in Samuel Johnson's Literary Criticism.  8(1975): 21-32.
James T. Farrell and the Irish-American Neighborhood Novel.  18(1985): 59-80.
The Short Stories of Toshio Mori.  21(1988): 73-88.
Toshio Mori's Neighborhood Settings: Inner and Outer Oakland.  23(1990): 100-115.

McLellan, John M.
To Baudelaire.  3(1970): 30.
Five Poems by Ch. Baudelaire.  3(1970): 31-36.
Samuel Beckett and the Novel of "Philosophic Monologue."  4(1971): 79-96.
Nabokov and the Novel of "Melodramatic Fantasy."  5(1972): 59-80.
The Impact of James Joyce on Contemporary Fiction.  6(1973): 39-76.
The Theme of "Morality"  in Defoe and Richardson.  19(1986): 37-64.

Morales, Carmen, Sr.
Unamuno's Concept of Woman.  5(1972): 91-100.

Murphy, Joseph C.
Whitman's Passagen-Werk: Leaves of Grass and the Nineteenth-Century Exposition.  31(1998): 51-64.

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Ni, Miranda (倪淑蘭)
Women Characters in Classical Chinese Comedy.  23(1990): 20-35.

Nishiwaski, Hiroshi
Ideograms in Language Contact: the Use of Chinese Characters for Japanese.  211988): 163-190.

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Perng, Roger Hui-zung (彭輝榮)
British Renaissance Ovidian Mythological Tales and Postmodern Genre Criticism: A Sociological Approach.  32(1999): 20-44.

Perng, Yen-sheng H.
The Rhetoric of Paradox: Symbiosis in "The Old Cumberland Beggar."  24(1991): 47-64.

Plank, Ingrid
Gespieltes Deutsch: Theaterkurs Leicht Gemacht.  27(1994): 51-72.

Polzer, Norbert
Herkunft und Konzept des Dadaismus.  29(1996): 90-109.
Zur Herkunft der Sprache des Rassistischen Anti-Semitismus. 32(1999): 105-138.
Zur Rhetorik des Neurechten Ideologen Alain de Benoist. 38 (2004): 1-36.

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Reitz, Bernard
The Meaning of the Buddha-Comparisons in Joseph Conrad's Heart of Darkness.  13(1980): 47-54.

Roch, Martin
Aux Sources D'une Locution: Aspects Lexicaux et Syntaxiques de "L'Odeur de Saintete" dans les Textes Latins du Haut Moyen Age.  31(1998): 115-129.

Ryden, Edmund, S. J.
Dance in Religion; Religion in Dance.  30(1997): 13-29.

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Sandel, Todd L.
Changes in English Department Student Attitudes Towards Their Roles as Leaners.  28(1995): 88--

Schulte, Raphael
Silence in the Apocalyptic Gradens, Graves, and Greenhouses: "war" Poems by H. D., Robert Lowell, and Theodore Roethke.  25(1992): 1-19.
Reading Meaning: Language Poetry and the "Other Tradition."  26(1993): 127--
James Wright's Poetry and Publication Practices.  27(1994): 33-50.
Re-Imaging the "Beautiful History": From O'Hara and Larry Rivers.  32(1999): 45-57.

Schulz, Volker
Angus Wilson's Novella "More Friend Than Lodger": A Structuralistic-Generative Interpretation.  20
Structuralist Narrative Theory and Methodology: W. O. Hendricks' Analysis of Ambrose Bierce's
Short Story "Oil of Dog" as Testcase.  22(1989): 129-168.

Scott, Carolyn F.
"Master-Mistress of My Passion": The Failure of Friendship in Shakespeare's Sonnets.  26(1993): 108-126.

Shim, Jung-Soon
Elements of Shaman Ritual as Counter-Imperialist Discursive Strategy in the Korean Comfort Women Play "Coming and Going at Sundown."  30(1997): 50-57.

Siegrist, Ulrich
Uber Einige Schwierigkeiten in Deutschen Literatur und Aufsatzunteriicht in Taiwan.  9(1976): 89--

Smorada, Claudia Kovach
Side-Stepping Death: Ethnic Identity, Contradiction, and the Mother(Land) in Amy Tan's Novels.  24(1991): 31-46.

So, Francis K. H.
Current English Renaissance Studies in Taiwan.  25(1992): 116-143.

Sprenger, Arnold
Goethe und die Romantiker.  1(1968): 145--
The Numerals of the Puyuma Language.  4(1971): 49-60.
Foreign Language Teaching and Learning in Taiwan at the College Level.  5(1972): 1-48.
The Teaching of English on the Secondary Level in Taiwan (ROC): Problems and Prospects.  6(1973): 1-22.
Linguistics in Taiwan.  7(1974): 75--
The Reading Myth.  8(1974): 77-92.
Language and Literature: Dichotomy or Unity?  Some Reflections on the Teaching of English in Taiwan.  9(1976): 75-88.
The Graduate School of Linguistics (Fu Jen University) Outlook.  10(1977): 92-101.
Chinese Characters and the Problem of Language Reforms in China.  11(1978): 87-100.
The 1979 Asian and Pacific Conference/Seminar on Linguistics and Language Teaching: Chinese and
English as Foreign Language (Taipei, August 24-26, 1979).  12(1979): 99-104.

Sun, Janet Hsiao-yu
Originary Replacement: An Evaluation of the English Translation of the Imagery and Grammatical Auxiliaries in the Guo Feng of the Shi Jing.  23(1990): 1-19.
Inner Voice From the Yonder Shore: The Still Point of the Sea in T. S. Eliot's Four Quartets.  32(1999): 1-19.

Sutton, Betty S.
Forms as Argument: Frost's "Lesson for Today."  18(1985): 81--

Sy, Belen M.
Robert Southwell's Poetic Self-fashioning.  34 (2001): 41-74. .
Ignatian Tradition in the Works of Robert Southwell. 36 (2004): 55-84.

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Tien, Morris Wei-hsin
The Naked and the Dead: A Novel Non-Heroes.  10(1977): 59-78.

Tong, Tee Kim
The South Seas Tempest in the Renaissance.  25(1992): 101-115.

Tseng, Li-ling
A Syntactical Study of Samuel Beckett's Ping.  20(1987): 55-68.
"Tatters" of Syntax: Samuel Beckett's All Strange Away.  21(1988): 111-128.

Tseng, Sandra
Solipsistic Heroes in Notes from teh Underground and Nausea.  24(1991): 65-78.

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Valle, Bernard del
Teaching Freshman English.  8(1975): 93-104.

Varela, Lourdes Y.
Re-Charting Directions in Language Teaching.  9(1976): 61-74.

Vargo, Edward P.
Roslynde!  Heavenly Rosalind!  7(1974): 39-48.
In What Direction?  Trends in West African Literature in English during the 1970s.  8(1975): 1-20.
Struggling with a Bugaboo: The Priest-Character in Achebe and Grenne and Keneally.  9(1976): 1-18.
The Challenge of Modern Society to the Creative Writer.  12(1979): 1-16.
Tempering the Darkness: John Updike's Light Verse.  22(1989): 33-52.
(Non)American Readers "Writing" (Un)American Literature.  27(1994): 17-32.

Venne, Peter
Pearl Buck's Literary Portrait of China and the Chinese.  1(1968): 71-86.
The Eternal Antigone.  2(1969): 19-32.
The Message of Thornton Wilder: Some Reflections on His Novel The Eighth Day.  3(1970): 15-29.
Some Variants of the Rip van Winkle Tale.  4(1971): 97-104.
A Man Called Faust.  5(1972): 81-90.
The Story of Joseph in Egypt.  6(1973): 47-56.
Best Sellers and Classics.  7(1974): 49-64.
Novels and Their Titles?  A Literary Promenade.  8(1975): 105--
Death in Hollywood: An English Satirist Looks at Modern America.  9(1976): 19-28.
The Concept of Honor in Western Literature.  11(1978): 13-24.

Vicente Leopoldo
La Preposicion en Espanol Como Indice de Funciones Intacticas.  33(2000): 96-110.

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Wagner, Werner
Iconicity and Imagination: Productive Fantasy in Aesthetic Production.  20(1987): 83--
Literature and Religious Imagination.  22(1989): 1-12.

Wandel, Reinhold
Some Current Trends in the Teaching of English in Secondary Schools in Germany.  11(1978): 101-113.
Trends in Post-War German Literature.  12(1979): 39-52.
Schwierigkeiten und Moglichkeiten im Deutschsprachigen Konversationsunterricht fur Chinesische
Studenten in Taiwan.  13(1980): 97-117.
Die Graduate School fur Deutsche Sprache und Literatur an der Fu Jen Unidersitat.  14(1981): 53-76.

Wang, Luzia Mei-ling
Tagebuch Als Literarische Werkstatt: Max Frischs Tagebuch und Seine Farce "Die Chinesische Mauer."  24(1991): 1-12.
Chinesischen Ubersetzungen Deutscher Literarischer Werke in Taiwan.  25(1992): 70-85.
Max Frisch und China--Am Beispiel von "Bin Oder die Reise Mach Peking."  26(1993): 51-77.
Literarische Ubersetzung: Zur Rezeptionsgeschichte von Storms "Immensee" in Taiwan.  31(1998): 76-92.
Der Alkoholismus und Georg Hirschfelds Drama Steintrager Luise. 36 (2003): 28-41.
Zu ,,Vererbung" und ,,Vater-Schuld" in Storms Novelle Carsten Curator. 38 (2004): 37-53.

Weingartner, Fredric F.
Electronic Segmentation of Recorded Speech.  4(1971): 1-48.
Structuralism: A Chapter in the History of Thought.  6(1973): 23-38.
The Short Christian Doctrine and Its Various Edition.  21(1988): 17-28.

Wright, Lesley A.
Profile in Courage: Two French Operatic Heroines.  30(1997): 58-70.

Wu, Cynthia (吳信鳳)
The Great Gatsby: Illusion and Reality for Jay Gatsby and Nick Carraway.  17(1984): 39-68.

Wu, Eleanor B. Morris
A Variety of Narrative Voices in Henry Fielding's Jonathan Wild.  34 (2001): 75-98.

Wu, Fei-fei
From the Everlasting No to the Everlasting Yea: A Study of T. S. Eliot's Poems. 9 (1976): 29-44.

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Yang, Jane Parish
The Evolution of the Taiwanese New Literature Movement from 1920 to 1940.  15(1982): 1-18.

Yeh, Shiou-wen 
Metacognitive Cues: A technique for Enhancing EFL Reading in Hypermedia.  33(2001): 28-40.

Yen, Yuan-shu (顏元叔)
Sound and Diction in T. S. Eliot's Verse Drama.  1(1968): 119-144.
Toward the Construction of a Literary Doctrine.  2(1969): 69-86.

Yi, Peng
The New World of The Faerie Queene, Book III: From Apposition to Compassing.  25(1992): 87-100.

Yieh, Alfred Kuang-yao
The Evolution of a Rebel: An Interpretation of Wu Cheng-En's Journey to the West.  10(1977): 17-24.

Ying, Ignatius Ch'ien-li
The Nestorian Tablet of Sian-Fu, Translated into English.  2(1969): 1-18.

Yuan, Yun-pi Agnes (袁韻璧)
The Role of IT in Personal Reference.  29(1996): 118--
---, Evelyn Hsieh, and Tom Nash.  A Further Look at Bilingualism Among R. O. C. University Students.  21(1988): 139-162.

<TOP>

 

Zhang, Grace Qiao
Grice's Maxims and the Principle of Selectiveness: An Advertising Language Perspective. 38 (2004): 127-44.

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Review:
John Kwock-Ping Tse on Siew-Yue Killingley Cantonese.  27(1994): 117--


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